Margaret came to the office on a Tuesday in November. She had driven herself — the same two-hour drive as Patrick, the village to the city, the council chair making the journey alone. He had offered to come to the village, the way he had always offered to come to the people. She had said: no, I want to see where the drawings are made. He thought about this. He thought about Margaret wanting to see where the drawings were made — the office, the drawing board, the notebooks on the desk, the sections pinned to the wall in their sequence. He thought about the person who wanted to understand the commission's origin, the place the attending had gathered before it became the drawing. He had left the office as it was. He had not cleared the board or organised the notebooks. He had left the three community centre sections pinned in sequence and the commission notebook open on the desk and the library notes on the shelf and the school notebook beside them. He had left the office as the workin
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