Then they went upstairs. The elevator was the kind found in European hotels of a certain age — a small, brass-fitted cabinet that moved with a deliberate, unhurried pace between floors, its motor producing a low, sustained note that changed pitch as it passed each landing. Elena stood in it beside Julian and watched the floor indicator's needle move and didn't think about anything in particular, which was itself a new condition. The operational mind that had been running continuous threat assessments since the plantation house veranda had found, in the elevator's small, warm space, that there was nothing to assess. She let the nothing be what it was. The room was on the third floor — a standard European double, its windows overlooking the wet cobblestones of a narrow street that led, eventually, toward the cathedral, though the cathedral wasn't visible from this angle. Rain on the glass. The amber of a streetlamp below. The specific, compressed quality of a Strasbourg evening cond
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