The restaurant Evelyn chooses is called Carême.It is quieter than Maison Privé and smaller, which means she is not staging this for an audience. She is staging it for me, which is in some ways more deliberate and in some ways more honest, and I file that away as I walk through the door and spot her already seated, already composed, her coat draped over the chair beside her with the particular precision of a woman who arrived early enough to arrange herself.She stands when she sees me. Air kiss, left cheek, the formal kind.“Ariana,” she says. “You look tired.”“Good afternoon, Evelyn,” I say.We sit. A waiter materializes and disappears with our drink orders before I have fully settled my bag. Evelyn unfolds her napkin across her lap and looks at me with the expression she uses when she has decided something and is in the process of delivering it.“I wanted to speak with you privately,” she says. “Before things move further.”“Further,” I say.“The legal process. The press attention
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