He was, as she had predicted, better than he expected and worse than he wanted to be. This was the standard condition of someone beginning to draw: the gap between what the eye understood and what the hand could produce was always wider than anticipated, because before you started drawing you didn't know the gap existed, and after you started drawing you understood that closing it was a specific kind of long-term work that couldn't be accelerated through the application of effort alone. She had known this about him before the first lesson. She had also known that he would approach the gap the way he approached every gap between his current capability and his desired capability: with sustained, patient, methodical effort, making incremental progress that he would track internally even when it wasn't visible to anyone else, until one day the gap had closed enough that the result was genuinely good. She had seen this process in the risotto. In the Italian language. In the sign languag
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