POV: Americus BentleyI hear the door before it opens.The creak of the main corridor announces her approach, followed by the specific quality of footsteps that try to be quieter than they are - which is always the loudest kind. There's a particular rhythm to guilt, a cadence to secrecy, and I've learned to recognize both.I have been awake for forty minutes, watching the shadows shift across our ceiling, counting the beats of my own anticipation.I am not going to pretend I wasn't waiting.I adjust my position on my bed, legs crossed, the Sour Patch Kids bag settled in my lap like a prop in a one-woman show. I watch the door with the patience of someone who has been in enough stage productions to understand that timing is everything. That the best revelations come not from rushing, but from letting the scene unfold at its own inevitable pace.The hinges give their telltale creak, a sound I've memorized over months of late-night returns and early-morning departures.Silver eases throu
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