Kowalski was at a table near the window. Not alone.He was with a man I didn't recognize in the mid fifties, an expensive coat, the particular bearing of someone who moved through the world expecting it to arrange itself accordingly. They were leaning toward each other in the specific posture of a private conversation, the man's hand flat on the table between them, Kowalski's head slightly bowed in the way people held themselves when someone they deferred to was speaking.The man looked up.Not at me but at the room, a general survey. The automatic scan of someone who tracked their environment habitually.I was through the glass. I was stationary. I was probably not visible from his angle against the light from the corridor window behind me.But I saw his face clearly enough.I had not met him before.I had, however, seen him in the documentation Ashford had shared a photograph in a program brochure from Crestfield's 2021 season, board of patrons page, four names and four small headsh
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