How Accurate Is 'A History Of Opera' For Students?

2025-12-05 07:16:47 170

5 Answers

Ursula
Ursula
2025-12-07 03:38:02
My professor called this 'the opera bible,' and after three highlighters ran dry, I agree. It’s dense but rewarding—like a Wagnerian leitmotif, themes recur meaningfully across chapters. The plate section with original libretto edits is worth the price. Just wish it had more on contemporary digital stagings; feels stuck in 2010 sometimes.
Nina
Nina
2025-12-07 22:39:34
I borrowed this from my conservatory library expecting a slog, but the writer’s passion jumps off the page. The way it connects Monteverdi’s 'L’Orfeo' to contemporary indie concept albums blew my mind. It’s not just dates and names—it’s about why opera still matters. Some sections drag (looking at you, 18th-century court patronage), but the modern critiques offset that. Great for sparking seminar debates.
Abigail
Abigail
2025-12-08 02:11:49
Having spent years immersed in musicology, I picked up 'A History of Opera' hoping for a deep dive, and it didn’t disappoint. The book’s strength lies in its meticulous research—every era from Baroque to modern experimental works is covered with scholarly rigor. But what really stands out is how it balances academic depth with readability. For students, the footnotes alone are gold mines for further study, though some might find the 20th-century coverage a tad sparse compared to earlier periods.

That said, it’s not flawless. The focus leans heavily toward European traditions, with only passing mentions of non-Western influences. If you’re after a global perspective, you’ll need supplementary material. Still, as a core textbook, it’s exceptional—I’ve dog-eared my copy to death, and my students always cite it as a favorite reference.
Liam
Liam
2025-12-10 14:14:57
As a vocal performance major, I initially scoffed at the idea of reading a dry historical text—until 'A History of Opera' proved me wrong. It’s surprisingly vivid, especially when describing how political upheavals shaped musical styles. The chapter on Verdi’s role in Italian unification made me appreciate 'Va, pensiero' on a whole new level. My only gripe? The vocal technique analysis feels surface-level compared to its political and social insights. Perfect for context, less so for singers honing their craft.
Jane
Jane
2025-12-11 03:26:50
After comparing six textbooks for my thesis, this one stands out for its narrative flair. The author weaves gossipy anecdotes about prima donnas into sober analysis without losing credibility—no mean feat! Students should note its bias toward canonical works; if you’re researching marginalized composers, you’ll need other sources. But for understanding the mainstream trajectory? Unmatched. The glossary alone saved me during oral exams.
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