Is Aizawa Bashing Justified In My Hero Academia?

As the male lead, Henry Johnston, forces himself on me, a row of comments suddenly appears before my eyes. "Henry is about to misunderstand and think Aria drugged him! The angst is about to begin!" "I'm thrilled just thinking about Henry regretting dearly after Aria dies!" "Keep up the act, Henry. After she dies, you'll be hugging her corpse and crying every day." That is when I realize that I am the tragic female lead in a story where I am destined to be tormented until I die. The readers treat my death as a highlight to push the plot forward. They are counting down to my death. As I look at Henry, who is panting on top of me, anger courses through me. I grab a table lamp and smash it into him, killing him on the spot. Who says that the one who dies in a toxic romance story must always be the female lead?

I'm reading a book about a boy who bullies a girl, but they end up in love? Screw that; if it were me, I'd ruin the plot.

"I despise everything about him," Ayisha Duffel always says whenever her path crosses with Kian, the Academy's heir and campus crush. They don't get along, just like cats and dogs. Their relationship is perfect when they are on campus, but when they are outside the campus, they despise each other to the moon and back. How did it all start? Why has it gotten to the point where the relationship has already been contracted? Will they be real in real life? Will they truly love one another? But what if you know that the person you're learning to love's life is in danger? Can you give up your life for him/her? Come on in and let's figure everything out together.

She died once in fire while the man she loved watched her burn without a single step forward. Elena Vale was the villainess of a romance novel—written to be hated, destroyed, and discarded at the end of the story. And she did die exactly like that. Until she woke up at the beginning of it all. The night of the Arden Charity Gala. The night everything was supposed to start. This time, Elena remembers everything—every betrayal, every humiliation, every moment she was written to lose. But instead of begging for survival… She chooses revenge. Because if the world insists she is the villainess, then she will become one they cannot control. A woman who does not beg for love. A woman who builds power instead of tears. A woman who turns her ending into a beginning of destruction. And as she rises, something strange begins to happen. The male lead who once ignored her starts watching. The heroine who was supposed to replace her starts trembling. And the system that once promised her survival begins to warn her: [WARNING: Villainess behavior exceeds original plot limits.] But Elena is no longer afraid of the story. She is rewriting it. And this time… she will be the one they fear.

In a drought-ravaged apocalypse, I kept our entire apartment block alive with my “watermaker” ability. But when I grew weak, my neighbors shattered my limbs and turned me into a living water source. Later, when raiders stormed in, they dragged me out to take the blade for them, only to realize that even my severed arms could still produce water. So, they shouted about “saving humanity,” then shoved me into the crowd and fled in the chaos. People rushed forward one after another, tearing at my flesh. But I didn’t die. What was left of me fell into the hands of a monster, and I was subjected to inhuman torment day after day. Ten years later, when the apocalypse finally ended, that monster tossed me into an incinerator. Only then did I die. When I opened my eyes again, I had returned to the moment I first awakened my ability, just as my neighbor knocked on the door, begging for water.

My best friend, Aria Sinclair, develops amnesia after killing my parents in a drunk-driving accident. Somehow, everyone forgives her. My own brother signs a letter of forgiveness on her behalf. The son I nearly died bringing into this world affectionately calls her "Ari". Even my lawyer husband of eight years stands in front of her and defends her. Because I insist on taking her to court, they join forces and have me committed to a psychiatric facility for an entire year. On the day I'm released, Grant Berton comes to pick me up. He says, "Aria has lost her memory. She's changed and turned over a new leaf. Do you really have to demand a life for a life? Can't we forget the past and move on together?" Voices rise around me from every direction, all urging me to let go and forcing me to forgive. I look at the people who are supposedly the closest and dearest to me. Then, I calmly utter one word. "No." This time, I don't scream and rage about sending her to prison. Even when I catch Grant and her together in the bedroom, I don't pick up a knife and drive them out. Instead, I silently speak to the system in my mind. "I give up on the mission." I don't want the wreckage of the past, and I have no interest whatsoever in a future without light.