Which Album Features My Friends Over You As Its Single?

I still get a little excited when I think about that summer era — the song 'Love Me Right' is actually the lead single of EXO's repackage album also titled 'Love Me Right', which was released as the repackage of 'Exodus'. I got into the whole timeline by digging through SM's releases, and the repackage dropped new tracks and a refreshed concept, with 'Love Me Right' leading the promotion. The song itself felt like a bright reboot of what they'd been doing on 'Exodus', more upbeat and designed to shine on stage. If you want the exact framing: 'Exodus' came out earlier, and the repackage 'Love Me Right' repackaged many of those songs plus the new title track 'Love Me Right'. I often queue up the MV when I need a mood lift—it's choreography-heavy and feels like a perfect festival b-side turned main event. If you haven’t watched the performances, give the live stages a look; they really amplified the song’s energy and made the repackage worth revisiting.

That opening riff of 'My Friends Over You' still makes me grin like an idiot—it's one of those songs that feels like a warm, sweaty summer show. If you dig into who actually wrote the lyrics, the short truth is that the voice behind most of the words is Jordan Pundik, New Found Glory's lead singer. He’s generally credited as the primary lyricist for a lot of the band’s material from that era, and you can hear his personality all over the lines about choosing friends over a messy romance. That cheeky, defiant tone fits his delivery so well that it’s become kind of inseparable from the song itself. That said, songwriting in bands is rarely a solo factory-line process. Official credits for 'My Friends Over You' list the members of New Found Glory—Jordan Pundik, Chad Gilbert, Steve Klein, Ian Grushka, and Cyrus Bolooki—which makes sense because the track’s structure, riffs, and melodic hooks were built collaboratively. Chad Gilbert’s guitar work and melodic ideas, Steve Klein’s rhythmic input, and the rhythm section’s groove all shape how the lyrics land, so the finished product is a group effort even if Pundik put the majority of the words on paper. Producer Neal Avron’s touch on the 'Sticks and Stones' sessions also tightened up the arrangements and vocal phrasing, helping those lyrics punch harder. If you want the most authoritative source, peek at the 'Sticks and Stones' liner notes or check performing rights databases (BMI/ASCAP) for the formal registration. I’ve flipped through old CD booklets at record stores just to see credits and it’s oddly satisfying—there’s a different thrill in reading who did what. For me, knowing Jordan’s voice in the words just makes the chorus hit that much sweeter whenever I blast it on a drives-and-bad-playlist kind of night.

I still get the same giddy buzz when that opening riff of 'My Friends Over You' kicks in — it instantly takes me back to summer playlists and crappy car speakers. To your question about when it was first released worldwide: the short, honest version from my digging is that it came out in mid‑2002. It was the lead single for New Found Glory's record 'Sticks and Stones' and started circulating on radio and music video channels in the summer of 2002, which is when most fans first heard it around the world. Release timing varied by region and format (promo CDs hit radio earlier, retail singles and imports followed), so “worldwide” exposure was a bit staggered rather than a single global drop. If you care about the nitty‑gritty, single releases often rolled out differently: the band and label pushed the track to US alternative radio and to video outlets first, then different markets (UK, Europe, Australia) got their physical single releases or import availability over the next few weeks. I remember seeing the music video in rotation and hearing it on local alt stations before my friend found a UK import single in a record store, which felt like discovering a secret. That staggered rollout is why some people cite slightly different release dates depending on their country or the format they owned. If you're tracking an exact day for a specific country or format — say, the US radio add date, the UK retail single release, or the album launch — I'd check a few places: official discographies, archived press releases, or databases like Discogs which list release versions and dates by territory. Also, old music press from mid‑2002 and the band's archived news posts (if available) will confirm the timeline. For general purposes though, you can comfortably say 'My Friends Over You' first hit the public sphere in mid‑2002 and became a staple through that summer and beyond, which is where most of us first fell in love with it.

Chanyeol's 'Yours' holds a special place in my playlist—it's actually a single, not a full album. Released in 2021, this track was part of the OST for the drama 'The Devil Judge,' and it perfectly captures the emotional intensity of the show. I love how his deep, resonant voice blends with the melancholic piano melody, creating this haunting vibe that sticks with you. It's one of those songs you loop when you're in a reflective mood. What's fascinating is how 'Yours' showcases Chanyeol's versatility beyond EXO's energetic tracks. The lyrics, co-written by him, feel deeply personal, almost like a letter to someone. I remember reading interviews where he mentioned wanting the song to feel raw and intimate, and he nailed it. If you haven't watched 'The Devil Judge,' the single might even tempt you to binge the series—it's that evocative.

Man, 'Forgot About Us' takes me back! That track is from Little Mix's 2018 album 'LM5'. I remember blasting this album non-stop during my college days—it was such a vibe. 'LM5' marked a shift for the group, leaning into more mature themes and bolder production. Tracks like 'Woman Like Me' and 'Strip' showed their growth, but 'Forgot About Us' stood out with its nostalgic, heartbreak energy. It’s one of those songs that hits different when you’re reminiscing about past relationships. The album didn’t get as much hype as their earlier work, but it’s a gem for fans who love their evolution. Funny enough, I stumbled onto 'Forgot About Us' during a late-night Spotify dive, and it instantly became my go-to breakup anthem. The way the harmonies blend with the melancholy lyrics? Chef’s kiss. If you’re into pop with emotional depth, 'LM5' is worth revisiting—especially that track.

Taeyeon's 'All About You' is actually a single, not a full album. It dropped back in 2016 as part of the OST for the drama 'Guardian: The Lonely and Great God' (aka 'Goblin'), and it’s one of those tracks that just sticks with you. The melody’s haunting, and her vocals are so emotionally charged—perfect for the drama’s vibe. I remember binge-watching 'Goblin' and rewinding just to hear this song again during that iconic umbrella scene. What’s interesting is how OST singles like this often outshine full albums in longevity. Even now, years later, it still pops up in playlists and covers by other artists. Taeyeon’s solo work always has this raw sincerity, whether it’s in her albums or stand-alone tracks. 'All About You' might be short, but it’s a masterpiece in its own right—proof that sometimes less really is more.

Man, I totally get why this is confusing! 'Disconnected' is actually a single by 5 Seconds of Summer, not a full album. It dropped back in 2011 as part of their early days when they were still building their sound. The track has this raw, punky energy that feels miles away from their later polished pop-rock hits like 'Youngblood'. I love how it captures their garage-band roots—it’s messy, loud, and full of that teenage angst they did so well. Funny enough, a lot of fans stumble over this because 5SOS’s discography is a mix of EPs, singles, and albums, especially from their indie phase. If you dig deeper, you’ll find it on their 'Unplugged' EP or floating around on YouTube from live performances. It’s a hidden gem for sure, but definitely not an album—more like a nostalgic time capsule of their MySpace-era vibe.

I still get a goofy grin whenever 'My Friends Over You' pops up on a playlist — that track is basically a nostalgia shortcut for me. To your question: yes, there is an official music video for 'My Friends Over You' (the New Found Glory single), and it's been circulated widely since the single days in the early 2000s. You can usually find the original official clip on the band's verified YouTube/Vevo channel or through uploads from their record label. Beyond that main promo video, there are also official live performance videos and TV promo edits floating around — so if you hunt, you'll spot multiple sanctioned versions (live cuts, festival footage, and sometimes remastered uploads). When I was a teenager I watched that video on late-night music channels and later bookmarked the official upload so I could blast it during road trips. If you're trying to make sure a video is the real deal, look for the verified channel checkmark or the upload from the band's official channel/Vevo. Also pay attention to video quality and descriptions — official uploads usually have proper credits, timestamps, and links to the band’s pages. Fan-made lyric videos and covers are everywhere too, which is great for variety but can make it confusing if you only want the original promo. If you want more versions, check out live DVDs, archived TV performances, or deluxe reissues of the album; those sometimes include bonus video content or alternate takes. Personally, I love toggling between the studio single and a live clip to see how the energy changes — the song still sounds massive in a sweaty venue.

Man, that song takes me back! 'Loving You Is a Losing Game' is a track from Duncan Laurence's album 'Small Town Boy.' I stumbled upon it during a late-night YouTube deep dive, and the melancholic vibe just hooked me instantly. The whole album is this beautiful mix of raw emotion and polished pop—kinda like if Adele decided to collab with a synthwave producer. What’s wild is how the lyrics hit differently depending on your mood. Some days, it’s a breakup anthem; other times, it feels like a broader metaphor for life’s unfair bets. Also, props to Laurence for weaving Dutch folklore references into some tracks—subtle but cool if you catch them.

Ooh, great question — I love talking TXT comebacks! I want to give you the exact singles that promoted their 2024 release, but there are a couple of ways to look at this depending on which release you mean (Korean comeback, Japanese album, or a repackage). If you can tell me the album title or drop a screenshot of the tracklist, I’ll pin it down for you in a flash. In the meantime, I’ll walk you through how TXT typically promotes an album and point out the recent singles leading into 2024 so you have context and can spot which tracks were used as promotional singles. From what I followed through mid-2024, TXT’s promotion pattern is usually: a pre-release single or teaser track, a lead single with a full music video, and sometimes one or two follow-up singles (or performance-focused B-sides) that get music shows and special stages. Recent singles I’m confident about that set the tone for their mid-period work include '0X1=LOVESONG (I Know I Love You)' featuring Seori (which was a huge hit in 2021), 'Blue Hour' (one of their standout 2020 singles), 'Good Boy Gone Bad' (a darker, more mature lead single from 2022), and 'Sugar Rush Ride' (a bouncy lead single that came in around 2023). Those tracks show the arc of their sound and visuals leading up to 2024 — so if you’re seeing any of those referenced in promotional materials or playlists around the time of a 2024 album, they might be part of the era or lead into it. If you want to identify the official promotional singles for a TXT album yourself, here are my favorite, practical ways: (1) Check SM Entertainment’s official press release or their YouTube channel — the lead single will have the main MV uploaded there and usually a date-stamped teaser schedule. (2) Look at streaming platforms like Spotify/Apple Music — the track labeled as the ‘single’ or the one featured in their curated artist profile is often the lead single. (3) Watch music shows and performance clips (M Countdown, Music Bank, Inkigayo) from the comeback week — the songs performed live there are the promotion singles. (4) Fan communities and TXT’s official social channels (Weverse, Twitter/X, Instagram) will post the comeback schedule specifying pre-release and title tracks. If you drop the album name, I’ll happily list the exact singles that promoted it and share which MV or stage I loved most — I still replay a few TXT MVs on loop when I’m in the right mood. If you want, tell me where you saw the album (Korean, Japanese, or a repackage), and I’ll zero in and give a proper track-by-track promo rundown.