Who Is The Antagonist In 'Climbing The Stairs'?

2025-06-17 04:09:03 327

3 Answers

Isaac
Isaac
2025-06-20 19:21:07
Reading 'Climbing the Stairs', I initially thought the antagonist was Vidya's uncle Mr. Maniam with his iron-fisted rules. But halfway through, I realized the deeper foe was the collective silence of the women enabling him. The aunts who shushed Vidya's questions, the servants who turned away when she was punished—their compliance was more chilling than any single character's cruelty.

The British colonialists play another antagonistic role, their military violence creating a backdrop of fear that reinforces traditional hierarchies. What fascinated me was how these forces intersected; the British disrupted Indian society, then the upper caste characters like Mr. Maniam clung tighter to oppressive norms as a form of control. The book smartly avoids simple heroes versus villains—even the 'good' characters sometimes uphold the system. Vidya's real triumph isn't defeating someone but claiming agency within this web of constraints.
Alice
Alice
2025-06-20 20:12:50
The main antagonist in 'Climbing the Stances' is Mr. Maniam, the patriarchal figure who embodies the oppressive traditions of 1940s British India. He's not just a villain—he's the personification of societal expectations that suffocate the protagonist, Vidya. His rigid rules about gender roles, like banning women from the library, create the central conflict. What makes him terrifying is his believability; he isn't some cartoonish evil overlord but a product of his time, enforcing norms with calm cruelty. His influence extends beyond his physical presence, as other family members internalize and enforce his ideologies. The real tension comes from Vidya fighting against the system he represents rather than just the man himself.
Bryce
Bryce
2025-06-21 23:28:38
In 'Climbing the Stairs', the antagonist isn't a single person but a toxic combination of colonial oppression and ingrained patriarchy. Mr. Maniam serves as the face of this system, but the real villainy lies in how these forces distort every relationship. The British soldiers represent external oppression with their violent raids, while family members like Perima embody internalized misogyny, policing Vidya's ambitions.

The beauty of Padma Venkatraman's writing is how she shows these forces operating through everyday moments—a snatched book, a disapproving glance, the silent treatment when Vidya steps out of line. Even characters who love Vidya, like her father, become complicit when they prioritize peace over justice. The climax isn't a showdown with Mr. Maniam but Vidya's quiet rebellion—claiming the library stairs, the literal high ground of knowledge forbidden to women. This layered antagonism makes the story resonate beyond its historical setting.
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