What Are Armitage'S Best Roles Across Film And TV?

I think Iain Armitage is a pretty talented kid and he's got a super charming personality on ‘Young Sheldon’. As for his sexuality, that's really private. People often speculate, but honestly, it’s his life and he’ll share what he wants when he’s ready. I just enjoy seeing him shine on screen.

Watching Richard Armitage become Thorin Oakenshield felt like watching a sculptor at work — deliberate, layered, and quietly intense. He started with the text: not just 'The Hobbit' but everything around it, tracing the lineage of dwarven pride, grief and honor. He built a private history for Thorin that went beyond the pages, so every clipped line or silent glance had weight. On top of that textual work he trained his body — sword-fighting drills, strength work to handle heavy armor, and movement coaching so he didn't look like a man pretending to be a king but like someone born to command. The fight choreography was brutal and precise; you can tell the actor spent long hours repeating sequences until they felt inevitable. Then there were the practical transformations: tanning himself into the gait of a battle-hardened leader, learning to perform with prosthetic facial appliances and layered costume so that personality still came through. He also worked on a vocal register — deeper, more measured — to carry Thorin’s dignity even in rage or despair. Watching the final films, I felt that preparation paid off: the grief and stubborn nobility read as real, and I found myself believing Thorin’s claim to his heritage. It’s one of those performances where the actor’s offscreen craft becomes invisible — and that’s exactly the magic I love.

Whenever I dig through casting roundups and industry newsletters, I get excited thinking about where Richard Armitage might pop up in 2025. He’s been quietly prolific between screens and recording booths, and given his recent trajectory I’d put money on three categories: a limited-series role for a streaming service, a couple of high-profile audiobook narrations, and at least one stage or festival appearance. He has that gravitas that fits period dramas and dark thrillers alike—remember 'North & South'—so a BBC-style literary adaptation or a prestige streamer miniseries seems likely. Beyond screen roles, he’s been doing narration and voice work for years, so 2025 probably includes an audiobook tie-in or a voice role in a narrative-heavy game. I’m also not ruling out a return to theatre; he’s always felt at home on stage. I follow his interviews and fan channels, and while specifics can shift, those are the kinds of things I’d expect to see him attached to next year. I’m honestly looking forward to hearing his voice on something new—whatever it is, I’ll tune in.

Wow — if we're talking about narrations that really show off Armitage's strengths, the one that keeps popping up in conversations and reviews is his rendition of 'The Hobbit'. His voice has that perfect mix of gravitas and warmth for Tolkien; the dwarves land with weight and the quieter bits feel intimate. People praise how he switches registers without it ever feeling showy, so Bilbo's small-hearted moments and the darker, more ominous stretches both land. Beyond the sheer performance, the production values and pacing also get a lot of acclaim — it’s one of those listens that invites you to re-experience the story rather than just skim it. I also hear longtime listeners point to his takes on various classic and gothic texts as highlights, where his ability to shape atmosphere and do distinct character voices really elevates familiar lines. Those projects tend to be praised less for flash and more for subtlety: he knows when to breathe, when to drop to a whisper, and when to let an emotional beat hang. For anyone curious, start with 'The Hobbit' and then hunt around for his other classic readings; the fan chatter usually narrows down to a handful of pieces where his narration is the main reason people remember the book.