Who Is The Author Of 'We Have Always Been Here'?

Lately I've been doodling tiny platoons in the margins of notebooks, and I've learned that beginners should practice a simple army drawing when they feel curious and can commit to short focused sessions. Start with five to twenty minutes a day; short, consistent practice beats marathon binges. I break my time into warm-up gesture sketches first — get the movement and rhythm of a group down — then do silhouettes to read the shapes quickly. When I can, I study reference photos or stills from 'The Lord of the Rings' and simplify what I see into blocky shapes before adding details. I also like to mix environments: sketch outside on a park bench to practice loose compositions, then at a desk for cleaner lines. After a few weeks of steady, bite-sized practice you'll notice your thumbnails and spacing improve. Don't wait for the 'right' time of day — prioritize consistency and play; your confidence will grow faster than you expect, and that's the fun part.

I've come to think of a playing-to-win strategy as less about clever hacks and more about courageous choice. For me that starts with deciding where you will play and, just as importantly, where you won’t. You can't be everything to everyone; the winning moves are born from ruthless focus and relentless customer empathy. I often tell myself that the sweet spot is where customer pain, your unique capabilities, and attractive economics overlap. After that, it’s about constructing a coherent system: clear value proposition, a repeatable way to reach customers, a set of capabilities you protect and invest in, and metrics that tell you if your choices are actually working. I learned a ton from reading 'Playing to Win' and then watching teams try to implement it—the theory is elegant, the practice messy. You need governance to keep trade-offs visible and a culture that tolerates experiments but also commits to bets when the data lines up. Personally, I sleep better when strategy is a set of deliberate trade-offs rather than a wish-list, and I love the clarity that comes with a real plan to win.

Ich habe den Trailer für 'Outlander' Staffel 7 gesehen und ja, es gibt offizielle Clips — aber wo du ihn auf Netflix findest, hängt stark von deinem Land ab. Starz, die Produktionsplattform, hat die offiziellen Trailer und Teaser auf ihren Kanälen hochgeladen (YouTube, Twitter/ X, Facebook). Diese sind in bestmöglicher Qualität und oft mit zusätzlichen Behind-the-scenes-Schnipseln. Netflix zeigt Trailer nur, wenn sie die Streamingrechte für die jeweilige Staffel in deiner Region haben; dann findest du ihn auf der Serienseite unter „Trailers“ oder direkt im Player-Bereich. Wenn du also in einem Land bist, in dem Netflix 'Outlander' listet, taucht dort meistens auch ein offizieller Trailer auf. Ich persönlich schau Trailer am liebsten auf YouTube wegen der Kommentarsektion und weil man sofort verwandte Clips, Interviews und Featurettes findet — ideal, um sich einzustimmen, ohne sich spoilern zu lassen. Mir hat der bisherige Trailer richtig Lust auf die neuen Konflikte gemacht.

I've been keeping an eye on upcoming book-to-movie adaptations like a hawk, and there are some exciting ones on the horizon. 'The Three-Body Problem' by Liu Cixin is getting a Netflix series adaptation, and given the book's massive sci-fi scale, I'm curious to see how they pull it off. Another one is 'The Woman in Me' by Britney Spears—her memoir is getting turned into a movie, and it's bound to be a raw, emotional ride. 'Project Hail Mary' by Andy Weir, the guy who wrote 'The Martian,' is also in the works with Ryan Gosling attached. That one’s got big shoes to fill after how well 'The Martian' did. Then there’s 'The Ballad of Songbirds and Snakes,' the 'Hunger Games' prequel, which already has a trailer out and looks visually stunning. 'Red, White & Royal Blue' got a film adaptation recently, but I heard rumors of a sequel if it does well. And let’s not forget 'Dune: Part Two'—technically already out, but the first book’s second half is finally getting its due. I’m hyped for all of these, but also nervous because adaptations can be hit or miss. Fingers crossed they do justice to the source material.

As a die-hard 'Steven Universe' fan who’s scoured every corner of the lore, I can confidently say there’s no official book specifically about Onyx. The 'Steven Universe' expanded universe includes comics, art books, and guides like 'The Art of Steven Universe' and 'Steven Universe: End of an Era,' but Onyx isn’t a canon character. However, fan theories and unofficial content often explore original Gem concepts, including Onyx, as a nod to the show’s rich world-building. If you’re craving more, I’d recommend diving into the comics or checking out Rebecca Sugar’s interviews for deeper insights into Gem mythology. The fandom’s creativity fills gaps with amazing fanfics and art, but for now, Onyx remains a fan-made gem.

When it comes to Pokémon, Cynthia is an absolute icon! I mean, she’s not just the Champion of the Sinnoh region; she practically oozes charisma and grace. One of the top moments for me has to be her epic showdown in 'Pokémon Diamond and Pearl'. I remember grinding my team to the bone just to take her on, and when I finally did, it was like stepping into the ultimate challenge! Her Garchomp is no joke—those Dragon-type moves really put up a fight! The way she commands her Pokémon, and her calm demeanor, made it more than just a battle; it felt like facing a true rival. Each match had a sense of intensity and reverence, especially with her backstory about the historical mythology surrounding Pokémon. And speaking of history, I can’t forget her role in the 'Pokémon Legends: Arceus'. There’s a whole new level of depth to her character with that journey through ancient Sinnoh. Seeing her interact with the earlier forms of Pokémon, learning about their existence in folklore, just left me in awe. Plus, her design and the way she speaks about Pokémon and their mysteries adds so much richness to the lore, pulling you deeper into the whole world of Pokémon! It’s like she bridges the gap between player and the universe. Those moments really left a lasting impression on me, and I’ll always cherish how she embodies both power and wisdom. Oh, and can we please talk about her appearances in the anime? The way she interacts with Ash and his friends is so delightful! Her mentorship vibe, paired with those sweet battle strategies, is honestly something I admire. Not to mention, her legendary status makes every encounter feel monumental. Whether she’s giving advice or just sharing a playful moment, her presence is always an absolute highlight. The way she connects with Pokémon, treating them like friends rather than just partners, resonates with me. Overall, Cynthia is an unforgettable character, and witnessing her journey is a joy every time!

In the third chapter of 'IT', the story dives deeper into the lives of the Losers' Club, focusing on their individual struggles and the growing sense of unease in Derry. Bill Denbrough, still haunted by his brother Georgie’s death, starts to piece together the town’s dark history. He notices strange patterns in the disappearances of children, including Georgie’s. Meanwhile, Ben Hanscom, the new kid, faces relentless bullying at school but finds solace in the library, where he researches Derry’s past. This chapter also introduces Beverly Marsh, who’s dealing with her abusive father and the rumors swirling around her. The kids’ paths begin to cross, and there’s a sense that something sinister is pulling them together. The chapter ends with Ben encountering Pennywise the Clown in the library, a chilling moment that sets the tone for the horrors to come.

I've spent way too much time dissecting crossovers like '[HP X DXD] Master of a Universe,' and whether it sticks to canon really depends on what you mean by 'follow.' The fic doesn’t just regurgitate events from 'Harry Potter' or 'High School DxD'—it bends them until they scream. The protagonist (usually a ridiculously overpowered Harry) doesn’t just stumble into the DxD world; he bulldozes through it, rewriting rules as he goes. Canon characters like Rias or Issei still show up, but their arcs get hijacked by Harry’s presence. Imagine Rias’ peerage suddenly having to deal with a wizard who treats Sacred Gears like party tricks—it’s entertaining, but it’s not the DxD you remember. The author plays fast and loose with power systems too. Magic from HP gets mashed up with DxD’s devil contracts, and the result is chaos. Harry might use a Patronus to scare off a stray devil one chapter, then invent a new spell to counter a Longinus the next. It’s fun, but if you’re a stickler for lore consistency, this’ll give you whiplash. The fic cherry-picks canon moments (like the Rating Game tournaments) but often flips outcomes because Harry’s involvement changes everything. Even the timeline gets shaky; sometimes it feels like the DxD events are happening years earlier or later than they should. That said, the deviations are the whole point—it’s a power fantasy where canon exists to be upended. Where the fic surprisingly holds the line is with character personalities. Rias is still cunning, Issei’s still a lovable pervert, and Dumbledore’s still manipulative (though Harry might call him out on it faster). The dialogue nails their voices, even when the plot goes off the rails. But let’s be real: nobody reads this for accuracy. They read it to see Harry break the DxD universe over his knee—and on that front, it delivers.