How Do Authors Develop Engaging Plots For Novels Like Popular Manga?

When the apocalypse came, she lost everything. Starving, hunted, and desperate, she trusted the one man she loved… only for him to betray her in the cruelest way possible. He stole her last supplies to please another woman and left her to die in a sea of the undead. But death wasn’t the end. She woke up days before the world collapsed. After cutting ties with her ungrateful ex and his parasitic family, a mysterious voice awakens in her mind, LUS, a Level-Up System designed to help her survive the coming end. With knowledge of the future and a system guiding her every move, she begins to prepare. She stockpiles resources, builds a base, and learns how to fight back against the horrors that once destroyed her. And when the apocalypse arrives again… she’s ready. But survival isn’t the only thing waiting for her in this new life. A silent killer who watches her like prey. A manipulative genius who wants to unravel her secrets. A gentle protector who sees the girl she hides. And a dangerous man who thrives in chaos. As the world burns and power shifts, they’re all drawn to her, each with their own motives, each with their own darkness. Even her past refuses to stay buried. Because now, the man who once abandoned her is back, broken, desperate, and begging for a second chance. Too bad she has no time for regrets. Not when she’s busy rising to power… and building a kingdom in the ruins of the world.

I woke up inside a novel, and not even as an important character. I became a pretty background extra in a smut novel. My brother, however, was the only normal person in the entire story. His character setting was the one man the soft, delicate heroine could never win over. He was the cold, unattainable Prince Charming she could never conquer. When the heroine cried and confessed her love, he was studying. When she offered him her whole heart and body, he was busy starting a company. When she spiraled into scandals and nightlife, he was already a billionaire, calm and untouchable. I thought he would live a quiet, ascetic life forever. Until one night, I walked in on him at midnight… holding a piece of clothing I recognized all too well, murmuring a name over and over, a name so familiar that my scalp tingled.

After transmigrating through three novels in a row, the hardest thing I ever suffer through is drinking iced long black. But when I open my eyes again, I somehow become the pathetic simp side character in a trashy romance novel. Just as I debate whether to file a complaint against the system, the trembling system hurriedly explains something to me. Although this is a trashy romance novel, it is also an unfinished abandoned novel. I ask, "So you're saying I decide how the story develops?" The system replied, "Yes. Everything is completely under your control." Satisfied, I lazily stretch and begin checking the original Jacob's background. He has a trillionaire father and a billionaire mother. On top of that, he has seven rich and beautiful older sisters. With such a ridiculously overpowered setup, how can he go around simping for a broke college girl with no money? What a complete waste!

Awakening to a bewildering and astonishing reality, Seraphina found herself in an extraordinary situation: she had transmigrated into her own novel, stepping into the shoes of a character she had meticulously crafted. The male lead in her story was notoriously elusive, challenging to approach, and the master of a harem. Seraphina, now Zephyrine Everlynn, unexpectedly found herself among the women in his harem. It was utterly absurd! Promptly leaving the harem, Seraphina used her knowledge to help others win the male lead's heart, all for the right price. But why did the male lead continuously find his way back to her?

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.

Iori is a famous mystery writer with a dark past that still haunts her. One day, she's forced to co-write a book with the most famous romance writer Jun by their publisher, who also forces them to live together and pretend to be in a relationship for the sake of advertisement. Unable to refuse because of the huge favor their publisher owes them, those two who barely stand each other's presence are now trying to coexist and finish the book while dealing with their twisted pasts who were always ready to resurface...