What Awards Did 'Buried Child' Win?

2025-06-16 19:37:15 99

3 Answers

Gregory
Gregory
2025-06-17 01:04:01
I remember digging through theater archives about 'Buried Child'—it’s a Pulitzer Prize winner for Drama in 1979, which is huge. Sam Shepard’s masterpiece also snagged the Obie Award for Best New American Play before that. What’s wild is how it shook up off-Broadway first, then climbed to mainstream acclaim. The Pulitzer committee called it 'a disturbing, visionary work' that redefined family dramas. It’s not just awards though; the play’s influence is everywhere now, from college syllabi to indie theater revivals. If you want raw, unfiltered American gothic, this is the blueprint.
Bennett
Bennett
2025-06-18 16:49:11
'Buried Child' stands out not just for its awards but for how it earned them. The 1979 Pulitzer was controversial—some critics hated its bleakness, but that’s exactly why it won. It forced audiences to confront rotting American dreams. Before the Pulitzer, it dominated the Obie Awards in 1977, winning Best Play and cementing Shepard’s rep as an off-Broadway legend.

The script’s genius lies in its layers. The Pulitzer board praised its 'mythic depth,' which sounds fancy until you see how Shepard twists farmhouse realism into something surreal. The New York Drama Critics’ Circle shortlisted it too, though it lost to 'The Gin Game'—a crime, honestly. What’s cool is how its revival in 1996 scored a Tony nomination, proving its staying power. If you’re into award-winning plays that actually deserve the hype, pair this with 'Angels in America' for a double feature of American masterpieces.
Walker
Walker
2025-06-21 23:39:56
Fun fact: 'Buried Child' didn’t just win awards—it changed how awards viewed dark comedy. The Pulitzer usually goes to safer picks, but Shepard’s twisted family saga broke the mold. Its Obie win in ’77 was predictable (the Village Voice adored its chaos), but the Pulitzer two years later shocked everyone. Critics called it 'too grotesque,' yet that’s why it triumphed. The play’s awards shelf is short but elite: no Tonys, but it didn’t need them. Off-Broadway success was its badge of honor first.

Later revivals kept the legacy alive. The 1996 Broadway run nabbed a Tony nomination for Best Revival, and the 2016 version got a Drama Desk nod. What’s impressive is how it keeps finding new audiences—college theaters love its minimalist set (cheap to produce) and actors crave its explosive monologues. For a deeper dive, check out 'Curse of the Starving Class,' Shepard’s lesser-known but equally savage companion piece.
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