3 Answers2026-04-27
One of the most unexpected characters in The Last Kingdom is Sigtryggr. He is one of the few ‘good’ Vikings in the show. Unlike many of the other Viking characters, he is not brutal for the sake of it and is even willing to bend tradition in order to be flexible. The way that Sigtryggr forms an alliance with Uhtred’s daughter is also a sign that he is open to the possibility of combining cultures. He is also a great leader because he is ruthless when he needs to be but he is not glory hungry like so many of the other Viking leaders. I found his downfall to be particularly tragic because it highlighted the point that even the most elite warrior can not escape conflict and the show seemed to be making the point that Sigtryggr was trying to rise above.
4 Answers2026-06-05
The Devil's past is a tangled mess of phone calls. The Bible provides a few clues — the “morning star” that fell in Isaiah, the war in heaven in Revelation — but ultimately no complete backstory. Jewish texts like 1 Enoch gave a peep into the lives of the rebellious angels, and these were later taken up by early Christian writers. By the Middle Ages the legend of the Devil had reached every corner of the Christian world — in stained glass and in sermons. But almost every scholar today would say that these are all mere metaphor, and that the Devil does not have a “real” history. The snake in the Garden of Eden is not the Devil — that association came much later. Perhaps the reason the Devil is such a perennially fascinating figure is that every age can remix the same basic set of fears and come up with something new.
3 Answers2025-09-08
'Demon Slayer: Kimetsu no Yaiba' is half as cool as it is because of how its style reflects the series’ themes. The almost otherworldly Water Breathing techniques of the entertainers look so much different from the violent, brutal assaults the demons launch at the characters. Even how the characters are designed goes towards these themes, with Tanjiro’s green-checked haori symbolizing his growth. The flamboyantly and beautifully designed demons like Akaza have marks on their bodies that are so beautiful they make their violent actions all the more unsettling. The colors used in the anime change greatly between arcs. In the darkest times the anime portrays the world to be in muted blues and greys, but in times of determination and action the world is filled with fiery reds. It just goes to show that style isn’t just there to make a story look better, it’s basically the soul of the story.
5 Answers2026-07-03
Contrast is key to writing demons. A demon is inherently evil and destructive, but add in a trait that seems to contradict that. For example, a demon with childlike curiosity could seek to ‘destroy’ a civilization in order to take it apart to see how it worked. Or a demon with a sense of twisted honor could always keep his word, but his promises would always be evil in some way. The trait should not make the demon more redeeming, but instead show how their evil is even more complicated and inescapable. This layer of complexity is what will keep your reader hooked.
3 Answers2026-05-04
Note to self: The fallen angels Enoch names? Quality over quantity in terms of a long list of about 20 or so names, and I’m saving the very detailed myths behind each of the primary fallen angels for separate posts. For now, suffice it to say that Azazel is so detestable that he is blamed for virtually everything from war to cosmetics. His-specificity regarding the last is especially strange given his alleged wholesale corruption. Some of the other fallen are mentioned briefly as to make an appearance, such as Armaros and Tamiel. It’s not that their inclusion in the list of fallen is especially significant, but rather the way in which their specific myths have permeated so many areas of human expression including not a few strains of Christianity as well as art and literature and even video games (I fought Azazel in the video game ‘Shin Megami Tensei’) in which he has as much depth as any secondary character.
8 Answers2026-04-08
This idea is kind of fascinating to me. I think it’s because so many cultures have created tragic, powerful female characters who rebel against divine authority. Lilith, of course, but also Morrigan from the Dragon Age games and Raven from the Teen Titans, for example. We don’t have a long enough historical list of these kind of figures, so we keep making new ones in games, books and anime.
This new set of meanings is being written in video games right now. In Bayonetta, the main character is a witch who contracts with a group of infernal demons. Within the lore of Bayonetta, there is much play with angelic and feminine/demonic power. The games of the Shin Megami Tensei series are another great example of this. This series contains a massive cast of demons and deities from every culture and mythology, most of whom are gender-bending or else some re-imagining of a mythological figure.
4 Answers2026-02-19
The Satanic Bible by Anton LaVey is quite interesting, especially in how he defines Satan as a representation of the lust and pride in human nature that Christians deem “sinful.” Atheistic Satanism denies theism precisely because all religions are tools of mind control. Instead of worshipping something that others fear, why not embody those very “fears” or ‘evil’ characteristics and turn them on their heads to see what they really mean.
4 Answers2026-06-30
Cernunnos, the horned Celtic god is a direct line of folklore to the Deer Demon. Images of Cernunnos often portray him sitting cross-legged with stag antlers on his head, wearing a torc and being surrounded by animals. Of course, this is pre-Christian and later he was demonized by Christian folk. Herne the Ghostly Hunter with his antlers tied to Windsor Forest is another influence. And there are countless other forest spirits from all over Europe and Asia that have been influened by folklore in these areas. Modern horror has taken the forest spirit and reworked the folklore into a terrifying, often strange to look at, monster. The root of the Deer Demon is an archetype that has been reworked by many cultures over the years with themonster evolving to reflect the fears of that time.
4 Answers2026-07-07
These creatures are Energy Vampires. Their Power is Stealth Invasion of a person’s dreams to drain their Vitality. Their Weakness is disruption of their feeding rituals: be awakened, have certain protected symbols on you. The seduction is really just a means to an end to get access to that person. But the real threat is the continual depletion of a person’s life force over time.
10 Answers2025-08-31
Should we be concerned about the ethical use of these symbols? Crowley was a pretty dubious character in his personal life and in his practices. So are we endorsing that by using his symbols? Or can we somehow distinguish between the artist and his work? Wagner’s music is still performed despite his revolting antisemitism, for example. The symbols themselves are generally drawn from a lot of older, neutral sources (the hexagram, the pentagram, for example), but Crowley added a lot of Thelemic específicity to theirs. Can we separate out the neutral background from the Christian agnostic problematic that was added to it by Crowley? I have no idea how to answer this, but it’s something that you might want to think about before you get tattooed with some of Crowley’s symbols, for example, or start doing some practice or other based on the contents of his books.