What Are The Best Japan Travel Tips From Josh Carrott?

I’ve followed Josh’s channel for years and have poked around interviews and his socials, so here’s the clearest picture I can give: Josh Carrott is British and grew up in the UK, but he hasn’t loudly publicized a single, specific hometown in the way some creators do. From bits and pieces in videos and festival panels, you can tell he’s very much from England rather than elsewhere in the UK, and his accent and cultural references point to that background. He’s kept a fair bit of his private life off-camera, which is totally understandable — a lot of creators shield early home details to keep a boundary between public and private life — so you won’t find a neat line in every bio that says “born in X, raised in Y.” What is clearer is the arc of his education and early career: Josh studied in the UK at university level but has been relatively discreet about the exact institution and degree on public platforms. Instead of laying out his full academic transcript, he’s emphasized the skills and experiences that led him toward Korea — language interest, travel, and work abroad. After university, he moved to South Korea, spent time teaching English, and immersed himself in Korean culture. That move obviously shaped the whole project with his channel, because his on-the-ground experience living in Korea and meeting people there is what gives the content its authenticity and charm. If you’re trying to pin down specifics like the exact town he grew up in or the exact university he attended, the best places to check are interviews, podcasts where he’s a guest, and his own social channels — he’s mentioned different life stages in Q&A videos and long-form interviews over the years. I’ve found that creators like Josh often sprinkle details across several interviews rather than summarizing them in a single spot, so a little digging across a few sources usually paints the full picture. His LinkedIn or a professional bio (if available) can also have the facts spelled out if he’s chosen to share them there. I love how his path — somewhat private, a bit scattered in interviews, but clearly rooted in a strong curiosity for language and culture — mirrors a lot of us who ended up abroad after university: not a tidy origin story, but a real one. If you want, I can point out specific interviews or videos where he talks about moving to Korea or the early days of the channel; those clips are the most revealing about where he studied and why he made the leap overseas, and they’re fun to watch too.

If you're curious about Josh Carrott's net worth in 2025, I totally get it — he's one of those creators who feels familiar because of the way his videos blend culture, food, and personality. That familiarity makes people assume his finances are public, but the truth is more opaque. Josh (from the 'Korean Englishman' channel) isn't someone who files public financial disclosures like a company CEO, so there isn't a single authoritative figure to point at. What I like to do in cases like this is walk through the visible streams — YouTube ad revenue, brand deals, merchandise, side businesses, and any public mentions — and then give a cautiously framed estimate. I’ll be transparent about assumptions so you can see where the uncertainty comes from. Let’s break it down the way I would when sketching a back-of-the-envelope estimate. First, his YouTube channels (he’s associated with a few projects) likely bring steady ad revenue — but ad income varies widely depending on views, geography, and CPMs (cost per mille). If a channel averages a few million views a month, ad revenue could range from a few thousand to tens of thousands monthly at conservative CPMs. Then add sponsorships and brand deals: creators who have the kind of international reach Josh does can command healthy sponsorship fees, sometimes several thousand to tens of thousands per integrated video, depending on the campaign. Merchandise and any ventures (pop-up events, collaborations, or companies tied to Korean culture or food) add more, and investments or property ownership would further skew net worth upward. On the flip side, living costs, taxes, management fees, and reinvestment into content creation bring those numbers down. With all that in mind, a cautious public estimate I’d personally peg for someone like Josh in 2025 would often fall in the low-to-mid millions (for example, roughly $1M to $5M) — but that’s a broad range and not a definitive figure. If you want a more concrete figure, here’s what I’d do next: check recent interviews or reputable profiles where he might mention earnings, look at analytics sites that estimate YouTube revenue (take those with a grain of salt), and see if he’s linked to any business registrations or press around partnerships that disclose fees. Also, keep an eye on lifestyle clues in videos (home, cars, travel patterns) and any mentions of investments or properties. I love poking around like this as a hobby — it feels a bit like detective work — but I always remind myself (and friends) that net worth estimates for private individuals are just that: estimates. If you really need an exact number for something important, you’d need a verified financial disclosure, which most creators don’t publish. Either way, I enjoy tracking how creators turn cultural passion into a living; it’s fascinating to see the mix of creativity and entrepreneurship at play, and it makes me want to support my favorite channels even more.

I got hooked on Josh Carrott initially through the 'Korean Englishman' videos, and from there I went hunting for longer conversations — so I can tell you where I usually find his interviews. The most reliable place is video platforms: search YouTube for 'Josh Carrott interview' or 'Josh Carrott podcast' and you'll find long-form chats, TV clips and behind-the-scenes clips. Josh and his collaborator Ollie Kendal also upload longer-format content on their related channels (look for 'Korean Englishman' and the spin-off 'JOLLY') which sometimes function like mini-podcasts with guests and extended discussions about food, culture, and life in Korea. Beyond YouTube, I often search Spotify and Apple Podcasts. Many interviewers republish audio-only versions of YouTube interviews there, or you’ll find him as a guest on shows that cover Korean culture, travel, and language. If I want a trustworthy signal, I check mainstream media archives too — UK outlets and Korean broadcasters have featured him in segments about K-culture and food trends, so searching those sites (for example a website search for 'Josh Carrott BBC' or 'Josh Carrott interview') usually turns up TV clips or news pieces. I’ve also tracked down shorter radio interviews that were later posted as clips on the station’s site. If you want a quick methodology instead of hunting by platform: search his name plus keywords like 'podcast', 'interview', 'radio', 'feature', or the name of a collaborator; use date filters to find the latest; and don’t forget socials — Josh’s Instagram, Twitter/X, and the channel’s community posts often link to recent interviews. I also like scanning the comment sections and community posts on his channel because fans frequently link to full podcast episodes they’re excited about. It’s a little scavenger-hunt-y, but that’s part of the fun when you want deeper conversations beyond the short-form videos.

I've been following Josh Carrott since the early days of 'Korean Englishman', and watching how his audience grew is like watching a masterclass in cultural storytelling. What hooked me at first was the simple premise: a foreigner who speaks Korean well, genuinely curious, bringing friends and British guests to discover Korean food and culture. That combination — language ability + authentic curiosity — made people trust him. He didn't feel like a tourist exploiting a trend; he felt like a bridge, and viewers love feeling part of that bridge. Technically, Josh and his partner leaned into a few smart moves that any creator can spot: consistent series formats (food challenge videos, culture swaps, reaction clips), thumbnails and titles that promise a moment of surprise or warmth, and accessible subtitles so both English and Korean speakers could enjoy the same video. They also invited real reactions rather than staged ones — bringing in friends, celebrities and everyday Koreans — and that raw human element drove shareability. When a video shows someone having an emotional, laugh-out-loud, or conflicted reaction to food or a tradition, viewers forward it to friends. I still forward their old clips when I want to introduce someone to Korean culture. On a more personal note, I noticed they rode the Hallyu wave smartly: instead of shouting about K-pop and trends, they used those trends as hooks to tell personal stories. This let them catch both casual viewers and hardcore fans. Over time the production values improved — cleaner edits, better pacing, and a recognizable tone — which signals reliability to new viewers. They also engaged on multiple platforms, turning viral videos into Instagram clips, tweets, and community posts that kept conversations alive between uploads. For anyone trying to grow a channel today, Josh's playbook shows that being consistent, curious, and culturally respectful does more to build a loyal audience than chasing every trend. Personally, I still think it's the warmth — the sense you're invited to the table — that keeps me coming back for more.

I've dug through a bunch of videos, tweets, and interviews over time because Josh Carrott's moves between countries have always been one of those curious backstory bits fans like to geek out over. From what I can piece together, there isn't a single, crystal-clear public date that everyone points to saying "this is when Josh moved to Japan for work." Instead, you can see a gradual shift in his content and social posts: Josh built a lot of his early online presence around 'Korean Englishman' (which launched in the early 2010s), spent several years based in South Korea, and then started spending more time creating Japan-related content and collaborating with creators in Japan in the mid-to-late 2010s. If I had to give a practical timeframe based on the visible record, his steady activity in Japan for work and filming really ramps up around 2017–2018, though he’d been making trips there prior to that for collaborations and shoots. I say this as someone who follows creator timelines like a hobby — I flip through older videos, Instagram posts, and the occasional interview to triangulate these moves. For Josh, the pattern looks like: long-term ties to Korea through his channel and projects, then increasingly frequent Japan content and collaborations starting in that mid-2010s window. That often means he wasn’t doing a dramatic one-day “move” in the classic sense; creators often travel back and forth while shifting their base for work. So when people ask "when did he move to Japan?" the honest practical reply is: there was a transition phase, and by around 2017–2018 his work presence in Japan had become a lot more consistent. If you want to pin it down more exactly, the fastest way I’d recommend is to check a few sources in this order: his Instagram where posts are geotagged (you can see when Japan locations start to become frequent), the timeline of Japan-centric videos on 'Korean Englishman' or any of his solo channels, and a couple of interviews or Q&A videos where he talks about living arrangements or gigs. Fan wikis and his LinkedIn (if he has one public) sometimes state the exact job move, but those can be outdated. Personally, I love how these kinds of small detective jobs make you re-watch older videos and catch little details — like cultural references or background scenes — that hint at where someone was living. If you want, tell me which specific clip or post you found and I can help interpret the timeline from it; I’m actually kind of into this sort of sleuthing.

I get a little giddy whenever I catch a behind-the-scenes clip of Josh Carrott filming, because his kit is a nice mix of cinema-capable bodies, solid run-and-gun gear, and practical accessories that make sense for a channel that juggles studio interviews, food reactions, and hectic on-location shoots. From what I’ve spotted in vlogs, Instagram Stories, and the occasional BTS frame, he leans heavily on full-frame mirrorless cameras for those cinematic interview and B-roll shots, while keeping smaller APS-C bodies and action cams in the bag for more mobile work. Over the years I’ve noticed a strong Sony vibe in Josh’s setup — which isn’t surprising, because Sony's a7-series cameras are everywhere for creators who want great low-light performance and a filmic look without lugging around a monstrous rig. Clips and screenshots often show an a7-style body with G Master lenses (the 24-70mm f/2.8 or the 85mm f/1.4 are the kinds of glass that give the shallow depth of field you see in their more polished segments). At the same time, I’ve also seen setups that look like Canon DSLRs or mirrorless bodies used as B-cams — those are great for getting reliable skin tones and for a different color profile when they cut between angles. Beyond the cameras themselves, Josh’s team clearly values audio and stabilization: wireless lavs and a shotgun mic (the usual suspects like Rode or Sennheiser) pop up in frames, and gimbals such as DJI Ronin models or smaller stabilizer rigs show up when they’re doing walk-and-talks or food-restaurant footage. For POV and messy, crowded shots they often throw a small action camera like a GoPro into the mix, and for very casual social clips a compact like the Sony RX100 or a phone (with good stabilization) makes an appearance. There’s also lighting gear in their studio segments — LED panels and softboxes — which is honestly what helps the footage feel clean even more than the camera body sometimes. If you’re trying to emulate what Josh does, my practical take is this: focus first on a camera with good low-light capability and reliable autofocus (that’s why the a7-series is a favorite), then spend on a couple of fast lenses and decent audio. A 24-70 for flexible framing and a 50/85 for tighter interviews will get you most of the cinematic looks, and a small APS-C camera or even a phone with a gimbal gives you the mobility they need for street or restaurant shoots. Watching their content over time, you can see how the kit evolves with each video — they pick tools that let them move fast and capture natural reactions, which is honestly the essence of their channel for me. If you want, I can list specific lens and microphone models that match the look you’re after, or suggest an affordable two-camera starter kit inspired by their setup — makes weekend filming a lot less stressful, in my experience.

I get oddly excited whenever I try to reverse-engineer how creators put their work together, and watching clips of Josh Carrott’s edits for 'Abroad in Japan' is like peeking into a delightful toolbox of timing, tone, and tiny visual jokes. As a mid-thirties weekend vlogger who spends too much time tweaking cuts, I notice he leans heavily into storytelling-first editing: every scene isn’t just trimmed, it’s sculpted so the joke lands, the reaction reads, and the narrative keeps moving. That means tight opening hooks, a clear setup in the first minute, and calculated reveals later on. The pacing swings between cinematic slow-mo or B-roll sweeps and rapid-fire cuts when the energy demands it — that contrast creates the channel’s signature rhythm. Technically, I’d bet on a classic modern creator stack: a nonlinear editor like Premiere Pro or Final Cut for the timeline, After Effects for motion graphics, and maybe DaVinci Resolve for final color tweaks. Josh’s work shows clean organization — labeled bins, nested sequences, and markers to note punchlines or ADR spots — because you can see how smoothly reaction shots and cutaways snap into place. He probably uses proxies for long 4K travel shoots, multicam sync for interviews or two-camera setups, and LUTs to keep consistent color between wildly different lighting conditions. Audio-wise there’s smart use of compression, de-essing, and sidechain tricks so music ducks under speech; a few well-placed whooshes and pops accentuate cuts without being obnoxious. The captions and on-screen text are a massive part of the style too: snappy, bold typography that often appears with a little scale/rotation animation, timed perfectly to reinforce the joke or clarify a cultural point for international viewers. What I admire most is the collaboration vibe — edits that feel like a conversation rather than a monologue. I imagine Josh and Chris or the rest of the team iterate: rough cut → feedback → refine beats → color grade → audio sweeten → final polish. Thumbnails and first 15 seconds are treated as sacred real estate; the edit is tailored to maximize watch-time while keeping personality front-and-center. Small details make a huge difference: holding a reaction shot an extra beat for comedic payoff, cutting to a baffled street scene for contrast, or dropping in a quick local sound effect that ties a joke together. If you want to try emulating this kind of editing, my practical tips are to be ruthless with fat, study timing by rewatching your favorite creators frame-by-frame, and develop a few reusable templates for lower-thirds and motion cues so the personality stays consistent while allowing you to experiment with pacing. At the end of the day, what makes those edits sing is less the software and more the sense of timing and respect for the viewer’s attention — something I try to remind myself of every time I sit down to cut a travel clip. If you want, I can sketch a sample timeline workflow next, showing the approximate sequence of passes I suspect Josh uses from rough assembly to upload-ready file.

I get asked this kind of thing all the time when a creator I like pops up in my feed, so I went digging and here's the lowdown from a fellow fan's perspective. From what I can see, Josh Carrott doesn’t have a huge permanent storefront plastered everywhere like some creators do, but he does occasionally link to stuff or sell limited-run items through whatever link service he’s using at the moment (Linktree/Beacons are the usual suspects). The quickest way I check is to look at the top of his YouTube channel (the ‘About’ or banner links), his pinned posts on Twitter/X, and the bio on Instagram — creators tend to funnel merch and membership links there. If there’s a Patreon, Ko-fi, or YouTube Membership, those links usually live in the same spots. I like to double-check Discord servers or community posts too; fans often post when a merch drop goes live or when exclusive content appears. I’ve seen creators do one-off collabs or limited drops for special episodes or campaigns, and Josh has collaborated in videos where merch or goods were promoted, so keep an eye out around bigger projects or milestone videos. Also, digital exclusive content often takes the form of behind-the-scenes videos, livestream chats, or members-only uploads — YouTube Membership and Patreon are the two main places creators hide that stuff. If you want to be sure you’re buying official items, hover over the link and check the domain, or look for an official store page linked from his verified social accounts. Fan-made stuff will pop up on Etsy or Redbubble; it’s great but not official. Personally, I prefer to wait for an official store link and bookmark it if I want something, because limited drops sell out fast. If you want, try asking in the comments of his most recent videos — creators or community managers often reply and will confirm where official merch is sold, or if there’s no store at all. Either way, it’s fun to watch for surprise drops and behind-the-scenes exclusives, so I keep my notifications on for the channels I care about.