What Are The Best LGBTQ+ Films To Watch In 2023?

2026-06-30 16:15:48 161
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4 Answers

Samuel
Samuel
2026-07-04 09:24:35
For pure romantic escapism, 'Red, White & Royal Blue' delivered everything I wanted from a queer rom-com - palace intrigue, political hijinks, and two beautiful idiots falling in love against all odds. While some critics dismissed it as fluff, I adored how unapologetically joyful it was. Sometimes you just need to watch a fictional prince make out with the First Son in a storage closet, you know?
Joanna
Joanna
2026-07-05 02:44:01
2023 was a fantastic year for LGBTQ+ cinema, and one film that absolutely stole my heart was 'All of Us Strangers'. Andrew Haigh's hauntingly beautiful exploration of love, loss, and queer identity left me emotionally wrecked in the best way possible. Paul Mescal and Andrew Scott's chemistry was electric, and the way it blended supernatural elements with raw human emotion reminded me why I fell in love with indie films in the first place.

Another standout was 'Bottoms', which took the classic teen comedy formula and gave it a deliciously queer twist. Rachel Sennott and Ayo Edebiri had me howling with laughter while also subtly tackling themes of queer friendship and self-discovery. The fight scenes were absurdly over-the-top in the most perfect way - it felt like 'Fight Club' if it was directed by a chaotic bisexual film student with unlimited Red Bull.
Hannah
Hannah
2026-07-05 11:31:08
If we're talking about films that pushed boundaries, 'Monster' by Hirokazu Kore-eda deserves way more attention. This Japanese drama about a boy accused of bullying unfolded like a delicate puzzle, revealing profound truths about queer adolescence and societal expectations. The shifting perspectives kept me glued to the screen, and the final act shattered me completely. It's the kind of film that makes you want to immediately call your middle school self and say 'it gets better' in the most poetic way possible.
Veronica
Veronica
2026-07-06 02:47:01
From my perspective as someone who craves historical queer narratives, 'Passages' was revelatory. Ira Sachs crafted such a messy, nuanced love triangle between Ben Whishaw, Franz Rogowski, and Adèle Exarchopoulos that I couldn't stop thinking about it for weeks. The way it explored bisexuality without falling into tired stereotypes felt groundbreaking. Also, the costume design in every single scene? Impeccable. I'd watch Franz Rogowski smoke cigarettes in tailored suits for three hours any day.
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