What Are The Best Poems In The Selected Poems?

2025-12-02 17:20:55 55

2 Answers

Xavier
Xavier
2025-12-03 14:58:26
If I had to pick favorites from 'The Selected Poems,' I’d go for the ones that feel like they’re breathing. Whitman’s 'Song of Myself' is a universe in itself—messy, exuberant, full of grass and bodies and cosmic wonder. It’s the kind of poem you can dip into anywhere and still find something revelatory. On the flip side, Elizabeth Bishop’s 'One Art' breaks my heart every time. That villanelle structure makes the grief feel even more inevitable, like each repetition is a step closer to admitting the loss. And then there’s Neruda’s 'Tonight I Can Write,' where the simplest lines ('Love is so short, forgetting is so long') hit like a gut punch. What ties these together isn’t just technique but how they make the personal feel universal—like the poets left a door ajar, inviting you to walk in and stay awhile.
Finn
Finn
2025-12-05 15:01:42
Reading 'The Selected Poems' feels like wandering through a garden where every bloom has its own story. One poem that always lingers in my mind is 'The Road Not Taken'—it’s not just about choices but the quiet weight of hindsight, how we narrate our lives differently with time. The way Frost crafts those final lines ('I took the one less traveled by...') feels like a whispered secret, both triumphant and melancholic. Then there’s Emily Dickinson’s 'Because I could not stop for Death,' with its eerie, almost gentle portrayal of the afterlife. The carriage ride imagery sticks with me; it’s unsettling yet oddly comforting, like a lullaby for the inevitable.

Another standout is Langston Hughes’ 'Harlem,' with its simmering question: 'What happens to a dream deferred?' The metaphors—dry like a raisin, fester like a sore—practically crackle off the page. It’s a poem that feels urgent even decades later, especially when you consider the social context Hughes was writing in. And how could anyone forget Sylvia Plath’s 'Daddy'? It’s raw, visceral, like watching a storm tear through a landscape. The Nazi imagery, the relentless rhythm—it’s not just confessional poetry; it’s a reckoning. I sometimes revisit it just to marvel at how language can hold so much fury and sorrow at once. These poems aren’t just 'best' because they’re famous—they’re alive, pulsing with questions we still haven’t answered.
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