Can I Check Berwyn Library Hours Online?

One week into her marriage, Mira longs to spend a passionate night with her husband, Tyler— only to come face-to-face with her fated mate instead: Valen Montclair, the Lycan King. All Mira wants is to stay by Tyler’s side. But fate has other plans, dragging her into Valen’s world against her will. When love and destiny stand on opposite sides… Will Mira choose her husband—or the fated mate she was never meant to meet? Her answer will change everything.

Vera Crane has one day left. Find a mate, or lose everything. As an omega who has never shifted, no one wants her. Desperate, she drags a bleeding stranger from her backyard and saves his life. He wakes up and offers to be her mate. Three months. No strings. She says yes. What she doesn't know — the man bleeding on her couch is no ordinary wolf. He is the Lycan Prince. She saved a prince without knowing it. He chose her for reasons he can't yet admit.

Wanting to escape the turmoil last year had caused, my mom thought a fresh start was what we needed, so we moved to a different country. My first clash with the three Glass brothers happened at the airport, and ever since then, they’ve been everywhere I go. Turns out they’re my neighbors and the golden boys of my new high school too. I want to stay away from them and focus on maintaining my GPA and the drama-free life I promised myself, but it’s not working. There’s a dangerously strong pull between us that feels almost unreal. My pulse trips over itself when they’re near, my blood boils when I see them with other girls, and my body betrays me, craving their slightest touch. It’s confusing, maddening and especially aggravating. The fact that all three of them look like they had stepped out of a dark fantasy novel written by a woman with unrealistic expectations wasn’t helping the case. Then I witnessed horror—bones snapping and reforming, fur replacing skin. The Glass brothers aren’t humans; they are beasts, Lycans, Supreme Alphas, and just as I thought things couldn’t get worse, they tell me the pull I have been feeling is because I’m mated to them—all three of them. But luckily, I have the chance to reject them, and I’m going to take it, because I’m just an ordinary human girl. I am not Beauty. And this certainly isn’t Beauty and the Beasts.

Nubia has her life planned out. She is working on her master's degree in post colonial studies. She has a quiet apartment and a schedule she sticks to. Every Wednesday night she finishes class at nine thirty, walks to the bus stop, and waits. The bus is always late. There is always a stranger sitting on the bench. He wears headphones and draws in a sketchbook. He never speaks. She calls him Pencil Boy in her phone and does not think much about it. Then one October night the bus is delayed by forty three minutes. Eli studies architecture but he draws people instead of buildings. He has been sketching Nubia for six weeks without ever saying a word. He is quiet and pays close attention to things. He has learned to keep people at a distance because it feels safer that way. But when the cold night gets to Nubia and he gives her his hoodie, the silence between them finally breaks. What begins as pie at a late night diner turns into a Wednesday night tradition. Then a friendship. Then something much deeper. As Nubia and Eli grow closer, they must face the things that make them different. Race. Class. The dreams they are chasing. The families they come from. And the strong pull of a connection neither of them can ignore. Set over one school year, 43 Minutes is a warm and sensual love story about two people learning to truly see each other. It is about letting yourself be seen. And it is about the moments that change your life in less than an hour but stay with you forever.

He’s back from the dead. But he didn't come back alone. Alex was the love of Danny’s life until the day he disappeared. Two years later, he walks back into town with the same eyes but a different soul. To survive the shadowy organization still tracking them, Danny and Alex are forced into an irreversible pact—a bond that ties their very lives together. From cryptic clues to a web of ancient crimes, they are running out of time. Danny is about to learn that the truth doesn't just set you free—it bites. If they can’t expose the conspiracy before the clock runs out, Danny won’t just lose Alex again. This time, he’ll lose his life.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.