How Can I Choose The Right Opening Scene To Begin A Story?

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Before, I believed in First Love, but my First Love was defeated with a First Kiss. And only the First Kiss can change everything."It's not something you see ... It's just how you feel it".

When Summer, who hates attention and dating, meets Elijah, little does she know her life is going to be turned upside down once the inevitable occurs. - Summer Hayes has everything one could ask for - an understanding family, the bestest best friend ever and good grades. Boyfriend? She hated that word. But when she meets Elijah Grey, she should have nothing to do with him since he is the type of guy she completely despises. Then approaches the history trip of the college which ends up bringing them together for a day, making her she realize that she doesn't want to stay away. And so does he. However, when all odds start turning against them, the choices Elijah is left with, leads to a heartbreaking story, one that is planned out well by their fates. But, will he be able to choose what's right with a realistic mind, even though that will snatch everything away from him...again? *** "FIRST" is the first thing I wrote before I started embarking on a journey of being a writer so please be kind with my newbie mistakes. TW: Contains unclean language. Not rated mature. WILL contains accidents and deaths and heartbreaks.

She started her new life with a heart full of hopes and lots of dreams to be fulfilled by her life partner, but got to know later that he will be the one who shatters them with a snap of his fingers. But she still held onto the last string hoping beyond hope until a fateful day. She thinks everything has ended in her life. Then she meets a person who has the same story to tell her and also with similar feelings. Then their lives collide, but with their conscience. Maybe every END has really a NEW BEGINNING…

Choices, life if full of them and each one offers several paths to walk down. Mary knows all about choices. It was because of a string of them she went from living a happy life with her parents to end up an orphan working in the castle kitchen. Mary is now working hard while praying she wouldn't be kicked out on the street. The man she loves, her best friend, doesn't see her but is courting another woman who does her best to make Mary feel worthless. To top everything off, the sickness is back in the city which means Mary's only refuge is gone. She is trapped and she feels like a trapped animal. That is when Lady Tariana comes back into Mary's life. She was the one that saved Mary when she was a child. Now she is back and she offers Mary new choices, travel back with Lady Tariana to her home. It's just one choice, but with each of the choices comes a myriad of new choices and consequences. Can she leave her love behind? Would she managed to survive in a new world? And what about magic? Does it really exist? Time is running out and she needs to make her decision or the world will make it for her.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.