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How Long Should A Prologue Be
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TALES OF INSTANT LUST - SHORT READS
TALES OF INSTANT LUST - SHORT READS
Preface
Greetings, Reader
Welcome to a world where passion flares up in the most unexpected places, where lust takes the stage, and where desire never waits.
The concept behind "Tales of Instant Lust" was that not all love stories have to be quiet or poetic. Irresistible chemistry, unsaid tension, and raw hunger can sometimes express more than a thousand romantic words ever could. Designed for people who want their fantasies to be served quickly, hot, and unrestrained, these stories are brief, intense, and explicitly sexy.
There are no happily-ever-afters in this story. It's about the rush of the present, the energy of the moment, and what happens when two bodies naturally give in to it. Thus, locate a peaceful area, turn down the lights, and get ready. This is indulging, not just reading.
With desire,
Author.
BLURB
"Tales of Instant Lust" is an enticing compilation of short, passionate erotic stories that are sure to leave you speechless. This story, which covers bare unrestricted lust in all its exciting forms—from sneaky meetups in lifts to wild nights in faraway countries—is ideal for readers who want romance without hesitation.
Regardless of your preference for sexy build-ups or intimate encounters, every story puts you right in the thick of things. From gentle groans to unrepentant passion, this collection offers a variety of personalities, appetites, tones, and peculiarities to suit every sensual preference.
Each story is fast-paced and is incredibly spicy; it is meant to be read all at once and to stay with you long after the last word. Pure, immediate pleasure in a world where wishes come true—no drawn out slow burns.
Note: These are adult-only stories. Tales of Instant Lust is your guilty obsession waiting to happen.
Enjoy Reading
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119
ChaptersGoodNovel Author's Guidebook
Thanks for reading! If you didn’t find the answer to your question here, contact your editor who sent you the contract offer and tell him/her to improve this guidebook.
Also, don't forget to take the small quiz in the last chapter and share your score with us in the comment!
9.7
10
ChaptersReborn, Pregnant, and Plotting
Vera fought for her life in the apocalypse for ten years.
Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters.
Then her brother, the only family she had left, betrayed her.
Vera thought death had finally come.
Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama.
And because her luck had always been terrible, Vera did not wake up as the heroine.
No, of course not.
Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead.
But Vera was not the woman from the book.
She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot.
So Vera adapted.
She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away.
Vera saw a chance to make money, protect her babies, and build something of her own.
Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone.
By every rule in that world, Vera should be dead.
But dying a second time was never an option.
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47
ChaptersCursed Bloodline: Book One, Bloodline Series
WARNING 18+ CONTAINS MATURE SCENES
“Touch my throne and lose your hand. Touch her. . .and lose your soul.”
• • • • •
King Kaelric is cursed and his kingdom withers without the continuation of his bloodline.
Thirty-two maidens were ritually prepared to carry his child and all thirty-two failed to conceive.
His enemies sharpen their spears, and King Kaelric is scarred from battle, cold with a duty to protect his people.
Elira, a slave girl with no memory of her past, shares a forbidden yet passionate night with the King and bears his seed.
But when the pregnancy threatens her fragile life, Kaelric has to choose between the heir fated to restore his kingdom...or the slave who gave him something greater than a kingdom.
• • • • •
Cursed Bloodline is the first book in The Bloodline Series-a dark, steamy fantasy romance full of fated mates, sacrifice and twisted magic.
10
25
ChaptersCountdown To My Alpha's Goodbye
He rejected her in front of the entire pack.
Cold. Final. Unforgiving.
“I will marry another woman. You can leave.”
Everyone expected her to break.
Instead, she asked for one last month as his wife.
He thought it was love.
It wasn’t.
Because she wasn’t staying to win him back.
She was staying to survive the consequences of being his mate… and the secret growing inside her.
But something strange began to happen during that one month.
The colder he acted in public, the more unstable he became in private.
Touches he shouldn’t want. Dreams he couldn’t explain. A possessiveness he kept denying.
And a bond he refused to acknowledge.
When the month ended, she disappeared without a trace.
Five years later, she returned with a child she had hidden from the world… and a new identity she would kill to protect.
But the Alpha who once discarded her was no longer the same man.
Now, he was the danger she had been running from all along.
And this time… he wasn’t letting her go.
Even if she belonged to someone else.
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11
ChaptersFirst
When Summer, who hates attention and dating, meets Elijah, little does she know her life is going to be turned upside down once the inevitable occurs.
-
Summer Hayes has everything one could ask for - an understanding family, the bestest best friend ever and good grades. Boyfriend? She hated that word. But when she meets Elijah Grey, she should have nothing to do with him since he is the type of guy she completely despises. Then approaches the history trip of the college which ends up bringing them together for a day, making her she realize that she doesn't want to stay away. And so does he. However, when all odds start turning against them, the choices Elijah is left with, leads to a heartbreaking story, one that is planned out well by their fates.
But, will he be able to choose what's right with a realistic mind, even though that will snatch everything away from him...again?
***
"FIRST" is the first thing I wrote before I started embarking on a journey of being a writer so please be kind with my newbie mistakes.
TW: Contains unclean language. Not rated mature. WILL contains accidents and deaths and heartbreaks.
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6
ChaptersQuestions About How Long Should A Prologue Be
how long should a prologue be
4 Answers2025-03-10 04:27:25
A prologue can really vary in length depending on the story and the author's style. Personally, I think around 1 to 2 pages is a sweet spot. It should be long enough to set the stage and grab attention, but short enough to keep things moving. No one likes a drag, right? The key is to tease the reader just enough to want to dive into the main story. That's the magic of it!
How long should a prologue in a book ideally be?
6 Answers2025-07-09 01:00:39
Ah, the eternal debate of prologues—love 'em or hate 'em, they’re a storytelling staple! Ideally, a prologue should be like a perfectly timed movie trailer: long enough to hook you but short enough that you’re not checking your watch. Most writers and editors agree that 1-5 pages (or around 500-1,500 words) is the sweet spot. Anything longer risks feeling like Chapter 1 in disguise, and readers might start side-eyeing your pacing.
Think of prologues as the "cold open" of your book—whether it’s a gripping action scene, a cryptic prophecy, or a villain’s sinister monologue, it should tease, not overexplain. George R.R. Martin’s A Game of Thrones prologue? A masterclass in chilling brevity. But if your prologue drags on with backstory dumps, readers might just flip ahead. Pro tip: If you’re waffling, ask yourself—can this info be woven into the main story? If yes, maybe skip the prologue altogether. Remember, in the age of TikTok attention spans, every word’s gotta earn its keep! 🚀📖
Think of prologues as the "cold open" of your book—whether it’s a gripping action scene, a cryptic prophecy, or a villain’s sinister monologue, it should tease, not overexplain. George R.R. Martin’s A Game of Thrones prologue? A masterclass in chilling brevity. But if your prologue drags on with backstory dumps, readers might just flip ahead. Pro tip: If you’re waffling, ask yourself—can this info be woven into the main story? If yes, maybe skip the prologue altogether. Remember, in the age of TikTok attention spans, every word’s gotta earn its keep! 🚀📖
how long should a prologue be for a debut novel?
3 Answers2026-02-03 00:35:28
If you're wondering how long a prologue should be for a debut novel, my gut says: short enough to leave the reader wanting more, long enough to justify itself. I break this into two simple filters when I draft: purpose and momentum. A prologue needs a tight job description — reveal a mystery beat, deliver a shock that the main narrative can't start with, or show a piece of worldbuilding that would feel clumsy tucked into chapter one. If it doesn't do one of those, it often becomes a gatekeeper that turns agents and readers off.
In practice that usually means keeping a prologue to roughly 500–1,500 words for a first book. Under 1,000 words is a nice sweet spot: strong and memorable, but not heavy. Epic series sometimes get away with 2,000–4,000-word prologues because they have a built-in audience and sprawling lore — think of big fantasy works like 'The Way of Kings' — but as a debut you want to earn each extra page. If your prologue is a backstory dump, cut it or weave it into the opening chapters as bite-sized hints.
Finally, test it. I show drafts to two kinds of readers: one who loves deep lore and one who wants pace. If both are hooked, the prologue is probably doing its job. If the lore-lover nods and the pace-lover sighs, trim it down. Personally, I favor razor-focused prologues that hand the reader a question and sprint out of the way — that tension is what keeps me turning pages.
In practice that usually means keeping a prologue to roughly 500–1,500 words for a first book. Under 1,000 words is a nice sweet spot: strong and memorable, but not heavy. Epic series sometimes get away with 2,000–4,000-word prologues because they have a built-in audience and sprawling lore — think of big fantasy works like 'The Way of Kings' — but as a debut you want to earn each extra page. If your prologue is a backstory dump, cut it or weave it into the opening chapters as bite-sized hints.
Finally, test it. I show drafts to two kinds of readers: one who loves deep lore and one who wants pace. If both are hooked, the prologue is probably doing its job. If the lore-lover nods and the pace-lover sighs, trim it down. Personally, I favor razor-focused prologues that hand the reader a question and sprint out of the way — that tension is what keeps me turning pages.
how long should a prologue be to hook readers quickly?
3 Answers2026-02-03 08:18:02
I've always been picky about prologues — they either earn my trust in the first paragraph or they lose me forever. For me, a prologue's job is razor-simple: hook, orient just enough, and leave a question tearing at the edge of the reader's curiosity. That usually means short and sharp beats work best; think in terms of 300–800 words for most genres. In thrillers or contemporary fiction I often prefer something closer to 200–400 words that drops you into a crisis or a strange image. In epic fantasy or sprawling science fiction you can stretch toward 800–1,200 words if the scene itself is compelling and not just worldbuilding dressed up as drama.
The trick is purpose. If the prologue is a scene that couldn’t happen later without spoiling tension, give it room to breathe. If it’s backstory, condense it into a single, vivid vignette — never an info-dump. I think about 'The Hobbit' and how Tolkien's preface gives context slowly, whereas modern readers often respond better to the lightning-in-the-first-line approach seen in 'The Girl with the Dragon Tattoo' or the tight, key-event prologues you find in 'Mistborn'. Your prologue should put a character or an event under a spotlight, sound distinct, and raise stakes immediately.
When I edit my own drafts I chop until the heartbeat of the piece is still loud. Start your prologue with action, an unusual voice, or a line that makes someone say, "What does that mean?" and aim to leave one big question at the end. If your prologue survives a ruthless cut test and still pulls a reader forward, it’s earned its place. For me, the best prologues make me stay up later than I planned — and that’s the standard I trust.
The trick is purpose. If the prologue is a scene that couldn’t happen later without spoiling tension, give it room to breathe. If it’s backstory, condense it into a single, vivid vignette — never an info-dump. I think about 'The Hobbit' and how Tolkien's preface gives context slowly, whereas modern readers often respond better to the lightning-in-the-first-line approach seen in 'The Girl with the Dragon Tattoo' or the tight, key-event prologues you find in 'Mistborn'. Your prologue should put a character or an event under a spotlight, sound distinct, and raise stakes immediately.
When I edit my own drafts I chop until the heartbeat of the piece is still loud. Start your prologue with action, an unusual voice, or a line that makes someone say, "What does that mean?" and aim to leave one big question at the end. If your prologue survives a ruthless cut test and still pulls a reader forward, it’s earned its place. For me, the best prologues make me stay up later than I planned — and that’s the standard I trust.
How long should a prologue vs introduction be in a novel?
6 Answers2026-07-27 11:39:13
I've noticed prologues and introductions serve different purposes, and their length should reflect that. A prologue is like a sneak peek into the world or a pivotal moment—it should be short, maybe 2-5 pages max, just enough to hook the reader without overstaying its welcome. Think of 'The Name of the Wind' by Patrick Rothfuss; its prologue is brief but hauntingly memorable. An introduction, if included, is more about setting the stage for the story or the author's intent, like in non-fiction or classic literature. It can be longer, around 5-10 pages, but it shouldn’t feel like a chore. The key is to keep both concise and engaging, so readers don’t lose interest before the real story begins.
How long should a prologue and epilogue be?
5 Answers2025-09-09 03:59:45
Prologues and epilogues are like the appetizers and desserts of storytelling—they should complement the main course without overshadowing it. For a prologue, I’ve noticed that keeping it under 1,500 words works best. It’s just enough to set the mood or drop a tantalizing hint without dragging. Take 'The Name of the Wind'—its prologue is a mere few pages, yet it hooks you instantly with its poetic mystery.
Epilogues, though, can be a bit more flexible. Some stories, like 'Harry Potter and the Deathly Hallows', benefit from a longer epilogue to tie up emotional loose ends. But generally, I prefer epilogues that are concise—maybe 500 to 1,000 words—just enough to give closure without feeling like an afterthought. Too long, and it risks overstaying its welcome.
Epilogues, though, can be a bit more flexible. Some stories, like 'Harry Potter and the Deathly Hallows', benefit from a longer epilogue to tie up emotional loose ends. But generally, I prefer epilogues that are concise—maybe 500 to 1,000 words—just enough to give closure without feeling like an afterthought. Too long, and it risks overstaying its welcome.
how long should a prologue be for a fantasy novel opening?
4 Answers2026-02-03 16:08:56
If you're wrestling with how long a prologue should be, I usually tell fellow writers to think of it as a single, sharp promise to the reader rather than a slow-moving encyclopedia entry. A good rule of thumb is roughly 300–1,500 words: short enough to respect the reader's patience, long enough to deliver a memorable scene or a striking piece of history that actually matters to the plot. The prologue's job is to hook and orient—set tone, seed mystery, or show a pivotal moment that the rest of the book will echo. If it does that in a tight scene, keep it short. If it requires a fully-fleshed set piece with stakes and consequences, allow it to breathe up to a thousand or so words, but no more unless it truly earns it.
Practical considerations matter. Agents and impatient readers will sometimes skip prologues entirely, so never bury essential character development or plot that the reader needs to experience in the prologue alone. If most of what you want to convey is exposition or worldbuilding, fold it into Chapter One where you can reveal it through character action and dialogue. I look at prologues like opening chords: powerful and concise. Personally, I aim for 500–800 words for most fantasy prologues—long enough to taste the world, short enough to make me want to turn the page. When it sings, length becomes secondary, but tightness and purpose are non-negotiable—keep that in mind when you trim the fat.
Practical considerations matter. Agents and impatient readers will sometimes skip prologues entirely, so never bury essential character development or plot that the reader needs to experience in the prologue alone. If most of what you want to convey is exposition or worldbuilding, fold it into Chapter One where you can reveal it through character action and dialogue. I look at prologues like opening chords: powerful and concise. Personally, I aim for 500–800 words for most fantasy prologues—long enough to taste the world, short enough to make me want to turn the page. When it sings, length becomes secondary, but tightness and purpose are non-negotiable—keep that in mind when you trim the fat.
how long should a prologue be to meet agent and editor rules?
3 Answers2026-02-03 16:40:06
I like to think of a prologue as a little stage: it should set the lighting, put one compelling prop onstage, and then let the curtain rise on the main action. For me that means keeping it tight — usually under 1,000 words, and commonly closer to 500–800 words for most genres. Agents and editors often scan for economy and necessity; if a prologue reads like a detour or an info-dump, it’ll lose their patience quickly. Short, vivid scenes that either deliver mystery, an inciting incident that can’t logically fit into Chapter One, or a different-time perspective that directly hooks the plot are the ones that earn their keep.
Practical things I do when trimming a prologue: cut exposition unless it can be shown through action, keep the POV crisp, and ask whether this moment is the earliest place the reader needs to feel the stakes. If the prologue is purely worldbuilding or background, I usually fold the essentials into Chapter One or sprinkle it through micro-scenes. Also, always follow submission guidelines — some agents explicitly request the manuscript without prologues or want the first 50 pages; others don’t mind them as long as they’re necessary. I’ll mention that certain genres tolerate slightly longer openings — epic fantasy sometimes permits more, but even then I prefer restraint.
At the end of the day I treat a prologue like a promise: does it make the reader glad they started the book? If yes, keep it. If no, pistol-whip it down until it sings. I tend to trim mine ruthlessly until every line pulls its weight — it makes the whole manuscript feel cleaner and sharper on submission.
Practical things I do when trimming a prologue: cut exposition unless it can be shown through action, keep the POV crisp, and ask whether this moment is the earliest place the reader needs to feel the stakes. If the prologue is purely worldbuilding or background, I usually fold the essentials into Chapter One or sprinkle it through micro-scenes. Also, always follow submission guidelines — some agents explicitly request the manuscript without prologues or want the first 50 pages; others don’t mind them as long as they’re necessary. I’ll mention that certain genres tolerate slightly longer openings — epic fantasy sometimes permits more, but even then I prefer restraint.
At the end of the day I treat a prologue like a promise: does it make the reader glad they started the book? If yes, keep it. If no, pistol-whip it down until it sings. I tend to trim mine ruthlessly until every line pulls its weight — it makes the whole manuscript feel cleaner and sharper on submission.
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