Which Comics Reboot Batman And Batman As Rivals?

2025-08-31 11:38:45 306

3 Answers

Flynn
Flynn
2025-09-02 22:34:19
I still get a little giddy thinking about discovery runs through long comic runs — one of my favorite rabbit holes was tracing every big DC reset and those weird moments when you get two Batmen walking into the same story. If you want the big reboots that reshaped Batman’s continuity, start with 'Crisis on Infinite Earths' (1985) which rewired the DC Multiverse and set up modern takes like 'Batman: Year One'. Fast-forward and you hit 'Zero Hour' (1994) and then the huge modern shake-up: the 'Flashpoint' event (2011) that directly birthed 'The New 52' relaunch — both changed Batman’s status quo in notable ways. Later, 'DC Rebirth' (2016) is more of a restoration than a pure reboot, and then 'Dark Nights: Metal' + 'Death Metal' effectively remapped pieces of the Batman mythos again, feeding into 'Infinite Frontier'. Don’t forget standalone reimaginations like 'Batman: Earth One' which are great if you want a fresh, self-contained origin.

As for stories that actually put Batman against other Batmen — that’s where things get deliciously weird. 'Flashpoint' is obvious because you get Thomas Wayne as Batman while Bruce is the Joker, a literal Batman-vs.-Batman vibe in tie-ins like 'Flashpoint: Batman - Knight of Vengeance'. Morrison’s multiverse work in 'Multiversity' and the 'Dark Multiverse' arcs from 'Dark Nights: Metal' introduce a ton of alternate Batmen (notably 'The Batman Who Laughs') who are antagonists to our Bruce. 'Dark Nights: Death Metal' piles on even more variations and direct clashes. I also love the emotional rivalry you get post-'Batman R.I.P.'/'Final Crisis' when Dick Grayson wears the cowl in 'Batman Reborn' territory — it’s not a villainous rivalry, but it’s a compelling clash of philosophies.

If you want a reading path: try 'Batman: Year One' → 'The Dark Knight Returns' (for tone) → 'Flashpoint' and 'Flashpoint: Batman' tie-ins → Scott Snyder’s 'Court of Owls' in 'The New 52' → 'Dark Nights: Metal'/'Death Metal'. That way you see both reboots and the best Batman-vs-Batman confrontations unfold. Personally, I like reading these late at night with tea and a ridiculous stack of issues — the multiverse stuff always makes me grin.
Declan
Declan
2025-09-06 13:07:47
I’ve spent more than a few subway commutes skimming through reboots and alternate-universe Batmen, so here’s a compact map from that perspective. The major continuity-level reboots that affected Batman most are 'Crisis on Infinite Earths' (which cleaned up the multiverse), 'Flashpoint' (which launched 'The New 52'), and the later shifts around 'Dark Nights: Metal' and 'Death Metal' that remixed the Multiverse again. 'DC Rebirth' tried to stitch things back together, and 'Infinite Frontier' consolidated stuff post-'Death Metal'. These events either changed Batman’s status quo directly or opened the door for new interpretations.

When it comes to Batman actually facing other Batmen, the best examples are the multiverse and Elseworlds-style stories. 'Flashpoint' gives us the most famous alternate Batman rivalry — Thomas Wayne’s brutal detective vs. the tragic Bruce-as-Joker — especially in 'Flashpoint: Batman - Knight of Vengeance'. Grant Morrison’s 'Multiversity' and the 'Dark Multiverse' tales bring entire armies of alternate Batmen, culminating in the nightmare figure 'The Batman Who Laughs' during 'Dark Nights: Metal' and its sequel. Other notable moments: post-'Final Crisis' stories where different men wear the cowl (Bruce vs. Dick) explore ideological rivalries, and Elseworlds like 'Kingdom Come' or 'The Dark Knight Returns' give you grizzled confrontations between versions of Batman.

If you want to explore both themes, reading a mix of core event books and the Morrison/Snyder-era Batman runs is the most fun route.
Zane
Zane
2025-09-06 21:47:09
I’m a sucker for alternate Batmen showdowns, so I’ll give you the short tour: major reboots that reshaped Batman are 'Crisis on Infinite Earths', 'Flashpoint' (which led to 'The New 52'), and the later 'Dark Nights: Metal'/'Death Metal' runs (with 'DC Rebirth' and 'Infinite Frontier' acting as fixes/patches). Comics that literally put Batman against Batman tend to live in the multiverse and tie-in space — 'Flashpoint' (and 'Flashpoint: Batman - Knight of Vengeance') is the classic example with Thomas Wayne’s Batman vs. Bruce in a different role, while 'Multiversity' and the 'Dark Multiverse' stories from 'Dark Nights: Metal' introduce dozens of rival Batmen including 'The Batman Who Laughs'. Also check out the era where Dick Grayson becomes Batman after 'Final Crisis' — it’s a more emotional, philosophical rivalry than a fight to the death, but it’s brilliant. If you want a binge plan: read a bit of 'Year One', then 'Flashpoint' and the 'Dark Nights' saga to see reboots and rival Batmen collide — it’s a wild ride that always leaves me wanting another cup of coffee and one more issue.
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Where Can I Watch Batman And Batman Crossovers?

3 Answers2025-08-31 15:04:27
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3 Answers2025-08-31 06:27:51
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2 Answers2025-08-26 20:23:03
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How Do Batman And Batman Differ In Origin Stories?

3 Answers2025-08-31 23:12:19
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How Do Critics Compare Batman And Batman Portrayals?

3 Answers2025-08-31 17:51:10
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4 Answers2025-08-31 05:04:57
When I dove into 'Batman: Gotham by Gaslight' on a rainy Saturday, the voice that immediately grabbed me as Bruce Wayne was Bruce Greenwood. He brings that low, measured gravel to the role that feels perfect for a Victorian-era, noirish Gotham — the kind of voice that makes every line sound heavy with history and regret. I love how his performance leans into the world-weary detective angle of the story. Greenwood isn’t the usual towering, theatrical Batman some versions go for; instead he gives a compact, stern presence that fits an alternate 19th-century setting where everything is more shadow and gaslight than neon. If you like peeking at credits, you’ll also catch several solid supporting performances that round out the strange, Jack-the-Ripper-tinted mystery. I usually rewatch scenes just to hear how a single inflection changes the whole mood — Greenwood’s work is a great example of that.

When Did Batman And Batman First Meet On Screen?

3 Answers2025-08-31 14:15:56
Seeing this question, I teased out two ways people usually mean it — meeting two different Batmen on screen, or the classic first onscreen meeting of Batman with his sidekick. If you mean two different live-action Batmen sharing the screen, the big, headline-making moment was in 'The Flash' (2023). That movie actually brings Michael Keaton’s iconic 1989/1990s-era Bruce Wayne back and pairs him with Ben Affleck’s more recent cinematic take, so it’s the first major feature where two big-screen Batmen appear in the same film and interact. As a longtime fan, I sat in the theater buzzing — it felt like watching parallel histories collide, with both actors leaning into very different takes on the same symbol. If you’re into the deeper history, onscreen buddy/team moments featuring different Batmen have appeared earlier in animation and tongue-in-cheek projects: 'The Lego Batman Movie' (2017) plays with multiple Bat-personae for laughs, and the animated multiverse playground has allowed alternate Batmen to meet in various TV specials. But for straight-up live-action Batman-meets-Batman scenes, 'The Flash' is the marquee, can’t-miss example that fans argued about online for months afterward.

Who Wrote The Best Batman And Batman Team-Up?

3 Answers2025-08-31 16:54:56
Man, if you ask me who wrote the best 'Batman', my pick slides straight to Frank Miller — 'Batman: Year One' and 'The Dark Knight Returns' are foundational in how we see Bruce now. Miller's grit, moral ambiguity, and noir sensibility reshaped Batman from a pulp detective into a mythic, exhausted hero. The art-team pairings (David Mazzucchelli on 'Year One', Klaus Janson on 'The Dark Knight Returns') give those stories this raw, lived-in texture that still makes me pause when a panel nails the mood. I came across 'Year One' in a secondhand shop during a rainy weekend and it changed how I think about origin stories — economical storytelling that still feels cinematic. For team-ups, I tend to favor writers who can balance Batman's loner vibe with genuine chemistry when he pairs up. Grant Morrison's 'Batman, Incorporated' and his 'Batman and Robin' era are brilliant at making team dynamics feel necessary rather than tacked-on; he writes Batman as someone who builds a family without losing the core of the character. Jeph Loeb also deserves huge credit for 'Batman: Hush' and 'Superman/Batman: Public Enemies' — those are crowd-pleasing, character-rich reads that showcase how Batman plays off other heroes and villains. If you're trying to start somewhere, grab 'Year One' for atmosphere and 'Hush' or 'Batman, Incorporated' for big-team energy — both will show you very different but equally compelling sides of the Bat.
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