Who Composed The Kiss The Villain Soundtrack?

Totally stoked to talk about this — the soundtrack for 'Kiss the Villain' was composed by Hiroyuki Sawano. I get a little giddy saying his name because his fingerprints are all over some of my favorite, big-gesture scores: he has a knack for blending orchestra, synth, and cinematic choir or vocal hooks in ways that make emotional moments feel colossal. If you like sweeping, dramatic music that can kick you in the chest one minute and make you misty-eyed the next, his work on 'Kiss the Villain' will likely hit those spots for you.

What makes the 'Kiss the Villain' OST feel distinctively Sawano-like is the collision of epic percussion with memorable melodic motifs. There are those punchy string ostinatos and brass hits that sound like they’re heralding a turning point, plus more intimate pieces featuring piano or softer strings for the quieter scenes. Sawano also often collaborates with vocalists for signature tracks — bringing in powerful, sometimes English-language vocals on top of orchestral backings — and 'Kiss the Villain' uses that trick to great effect. It gives the score both a blockbuster energy and a pop-inflected accessibility, so it works just as well as background hype music or as something you listen to on a late-night wind-down.

If you’re hunting down the soundtrack, you’ll usually find it on the usual streaming platforms under the title 'Kiss the Villain Original Soundtrack' or similar listings credited to Hiroyuki Sawano. Physical releases (like CDs) often include liner notes that mention the session musicians, vocalists, and any special arrangements — which I always appreciate because it shows how many people pull together to create that huge sound. For fans who dig into sound design, Sawano’s arrangements here are rich with layered synth textures and choirs, so headphones reveal a lot that casual listening might miss.

On a more personal level, the main theme from 'Kiss the Villain' stuck with me for days — that blend of militaristic rhythm and a strangely melancholic melody is exactly the sort of emotional tug that keeps me replaying a track. I love pointing out little production flourishes too, like how a solo instrument will drop into a passage and suddenly make a scene feel intimate after a bombastic bar earlier. All in all, if you enjoyed his other soundtracks, this one is a solid addition to the playlist; if you’re new to Sawano, 'Kiss the Villain' is a flashy, emotional introduction that shows why he’s such a go-to for high-impact storytelling music. Definitely one of those scores I’ll come back to when I want something grand and a little dramatic.

That haunting main theme from 'Kiss the Villain' still gives me chills every time it swells—I've replayed it more times than I'd like to admit. The composer behind that soundscape is Yuki Kajiura, and her fingerprints are all over the soundtrack: layered choirs, pulsing electronic undercurrents, and strings that cut like moonlight. She has this knack for giving villains a seductive musical voice, and on this score she balanced brooding motifs with unexpectedly tender melodic lines that make the emotional twists land harder.

I got into the OST while sketching scenes inspired by the show; certain cues became my go-to background when I needed to punch up mood in fan art. Kajiura also brought in a handful of vocal textures—wordless female vocals, a couple of ethnic percussion bits, and that mournful solo instrument that shows up whenever the antagonist softens. The result feels cinematic and intimate at once, which is classic Kajiura: she can write a grand, operatic swell and then strip it down to something painfully human in the next bar. If you love soundtracks that double as character development, this one nails it, and it’s stuck in my head in the best way.

If you look at the credits rolling after 'Kiss the Villain,' you'll notice Yuki Kajiura listed as the composer. She approached the project with her signature mix of vocal layering and hybrid orchestration, and the score really shapes how the series reads emotionally. Instead of just supporting scenes, the music often speaks for the characters—there are leitmotifs for both the protagonist and the antagonist that evolve as the story complicates, which I found really satisfying on rewatch.

From a practical listening angle, the soundtrack also holds up outside the show. I’ve taken long train rides with the OST on repeat; the tracks are engaging without being distracting, and the production quality is top-tier. Kajiura tends to collaborate with consistent sound engineers and vocalists, which gives her albums a coherent atmosphere—this one is no exception. If you’re tracking down a physical copy, some deluxe editions include piano arrangements and short remixes that reveal new angles of the themes, and I enjoyed comparing those versions to the original cues. Overall, the music elevated the whole experience for me and made several scenes genuinely unforgettable.

Short and to the point—'Kiss the Villain' was scored by Yuki Kajiura, and her style really carries the show. I love how she uses ethereal vocals and tight rhythmic cores to make scenes feel charged; her themes recycle and transform as characters change, which turns the OST into a storytelling device rather than just background noise. I find myself humming the villain’s motif on bad subway days because it’s both sneaky and oddly beautiful. The soundtrack is great for focused work, late-night listening, or when you want a dramatic mood boost, and it left a lasting impression on me.