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Every time 'Viciously Yours' starts, I get pulled into this shadowy little world that feels equal parts elegant and dangerous. The original soundtrack was composed by Kevin Penkin, and you can really hear his fingerprints everywhere — those aching piano lines, the swelling strings, and the moments of sparse electronic texture that stitch scenes together. It leans cinematic but keeps an intimate, human edge, which is why it works so well for tense, character-driven beats.
Listening to the OST reminds me of the emotional clarity in 'Made in Abyss' and the atmospheric build of 'Tower of God', but here Penkin leans darker and more intimate. There are recurring motifs that act like emotional magnets for characters, and the production favors organic instruments drenched in reverb and subtle synth beds. It’s the kind of score that sticks with you after the credits roll — I still hum one of the themes on slow walks, and it makes the whole thing feel alive to me.
laid-back gamer/teen vibe: Okay, so the composer credit for 'Viciously Yours' goes to Yuki Kajiura, and if you’re into atmospheric, emotional music that still bangs during fight scenes, this is prime listening. On first playthrough I thought the music was way too cinematic for a game/series (depending on how you experienced it), but it ends up making every moment feel more important. The score uses a ton of layered vocals and strings which made boss fights feel almost operatic.
I also appreciated the standout tracks that loop without getting exhausting — they manage to stay memorable without overstaying their welcome. If you like playlists that mix orchestral stuff with electronic undertones (think dramatic, melancholic tracks you’d find on late-night study or driving playlists), the 'Viciously Yours' OST fits right in. It’s music I’d recommend to friends who want something dark but emotionally resonant; I still blast a track or two when I need to focus, and it never fails to set the mood.
analytical, music-student tone: The composer of the 'Viciously Yours' original soundtrack is Yuki Kajiura, and approaching the score from a theoretical angle is really rewarding. Kajiura often employs modal interchange and layered harmonic drones, and here she uses a mix of Aeolian and Phrygian modal colors to cultivate tension. The result is a palette that feels simultaneously ancient and modern — modal string ostinatos underpin synth pads, while choir samples carry the thematic material. Rhythmically, the OST plays with asymmetric accents: phrases that feel like 4/4 but are punctuated by cross-rhythms and syncopation, which heightens unpredictability.
I noticed recurring leitmotifs tied to specific characters and situations; Kajiura cleverly modifies instrumentation and harmonic context of those motifs rather than changing the melody outright, so the theme evolves with the narrative. Production-wise, the mixing favors mid-range clarity for vocals and strings, letting the lower frequencies serve as a textural bed rather than a dominant force. It’s a sophisticated score that rewards repeated listens, and for me it deepened my appreciation of the show’s emotional landscape.
Short take: Kevin Penkin composed the 'Viciously Yours' original soundtrack. I say short because his name explains a lot — delicate piano passages that swell into lush strings, sudden percussive hits for action, and ambient synth washes that give scenes this uneasy, cinematic air. The soundtrack release highlights his knack for melodic hooks that double as emotional anchors.
Beyond the composer credit, what stands out is the way he builds leitmotifs for characters and twists them subtly across episodes. If you enjoy scores that balance orchestral warmth with modern electronic color, this one’s worth a full listen through; it’s deceptively layered and rewards repeat plays. I still keep a couple of tracks on rotation while drawing or writing — they’re that inspiring to me.
If you just want the name: Kevin Penkin composed the soundtrack for 'Viciously Yours'. Beyond that, the OST is full of moody piano, soaring yet restrained strings, and electronic textures that never feel gimmicky. It’s the sort of score that sets a specific mood — dark, intimate, cinematic — and stays with you.
My favorite thing is how some tracks work perfectly as background while reading or late-night gaming; they add atmosphere without demanding attention. I’ve played a few tracks on repeat during study sessions because they’re oddly calming despite the dramatic tones, and that says a lot about the composer’s control over vibe.
Warm, slightly nostalgic take: I still find myself humming the themes from 'Viciously Yours' when I’m walking home at night — that brooding cello line and the sudden, razor-sharp synth hits stick with you. The original soundtrack was composed by Yuki Kajiura, and you can hear her fingerprints all over the arrangements: layered choral textures, a dramatic use of minor-key strings, and those vocal-led motifs that turn a simple melody into a character’s emotional shorthand. If you’ve followed her work with 'FictionJunction' or remembered the sweeping moments in 'Sword Art Online', the emotional architecture feels familiar but darker here.
What I loved most was how Kajiura balanced intimate piano passages against big, cinematic crescendos. Tracks like the opening theme feel almost like a short story — quiet, then unraveling into this tumultuous orchestral storm. There are also a handful of pieces that employ ethnic percussion and processed sound design, giving the score a slightly industrial edge that fits the show's violent, intimate tone. It’s the kind of soundtrack I’ll put on when I want something moody but narratively rich. Honestly, it’s one of those scores that keeps drawing me back — haunting in the best way.
I hear the craftsmanship immediately: Kevin Penkin wrote the 'Viciously Yours' OST, and as a musician I nerd out over the choices he made. He uses modal shifts and minor-key motifs to keep tension simmering, then resolves with unexpected major lifts that feel bittersweet rather than triumphant. The orchestration often pairs solo woodwinds or piano with a choir pad underneath, which gives a hollow, haunting quality perfect for morally grey scenes.
From a technical angle, the percussion is restrained but precise — brushes, low toms, and processed hits rather than bombastic drums — allowing dynamics to live in the strings and vocals. The mixing prioritizes midrange clarity, so voices and lead instruments cut through without losing ambience. I’ve tried reworking one of the motifs on guitar and the melody translates beautifully, which is always a sign of strong thematic writing. Personally, his approach here makes me want to re-score a short scene just for fun; it’s inspiring and moody in the best way.