Who Directed Tangerines 2015?

2026-04-19 05:20:02 83
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4 Answers

Emery
Emery
2026-04-22 18:42:29
Urushadze’s 'Tangerines' is one of those films that sneaks up on you. At first glance, it seems like a slow-burn war drama, but the director layers in so much quiet humor and warmth. I love how he avoids villainizing any side of the conflict—instead, he focuses on how ordinary people get caught in political messes. The fact that it’s co-produced between Georgia and Estonia adds this fascinating cultural texture too. After watching, I immediately looked up Urushadze’s other work; his filmography is criminally short but full of understated brilliance.
Kate
Kate
2026-04-23 10:22:25
Zaza Urushadze directed that gem! I first watched 'Tangerines' after a friend raved about its anti-war message, and wow, it wrecked me in the best way. The way Urushadze contrasts the absurdity of war with the tenderness of human connection—through something as simple as tangerines—is genius. It’s wild how a film with such a small-scale setting (literally just a few characters in a cottage) can feel so epic. Makes me wish more directors had his knack for subtlety.
Isaac
Isaac
2026-04-25 01:46:49
The director? Zaza Urushadze. 'Tangerines' is his most famous work, but he also did 'The Guardian'—another solid film. His style’s all about restraint; no flashy explosions, just raw human moments. That final scene with the tangerine crate? Chills every time.
Hudson
Hudson
2026-04-25 19:11:36
I stumbled upon 'Tangerines' completely by accident one lazy afternoon, scrolling through foreign film recommendations. The director, Zaza Urushadze, crafted such a poignant story set during the 1990s Abkhazia conflict—it’s one of those films that lingers in your mind for days. What struck me was how he balanced the quiet moments with the brutal reality of war, using the unlikely friendship between two wounded soldiers and an Estonian farmer to explore humanity. The cinematography feels almost tactile, like you can smell the citrus groves. It’s a shame Urushadze isn’t more widely known outside arthouse circles; his touch with emotional storytelling is masterful.

Funny enough, after watching 'Tangerines,' I went down a rabbit hole of Georgian cinema and found gems like 'Mandariinid' (the original title). Urushadze’s background in theater really shows in how he frames dialogue—minimalist but loaded with unspoken tension. The film’s Oscar nomination put Georgian cinema on my radar, and now I’m hooked.
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