What Is The Ending Of 'I Have The Right To Destroy Myself'?

2025-06-24 15:39:38 194

3 Answers

Mia
Mia
2025-06-26 01:43:22
This novel's ending is a masterclass in existential unease. The protagonist, a 'suicide designer,' vanishes after orchestrating several deaths, but the text never confirms whether he kills himself or simply walks away. The final chapters focus on the aftermath—how the city absorbs these losses without blinking. Buildings still stand, trains run on time, and life goes on. That mundanity is what chills me most.

What's fascinating is how the author mirrors this in the structure. Sentences fracture midway, scenes cut abruptly, and key details are omitted. It feels like the narrative itself is self-destructing. The last page shows a character staring at an empty chair where the protagonist once sat, but we don't know if it's memory or real time. This deliberate ambiguity makes the ending linger in your mind for days. If you like stories that reject tidy resolutions, try 'The Vegetarian'—it has a similar vibe of psychological disintegration against societal expectations.
Molly
Molly
2025-06-29 08:17:45
Let me break down why this ending wrecked me. The protagonist—this shadowy figure who helps others die—just... evaporates. No grand exit, no body, nothing. The final pages describe his usual haunts (a dim café, a bridge over the Han River) now empty, as if he were a ghost all along. But here's the kicker: one of his former clients spots someone who might be him months later, alive and unremarkable. Is it really him, or a hallucination? The novel leaves that dangling.

What gets me is how it inverts the whole 'right to destroy' concept. By not showing his death, the book questions whether self-destruction must be physical. Maybe his true end was erasing his identity, becoming a rumor. If you're into existential lit, pair this with 'No Longer Human'—another story where disappearance feels more tragic than death.
Michael
Michael
2025-06-29 09:42:22
The ending of 'I Have The Right To Destroy Myself' is hauntingly ambiguous, leaving readers with more questions than answers. The protagonist, who guides people to their deaths, disappears without a trace, making you wonder if he finally exercised his own 'right.' The last scenes show the city continuing its indifferent rhythm, as if the deaths were just minor disruptions. What sticks with me is how the novel challenges the idea of agency in destruction—does disappearing count as self-destruction, or is it just another form of escape? The open-ended finale forces you to sit with that discomfort, which I think was the author's goal all along.
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