Is 'Everyone Who Can Forgive Me Is Dead' Worth Reading?

The first experiment in the world of retrieving memories after death succeeds, and my memories are going to be broadcast live all over the Internet. My dad has just learned about my death, but he only says in a disgusted tone, "Who would want to see the memories of someone who is selfish, mean, and has nothing commendable at all about them? Today is the wedding day of Zoe and Cameron. Pause the live broadcast and stop being so sickening!" Zoe is my stepsister, and Cameron is supposed to be my fiance. After that, my father finds out the truth from the live broadcast of my memories. He begs for my forgiveness tearfully but… I'm already dead.

I've been dating my enemy, Sean Thompson, for four years. At first, I intended to lurk by his side and find an opportunity to get my revenge. But little do I know that a medical report with my cancer diagnosis is capable of shattering my life's plans in an instant. Since then, I've quit my job and broken up with Sean. Now that I no longer give a damn about everything, I lash out at everyone who dares approach me. Everyone is weirded out by my behavior. They all wonder what made my personality go through such a huge change to the point that I'm easily triggered by the slightest inconvenience. My family is already ruined to begin with. My parents are dead, my family has gone bankrupt, and now I'm on the verge of death. My only wish is that I can screw Sean over so that my older brother, Adrian Price, can get released from prison as soon as possible. But I can't do anything about my wish at all. At that moment, my childhood friend stands by my side, consequences be damned. He takes good care of me and cares for me as he always does. When Sean finds out that I have terminal cancer, he actually agrees to help fulfill my wish. Half a year later, Adrian is released from prison. Sean also returns the company to my family. My wish is fulfilled. Everyone wants me to keep fighting for my life and continue receiving treatment for my cancer. I know that I need to keep going for their sake, even if it means extending my life for a day or even a month longer.

I'm the fake heiress of a wealthy family. The system has given me three conquest targets to choose. As long as the affection score belonging to any of them becomes full, I can change my predestined death at the age of 23. But I've completely failed in my mission. The conquest targets have fallen for the true heiress, Evelyn Swanson, who has reunited with the family at the age of 18. As long as Evelyn says something, they can easily aim their malice and hatred at me. That's why I choose to take my own life in advance. Strangely enough, everyone is filled with remorse after I die.

He promised to protect him from a killer. He never said he was one. When journalist Ian Parker witnesses a brutal murder, he should have been the killer's next victim. Instead, he wakes up in the hospital, saved by Zhedya Hunter…a brilliant forensic pathologist, a reclusive CEO, and a man with chilling grey eyes that feel hauntingly familiar. Charismatic and dangerously possessive, Zhedya offers Ian shelter in his opulent penthouse, a gilded cage where every comfort is a chain. As Zhedya's obsession deepens, Ian's career skyrockets, with damning evidence against the city's most wanted criminals mysteriously falling into his hands. But each exclusive story comes with a price: a fractured memory, a drugged haze, and a growing pile of bodies connected to anyone who threatens their twisted paradise. Now, Ian is trapped in a nightmare of luxury and lies, unraveling a truth more terrifying than any headline: his savior is a predator, his sanctuary is a crime scene, and the man who claims to love him is the most prolific murderer he will ever interview. Learning how to love a murderer is easy. Surviving him is the real story.

Five years after my death, my wife, Charlotte Blake, once again asks me to take the fall for Leo Cane, her first love, in his drunk driving case. She barges into my home with fabricated evidence but finds no trace of me anywhere. Left with no other choice, she knocks on my neighbor's door. My neighbor tells her something unexpected. "Shane Foster? He's been dead for a long time. I heard the victim's family from the case he was convicted for wasn't satisfied with the verdict. "They abducted him the day he got out of prison and tortured him for three days straight." Charlotte refuses to believe it. She furiously accuses me of making up any lie to escape responsibility. She storms at the neighbor, shouting, "You think I don't know Shane paid you to cover for him? "Tell him there's no use in hiding. If he doesn't contact me within three days, he won't get a single cent of child support for that bastard." But she doesn't know that the person Leo killed in that drunk driving accident is the very "bastard" she keeps referring to.

Madeline Crawford gave Jeremy Whitman everything. Twelve years of love, loyalty, and quiet devotion, and he repaid her with a prison sentence she did not earn. She watched him fall in love with another woman through the cold glass of a window she was visiting. She swallowed her tears every single night in a six-by-eight cell. She learned, slowly and painfully, how to rebuild herself from nothing. Five years later, she walks back through Havenport's gilded doors not as the broken girl Jeremy once discarded, but as a woman the city will not soon forget. She has money now. Connections. A plan. And a rage so cold and precise it could cut glass. She is going to ruin every single person who helped put her there, starting with Jeremy Whitman himself. But then something goes wrong. Jeremy stops being the enemy she remembers. He becomes something far more dangerous: a man who is sorry. A man who is fighting for her. A man who, in front of the entire city, drops to his knees and kisses her feet and says, 'Madeline, I was wrong to love another. From now on, I will spend the rest of my life making it up to you.' And Madeline looks down at him and feels nothing she expected to feel. She says, 'I will only forgive you if you die.' What she does not say is this: she is not sure she means it anymore.