Is Everything Everywhere All At Once: Screenplay Worth Reading?

2026-01-05 02:39:51 88

3 Answers

Jackson
Jackson
2026-01-06 04:17:21
If you loved the film’s sensory overload, the screenplay offers a different kind of immersion. Without visuals, your brain fills in the gaps—turning 'multiverse jump cut' into a personal hallucination. The humor lands differently too; deadpan lines like 'I’m learning to fight like you—by watching YouTube' gain extra absurdity when you imagine them yourself. The script’s nonlinearity feels more pronounced on paper, almost like solving a puzzle. Bonus: it includes the original ending draft, which is darker and weirder (no spoilers, but it involves a sentient fanny pack). A must-read for anyone who’s ever felt stuck between infinite possibilities.
Ivy
Ivy
2026-01-07 11:48:33
Reading the 'Everything Everywhere All at Once' screenplay feels like uncovering a secret layer to a film I thought I knew inside out. The dialogue crackles with the same energy as the movie, but there’s an intimacy to seeing the characters’ inner thoughts spelled out in parentheticals (Joy’s sarcasm is even more biting in script form). The action lines are where the Daniels’ genius really pops—they write fight scenes like poetry, blending martial arts with emotional stakes ('Evelyn blocks the IRS agent’s stapler attack, but her real opponent is her own self-doubt').

I’d argue it’s especially valuable for aspiring screenwriters. Most scripts teach structure; this one teaches audacity. It breaks 'rules' relentlessly (jumping genres mid-scene, fourth-wall breaks) but always serves the story. The hot dog fingers bit? Even funnier when you see how deliberately it’s set up. And the quiet moments—Evelyn and Waymond’s laundry room talk—read like a punch to the gut. Keep your highlighter ready; every page has something worth stealing.
Orion
Orion
2026-01-07 23:54:50
I picked up the 'Everything Everywhere All at Once' screenplay after watching the film, and wow, it’s a wild ride even on paper. The way Daniel Kwan and Daniel Scheinert (the Daniels) structure their scenes is chaotic in the best possible way—jumping between dimensions, emotions, and absurdity without losing coherence. The screenplay’s formatting itself feels inventive, with stage directions that read like a fever dream ('CUT TO: RACCOON CHEF IN A TOP HAT'). It’s not just a blueprint; it’s a companion piece that adds layers to the film’s themes of existential fatigue and generational love. If you adored the movie’s visual chaos, the script lets you savor the writers’ raw creativity without VFX distractions.

What surprised me most was how much heart shines through the technical madness. Evelyn’s monologues hit harder in text, maybe because you can pause and sit with her words. The screenplay also includes little details that didn’t make it to screen—like alternate jokes or deeper backstory for side characters. For writers, it’s a masterclass in balancing tonal whiplash; for fans, it’s like finding deleted scenes tucked between margins. I doodled in my copy—couldn’t resist.
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