Examples Of Good Book Openings In Fantasy Novels?

2025-08-19 09:46:14 315

3 Answers

Kian
Kian
2025-08-23 05:49:59
Fantasy novels often live or die by their opening lines, and the best ones make you feel like you’ve stepped into another world before you’ve even finished the first paragraph. Take 'The Fifth Season' by N.K. Jemisin, which begins with 'Let’s start with the end of the world, why don’t we? Get it over with and move on to more interesting things.' It’s bold, breaking the fourth wall, and immediately sets up the apocalyptic stakes. Then there’s 'The Hobbit' by J.R.R. Tolkien, with its iconic 'In a hole in the ground there lived a hobbit.' Simple, cozy, and utterly inviting—it’s like being wrapped in a blanket of adventure.

For something darker, 'The Blade Itself' by Joe Abercrombie kicks off with 'Logen Ninefingers might have been the best fighter in the North, but he was still only one man.' It’s gritty and raw, promising a story where even the strongest can fall. On the flip side, 'Stardust' by Neil Gaiman opens with 'There was once a young man who wished to gain his Heart’s Desire.' It’s fairy-tale nostalgic, dripping with whimsy. Each of these openings does something unique: they establish tone, character, or world-building in a way that’s impossible to resist.
Yolanda
Yolanda
2025-08-23 08:34:22
I've always been drawn to fantasy novels that grab you right from the first page. One of my absolute favorites is 'The Name of the Wind' by Patrick Rothfuss. The opening lines, 'It was night again. The Waystone Inn lay in silence, and it was a silence of three parts,' immediately set this haunting, lyrical tone that pulls you into Kvothe's world. The way Rothfuss weaves mystery and atmosphere from the very first sentence is masterful. Another standout is 'The Lies of Locke Lamora' by Scott Lynch, which starts with 'Locke Lamora’s rule of thumb was this: a good confidence game took three months to plan, three weeks to rehearse, and three seconds to win or lose the victim’s trust forever.' It’s sharp, witty, and drops you straight into the heart of a heist. 'Mistborn: The Final Empire' by Brandon Sanderson also has a killer opener: 'Ash fell from the sky.' Short, stark, and instantly evocative—it makes you want to know why the sky is raining ash. These openings don’t just set the scene; they make you crave the story.
Mason
Mason
2025-08-23 09:08:30
As someone who devours fantasy novels like candy, I love analyzing what makes a great opening. 'A Game of Thrones' by George R.R. Martin starts with 'We should start back,' Gared urged as the woods began to grow dark around them. 'The wildlings are dead.' It’s ominous and foreboding, hinting at the political and supernatural dangers to come. Another favorite is 'The Poppy War' by R.F. Kuang, which opens with 'Rin hadn’t known opium could smell so sweet.' Immediately, you’re thrown into a world of addiction and desperation, with a protagonist who’s already on the edge.

For a lighter touch, 'Howl’s Moving Castle' by Diana Wynne Jones begins with 'In the land of Ingary, where such things as seven-league boots and cloaks of invisibility really exist, it was quite a misfortune to be born the eldest of three.' It’s playful and subverts fairy-tale tropes right away. And then there’s 'The City of Brass' by S.A. Chakraborty, which opens with 'Nahri had never believed in magic.' It’s a perfect hook—skepticism about to be shattered. These openings aren’t just words; they’re promises of the wild rides ahead.
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