What Are Examples Of Second Class Citizen In Modern Anime?

2026-06-01 09:00:05 143
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4 Answers

Una
Una
2026-06-02 22:41:59
The 'perpetually losing rival' trope gets me—Bakugo’s explosive tantrums in 'My Hero Academia' distract from how Midoriya’s victories often feel handed to him. Or consider Asuka in 'Evangelion Rebuild', whose arc gets truncated so Shinji can monologue. These characters aren’t weak; they’re just narratively shackled to make protagonists shine brighter. Funny how fandoms tend to fixate on them anyway—proof that 'second-class' status sometimes breeds cult followings.
Yazmin
Yazmin
2026-06-06 08:09:03
One recurring trope in modern anime that always gets under my skin is the 'background best friend' archetype—characters like Mako from 'Kill la Kill' or Takeo Gouda from 'My Love Story!!' who initially seem sidelined but end up stealing entire scenes. These characters often lack the flashy powers or tragic backstories of protagonists, yet their humor, loyalty, or sheer relatability make them unforgettable.

Another example is the 'expendable teammate' in battle shounen, like Iida from 'My Hero Academia'—ridiculously competent but constantly overshadowed by Deku’s plot armor. It’s frustrating how narrative priorities reduce them to cheerleaders, even when their abilities could easily rival the MC’s. Still, their underdog status sometimes sparks fan rebellions; entire subreddits exist just to argue that Kuroko from 'A Certain Scientific Railgun' deserves more screen time.
Zoe
Zoe
2026-06-07 04:29:36
Ever notice how anime love to pit 'normal humans' against supernaturals, then forget about them? Take Miwa from 'Jujutsu Kaisen'—a grade-2 sorcerer stuck in a world of god-tier curses, literally used as comic relief while Gojo hogglies the spotlight. Or the entire human cast in 'Tokyo Ghoul', who become irrelevant once Kaneki goes full ghoul. It’s like writers think mundanity can’t compete with power creep, but ironically, these characters often have the most compelling stakes (looking at you, Misaka’s clones in 'Railgun').
Jade
Jade
2026-06-07 06:09:02
Modern anime’s treatment of non-combatants irks me—especially in isekai. Think of the villagers in 'Re:Zero' or 'Shield Hero', disposable NPCs whose suffering exists solely to motivate the hero. Even in slice-of-life, side characters like Yui Hirasawa’s sister in 'K-On!' get reduced to one-note gags. What’s wild is how fandoms latch onto these 'second-class' characters anyway; the entire appeal of 'Bocchi the Rock!' revolves around socially awkward sidekicks usurping the narrative. Maybe audiences crave underdogs because mainstream plots keep sidelining them?
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