Which Exercises Build Speed In How To Draw Faces For Commissions?

2025-11-07 11:28:46 120

3 Answers

Wyatt
Wyatt
2025-11-10 16:34:36
If you want a quick, energetic practice blueprint, try this three-part habit I swear by: timed warm-ups (30s–2min), focused repetition (20–50 thumbnails of one angle or expression), and quick color/value passes (5–15 minutes) to simulate finishing pressure. I keep a running list of the five most-requested angles and features for commissions and rotate them daily so nothing feels rusty. Sometimes I’ll do a 15-minute sprint where I sketch a face every two minutes, then pick the best and refine for another five; other times I spend an hour doing only mouth shapes to speed up likeness tweaks.

I also use mirror selfies and a small photo reference board to shortcut reference hunting—having go-to references cuts decision time. On digital work, I made templates and layer groups that shave off repetitive setup minutes, which compounds across commissions. Overall, the combo of timed drills, repetition, and streamlined setup is what shifted me from slow-but-polished to reliably fast while keeping each face expressive. Feels great to watch the clock get friendlier over time.
Joseph
Joseph
2025-11-13 17:10:50
Late-night commission marathons taught me to think like a production line without losing charm. I break practice into micro-exercises that mimic parts of the commission process. First, I do silhouette-only heads for two minutes each to force readable shapes. If a face reads as a strong silhouette, it reads at a glance—crucial when a commission thumbs through a gallery.

Next up: feature-focus rounds. I’ll draw 30 mouths in ten minutes, then 30 eyes in ten minutes, then noses. Isolating features makes me faster at placing and stylizing them on actual faces. I also run rotation studies: take one face and redraw it from 8 compass-point angles in 5-minute increments. That gives a mental library of how a cheekbone, brow, or jaw hits light at different rotations. Practically, I pair these drills with workflow optimizations—layer templates, brush presets for clean lines, and a standardized approval sketch that clients can tick off. Discipline plus targeted drills equals speed that still sells personality. I like ending a practice day by comparing my fastest sketches from the week; it’s motivating to see concrete improvement.
Kendrick
Kendrick
2025-11-13 19:35:39
My go-to routine for building speed on commission faces is basically a warm-up + focused repetition formula that I treat like a musical scale practice. I start with 60-second head sketches: simple circle + jaw constructions, quickly blocking eye, nose, mouth placement with one confident line. Doing three sets of 60 seconds and then a set of 30 seconds forces my hand to reduce shapes to essentials. That urgency trains economy—less dithering, more deliberate marks.

After warm-ups I do angle-specific drills. I pick an angle I get asked for a lot—three-quarter, straight-on, profile—and draw 20 tiny thumbnails of that exact view, each one under 90 seconds. The repetition builds muscle memory for that perspective and helps me internalize where to place features without measuring every time. I also do an expression sheet exercise: six faces (happy, sad, angry, surprised, bored, smirk) at 3 minutes each, staying consistent with proportions.

On top of those timed drills, I maintain a reusable face template library: a few base head constructions in my preferred style that I can drop into a new commission, tweak hair and features, and finish. Combining timed practice with templates + quick value/color flats gives me speed without killing personality. It’s weirdly satisfying to watch your time-per-piece shrink while the faces retain life—I still love that quick spark when a rushed sketch starts to feel right.
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