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“Strip,” Lior said. Kael’s breath caught. He stood there, frozen, fear curling in his chest. Is this what my life is going to be now? he wondered. Ever since he met Lior, everything had gone wrong. They were fated—he had felt it the first time they locked eyes. That changed when Lior found out the truth. Kael’s brother was his ex. The one who had walked away. The one who chose his own fated mate and left Lior behind. After that, Lior hardened. He became ruthless. Instead of rejecting the bond, he held onto it like a weapon. He kept Kael close, punished him for someone else’s betrayal, and denied the pull that hit them both whenever they were together. Kael felt it every time Lior looked at him. Lior felt it too—but he refused to give in. The question was no longer why Lior hated him. It was whether the alpha would ever stop hurting his fated mate… or if revenge mattered more than the bond tying them together.

What's worse than war? High school. At least for super-soldier Nyla Braun it is. Taken off the battlefield against her will, this Menhit must figure out life and love - and how to survive with kids her own age.

Have you ever dreaded living a lifeless life? If not, you probably don't know how excruciating such an existence is. That is what Rue Mallory's life. A life without a meaning. Imagine not wanting to wake up every morning but also not wanting to go to sleep at night. No will to work, excitement to spend, no friends' company to enjoy, and no reason to continue living. How would an eighteen-year old girl live that kind of life? Yes, her life is clearly depressing. That's exactly what you end up feeling without a phone purpose in life. She's alive but not living. There's a huge and deep difference between living, surviving, and being alive. She's not dead, but a ghost with a beating heart. But she wanted to feel alive, to feel what living is. She hoped, wished, prayed but it didn't work. She still remained lifeless. Not until, he came and introduce her what really living is.

Celeste Lodge has been married to Terence Ford for three years. He's hated her guts the whole time. The day Winona Ford returns, he finally can't take it anymore and begins planning to fake his death so he can run away with her. "I'll fake my death in one month. I'll give up my position as heir to the Ford family and be with Winona forever." Hearing this from outside the operating room, Celeste Lodge immediately contacts a lawyer to draft divorce papers. Then, she calls her brother, Hayden Lodge, who lives abroad. "Hayden, I'm done with Terence. I'm ready to leave and live overseas with you."

Iris moves to the small town of Thornwick after inheriting her eccentric grandmother's property, including a sprawling greenhouse filled with rare and seemingly impossible plant varieties. When she touches the plants, she begins hearing whispers - the flowers are trying to tell her something urgent. The town's mysterious benefactor, Damien, appears at her door claiming her grandmother promised him access to the greenhouse. He's desperate because the plants in his hidden garden - which have sustained his humanity for centuries by feeding on moonlight instead of blood - are withering. Only someone with Iris's rare gift can save them. As Iris learns to interpret the flowers' messages, she discovers they're warning about an ancient curse. Damien's maker, the vampire Evangeline, cursed the garden out of jealousy when Damien chose botanical sustenance over embracing his dark nature. The curse will kill both the plants and Damien unless it's broken by the summer solstice. Working together in moonlit gardens, Iris and Damien develop feelings for each other. But the flowers reveal a devastating truth: breaking the curse requires a life force exchange. Iris must choose between her mortality and saving the man she's falling for, while Damien must decide if he can ask her to make such a sacrifice. The climax involves a confrontation with Evangeline in the original cursed garden, where Iris's connection with the plants becomes the key to not just breaking the curse, but transforming it into something that protects rather than destroys.