Why Do Fans Write Fanfiction About The Underdogs So Often?

Sometimes the stories that stick with me are the ones where the small, overlooked person claws their way up against everything stacked against them. I love novels where grit and heart topple arrogance and power, and off the top of my head I keep coming back to 'Jane Eyre' and 'Great Expectations'—both feature protagonists who begin with so little but refuse to be defined by it. Then there's 'The Count of Monte Cristo', which flips suffering into meticulous triumph, and 'Les Misérables', where Jean Valjean's moral victories feel like the most satisfying kind of win. I also find modern and genre titles deliver that same beat in fun ways: 'The Hobbit' lets a cozy, small protagonist become pivotal, 'The Martian' turns problem-solving into a one-man comeback, and 'Mistborn' pits a street orphan against immortal aristocracy. Even YA like 'The Hunger Games' and 'The Color Purple' give underdogs agency and genuine growth. These books remind me why I root for the scrappy characters so hard—seeing them prevail feels like a personal lift.

I get chills thinking about the perfect timing of a comeback scene — that beat where everything looks lost and then someone refuses to quit. There’s a rhythmic thing to it: the slow, hollow music that stretches out the doubt, a cutaway to the protagonist’s bruised face, then a flash of resolve in their eyes. The fans in the background go quiet, and the camera lingers just long enough for you to taste defeat. When the comeback actually lands, it feels like all that tension pays off, and I love how it rewrites the whole mood of the story. Visually and emotionally, it’s a masterclass in pacing. What fascinates me most is the payoff — the comeback only works if the character earned it. I get more invested when the protagonist learns something, reveals a hidden strength, or leans on allies. It turns a moment into a lesson, and I walk away grinning like I just watched someone climb a mountain. That rush never gets old to me.

You can spot the fingerprints of adaptation the moment an underdog walks onto screen instead of being described on a page. When a novel's internal monologue becomes a two-hour movie, that quiet, messy growth has to be externalized — through looks, a montage, or a single standout scene. That compresses arcs: subtle, incremental wins in a book turn into a handful of cinematic moments. Sometimes that sharpening is beautiful — you get a clear, cinematic rise that feels satisfying — and sometimes the complexity gets smoothed away, so the underdog looks less like a layered human and more like a trope. Casting and tone shift things too. A beloved side character in a book can be elevated into a star vehicle in an adaptation, which redistributes emotional weight and changes who we root for. Think about how stage or film adaptations of older novels will lean on music, costume, and set to signal progress — a new outfit, a triumphant song, a slow-motion walk — tiny shorthand that rewires the arc. And then there’s audience expectation and runtime pressure: studios often demand a cleaner ending or a clearer heroic beat, which can convert a bittersweet, ambiguous growth into a triumphant finale. What I love most is seeing how different media highlight different strengths. A TV series can stretch an underdog’s arc into seasons, letting awkward, painful growth breathe. A movie needs a concentrated emotional line. A book has interiority that can make failure feel meaningful. Each change is a creative choice — sometimes it enhances the underdog, sometimes it betrays the original nuance — but it always says something about what the adapters think an audience needs, and I find tracking those choices almost as fun as the story itself.

Hunting down merch for the underdogs is its own kind of joy — like treasure hunting with the added bonus of actually supporting the people who made something you love. I usually start with the obvious: the creator's own shop. Many indie creators, small studios, and lesser-known franchises run stores on platforms like Big Cartel, Gumroad, or even a simple Shopify page. Those places often have the most authentic items — prints, enamel pins, zines, and limited-run runs that you won't see on big storefronts. If the creator has a Patreon, Ko-fi, or a Discord, they frequently offer tier rewards, early drops, or backer-only items. I always check artist bios on Twitter or Instagram because they’ll usually link straight to whatever shop they use; it’s a quick way to make sure my money goes directly to them rather than a third-party merch house. If I’m hunting for variety and fan-made goodness, Etsy and independent marketplaces are my go-tos. Etsy is full of small-batch plushies, custom keychains, and hand-drawn art from people who put love into every piece. Teepublic, Redbubble, Society6, and Threadless are great for apparel and prints if the creators have granted print-on-demand licenses — you sacrifice a little uniqueness for convenience and size options, but that’s useful for gifting. For indie games and small publishers, specialized shops like Fangamer or Humble Store sometimes carry niche physical items like soundtracks, artbooks, and tees. When something launched via Kickstarter or Indiegogo, I watch those campaigns closely; crowdfunding is often the only way to grab early or exclusive merch, and backer tiers can score you signed items or numbered editions. Secondhand and international markets are where rare underdog merch surfaces. eBay and Mercari are obvious for out-of-print pieces, but if you’re digging into Japanese doujinshi or event-only pins, Mandarake, Suruga-ya, and Yahoo Auctions Japan (with a proxy service like Buyee or ZenMarket) are invaluable. I’ve snagged convention-only enamel pins that way. Facebook groups and dedicated Reddit communities or niche forums can also point you toward private sales or trades — community trust matters there, so look for sellers with clear photos, feedback, and a history. I try to use PayPal or platforms with buyer protection for riskier buys, and I always factor in shipping and customs when ordering internationally. A few practical tips I’ve learned: always double-check whether a piece is officially licensed or fan-made — both are great, but if you want to ensure creators get paid, buy direct when possible. Preorders are common for small runs so don’t be surprised by wait times, and keep an eye on production updates. Commissioning artists directly (via Twitter/Instagram DMs or their shop pages) can get you one-off items that mean more than mass-produced stuff. Lastly, be patient and polite — indie creators are often juggling everything themselves, and a friendly email or DM can go a long way. I love the thrill of finding a tiny seller with brilliant work; supporting underdogs feels like feeding the creative ecosystem, and it’s honestly one of my favorite parts of being a fan.

Nothing beats the rush of rooting for the underdog in sports shows — it’s the emotional anchor that keeps me glued to every match. I’m thinking first of 'Slam Dunk': Shohoku starts as a ragtag bunch with raw talent and wildly different personalities, and that scrappy chemistry makes every victory feel earned. Then there's 'Hajime no Ippo' — Ippo's climb from bullied teenager to championship contender is the textbook underdog journey, full of brutal training sequences and the kind of self-doubt that turns into purpose. Another favorite is 'Haikyuu!!' with Karasuno; they’re not the smallest team but they’re treated like the fallen squad trying to reclaim former glory, and that narrative beats to the heart of why underdog stories resonate. 'Ashita no Joe' is practically the origin of the tragic, proud underdog archetype in sports anime: Joe's grit, losses, and moral complexity still sting. Even teams like the Deimon Devil Bats in 'Eyeshield 21' feel like lovable underdogs at first — misfits who learn to click. What ties them together for me is how the underdog arc turns training, teamwork, and small personal victories into catharsis. Those late-game comebacks, the shaky first practices, and the friendships forged in defeat are what I go back for — they make the big wins feel like they belong to everyone, including me.