9 Answers2026-04-16
Rhysand’s plan for Feyre under the mountain was this intricate dance of survival and manipulation, but with a hidden layer of protection. At first glance, he seemed like the villain—forcing her to drink wine, painting her body, making her kneel beside him. But every cruel act was a calculated move to shield her from Amarantha’s worse whims. He needed her alive, not just for the curse-breaking prophecy, but because he’d secretly recognized her as his mate. The tattoos? A way to mark her as his property, so others wouldn’t touch her. The wine? Spiked with something to dull her pain during the trials. Even the bargain they struck—a week with him each month—was a loophole to train her in secret. The man played the long game, and it kills me how brilliantly vicious it was.
What gets me is how Feyre only saw the mask until later. The way he’d let her hate him, let everyone think he was Amarantha’s pet, just to keep her safe. And when she finally realized? That moment in 'A Court of Mist and Fury' where she pieces it all together—ugh, my heart. Rhysand’s entire plan was a masterclass in sacrificial deception, and I still reread those scenes just to spot the little clues I missed the first time.
10 Answers2025-08-01
This scene is after Tamlin’s huge meltdown in which he locks her in her bedroom. Then there’s a really good Lucien scene in which he helps her escape. The rest of the scene follows her as she travels through the forest, alone and scared, until she finally lets go and reaches for her bond with Rhys. We feel Rhys immediately feel her and he winnows to her. The rest of the scene is their wordless and frantic reunion, and then he takes her home to Velaris where she is greeted by her friends. This is the end of her undercover work, and the beginning of her work to get the rest of her band back together to fight. This takes place in the latter third of the book.
8 Answers2025-08-01
What really matters about his appearance is the bargain he makes with Feyre. That deal serves as a kind of magical/legal tether to connect Feyre with Rhys throughout the rest of the book. He establishes a means by which he can come to her aid later in the story, when other characters are unable to do so. His appearance on the scene is an active, binding event, rather than simply a notable appearance. By making the bargain with Feyre, he binds his own fate with hers in that moment, which is so much more significant than simply having him show up and then never be seen again.
6 Answers2025-06-19
Waiting for someone to post a complete list of the Courts. I always have to look this up, and then I forget which one of the Winter Courts does ice/cold. Well, I remember that mind, water, and fire are three of them. If someone could just post a complete and clear list, I'd appreciate it. (I'm supposed to be working right now, but this is more fun than what I'm doing.)
12 Answers2025-04-23
It's a "downer" of a story, well and magnificently written to be sure, but a "downer" nonetheless. And it demands a very specific emotional readiness to read. If you're in the mood for something to escape in, this is NOT the book for you. But if you're ready to have your heart torn out in the name of an exceptionally well-written story of human endurance and the relationships we have with others, then this is an ideal read for you. Just make sure you have something exceedingly light and fluffy in your reading queue for afterwards, because you're going to need it.
11 Answers2025-06-28
The ending of Mor is kinda unnoticed but her using her powers of truth on the High Lords to confirm Feyre’s story is the key to them indirectly helping her. Also her storyline tries to be wrapped up but fails, mainly her trying to reason with her dad and failing. It just really highlights the bad family relationships that Mor has with her dad and Tamlin and Feyre. The ending is set up really well for Mor, Azriel, and Elain, and the rest of the romantic storylines in the world of Feyre. The world is so much bigger than just Feyre’s point of view.
6 Answers2025-06-16
The soundtrack to this movie is beautiful, as always. I’ve been staring at the wall trying to come up with things to write about and this haunting guitar theme from Gustavo Santaolalla keeps popping up. It’s a beautiful and lonely tune and I wonder if it evokes as much sadness as the rest of the film in order to touch bases with the audience that the dialogue doesn’t. You can’t really argue with feelings and maybe that’s why some people are having such a hard time finding the ‘agenda’ of this film because instead of presenting them with a politicized argument the film presents them with a heartbreak and they don’t know how to stay angry with two fictional people and their failed relationship.
8 Answers2025-08-01
Oh man, you're in for a treat! This happens in the last book, ‘Kingdom of Ash’ (around Ch 58/59, I believe someone corrected me though). Oh the build-up to this moment was so incredible after all the separation and torture and war they both went through, it was a lovely moment of calm in the middle of all the chaos. Two broken people finally find their home in each other. Beautiful writing about healing and reclaiming peace after so much war. Yes, you watch them dance around each other for most of the books, but it’s so so so worth it. Don’t rush this though, it’s a slow burn and the pay-off is one of the most satisfying I’ve ever read in this genre.
8 Answers2025-03-18
Waiting for ‘Winds’? How are you all doing? I follow Not a Blog weekly, like a clown waiting for the circus to arrive. I am now completely sure that we will get the outline to ‘Winds’ in George R.R. Martin’s will. A poor author will then complete the work for him. So far, speculation is half the fun for me, but the lack of closure is slowly driving me and I am sure also the rest of the forum members mad, like the same crazy theories about Aerys II Targaryen that we all have come up with.
10 Answers2025-06-19
Movie magic is generally achieved by combining real and fake elements. I think the most realistic answer to this question is a combination of location shooting for immersing the audience in the scenes, using sound stages for scenes that are impossible to shoot on location and for the control that they provide, and then using matte paintings or miniatures for any of the remaining impossible shots. The mountain peak in the pictures may have been a painting. The scenes shot on the spaceship were shot on a set. But the scenes of running through the forest, with fear in the children's eyes, were probably shot in real trees in California, a quiet, damp, and ancient forest, with a crew of several people. That was real. And it was fantastic.