What Happens At The End Of 'The Girl From Home'?

That night was supposed to belong to Mia. She had spent a month practicing for her first piano recital. I had cooked all afternoon, set the table, and helped her into the pale blue dress Luca loved. She stood beside the piano, cheeks flushed, fingers trembling with excitement. Then Luca's phone rang. Vivienne was spiraling again. After Luca's older brother died, his widow never really came back from it. On her worst nights, she forgot the difference between the dead husband she had lost and the brother-in-law who kept showing up to save her. And Luca always showed up. Every time Vivienne broke, he left us behind. Every time he came home, he brought apologies, pretty gifts, and promises for next time. And every time, I believed him. Until that night. Before he could make another excuse, I placed the divorce papers in front of him. He signed without reading them, then touched my shoulder like he was the one being generous. "When this is over, I'll make it up to you," he said. "You, me, and Mia. The Maldives. No calls. No interruptions." Then he kissed our daughter's hair and walked out before she played a single note. What Luca didn't know was that Mia's passport was already packed. So was the little suitcase under her bed. I was done waiting for a man who only loved us when no one else needed him. This time, he could come home to an empty house.

Ten years after my wealthy family took me back, I died in the rental house my billionaire parents had dumped me in. My son was three. Just to mess with me, the kidnapper gave me three chances to call for help. If even one person was willing to come see me, he'd spare my child. The first call was to my father, the man who'd spent fifteen years searching for me. He was busy directing the staff as they set up my adoptive sister's birthday party. When he picked up, he barked, "Estelle Emerson, seriously? Can you go one week without causing a scene? It's your sister's birthday. I'm busy. Don't kill the vibe." The second call was to my mother, the woman who brought me home and changed my name from Dixie to Estelle. But Vera snatched the phone and laughed so hard she could barely get the words out. "Estelle, seriously? If you're gonna make something up, at least make it believable. You look so broke you probably don't even have fifty bucks. What kidnapper would pick you?" The third time, I called Luca's father, my legal husband. He said he was in a meeting and didn't have time to play games with me. He also said that if I behaved myself, he'd agree to take me home for dinner next week. After the final call ended, I looked at the grinning kidnapper in despair and sent the last two messages of my life. A photo of myself covered in blood. And a short message, every word sincere. [I'm really going to die. In my next life, don't bring me home.]

He didn't stop when he reached her but leaned forward and kissed her hard, on the mouth. The air left her lungs. Maybe it was because it was her first kiss or because he had kissed her, she didn't know but her lungs were burning, her lips were on fire. She was one fire. It ended in a second. She stared at him with wide eyes as he stared back. His hand traced her forehead, nose, lips and then chin as it stopped on her throat. She knew, by God she knew he could feel her pulse, the heat on her cheeks. "I'm home." Dean Woodland left two years ago without a word or sound and now he is back to bring his belongings with him.

After deciding to leave Azurea and follow Clara Miller to Northwood City, I was cast out by my parents. "That girl is an orphan–what can she possibly give you? If you choose a life of hardship now, you’ll spend the rest of your life suffering! Once you walk out that door, don’t bother coming back!" I left anyway. For five years, I watched Clara rise step by step, becoming one of Northwood City’s most respected psychologists. Just as she had promised, she gave me a home. As the New Year approached, I planned to take her back to Azurea to reconcile with my parents. However, just before boarding the plane, she abandoned me again–this time for a depressed patient threatening to take his own life. She let go of my hand, her eyes full of pain. "Julian Vance… he’s just like I used to be–alone, with no one to rely on. If I don’t go, he’ll jump. I’m sorry. Just this once. I’ll catch the next flight and meet you there." Then she turned and ran toward the exit without hesitation. I stood there, staring at the two plane tickets in my hand. She had saved everyone who needed redemption. Everyone… except me. Slowly, I tore up her ticket. Then I walked alone toward the security gate and turned off my phone. What Clara did not know was this: Some journeys home, once missed, are gone forever.

The night before my wedding, I caught my fiancé, Miguel Sheffield, kissing the Newells' biological daughter in the garden. I stood there with my pregnancy test in hand, my chest hollow. The next day, the wedding went on. Flowers lined the red carpet. Guests lifted their champagne glasses. But the bells rang again and again, and the bride never showed. The daughter the Newells had raised by mistake left only her engagement ring on the vanity. Then she vanished. I moved overseas and raised my child alone. I cut off everyone from my past. Five years later, I came home. And one by one, they walked right back into my life.

After her mum dies she has to learn how to live with someone who hasn't been in her life, can the boy next door help her with this big adjustment? Or does he add more pain to her life?