What Happens At The Ending Of Save The Cat Writes A Novel?

The zombie apocalypse had arrived, and pets could transform into guardians to protect their owners—each person was allowed no more than three. My best friend had spent a fortune on three Tibetan mastiffs. The landlord cleared out a fish tank to raise a crocodile. My boyfriend? He had stormed the zoo and dragged a lion home. And me? I only had three stray cats. The eldest was blind, the second one limped, and the youngest had just turned one month old. The moment the apocalypse system announced that pet slots were locked, I knew I was doomed. I tried to hide with my three disabled cats, hoping to survive quietly. Day one of the apocalypse: terrified… Day two: helpless… Day three: my cats sauntered over, tails swishing, carrying some unidentifiable object. "Mama, I bit off all the zombie heads on this street. How's that? Solid enough?" I was rendered speechless.

When the zombie apocalypse hit, pets leveled up into guardians. Three per person. That was the cap. My buddy dropped serious cash on three Caucasian Shepherds. My landlord dumped his fish and started raising crocodiles. My girlfriend bolted to the zoo and came back with a lion. Me? I had three strays. Bubba—blind. Missy—lame. Snowy—barely a month old. The second the system locked pet slots, I knew I was screwed. I barricaded myself inside with my three "broken" cats and kept my head down. Day one—fear. Day two—helpless. Day three—the cats strolled back in, tails up, dragging something I didn't recognize. Bubba looked at me. "Dad, I bit off every zombie head on the block. I'm solid, right?" I just stared.

After toiling in the underworld for three hundred years, I finally earned enough merit to be reincarnated. Then the King of Hell got drunk. Instead of sending me back as a human, he accidentally dropped me into the animal realm, where I was reborn as a plump orange cat belonging to the Sterlings, one of the wealthiest families in Evermont. Feeling guilty, the King of Hell compensated me with a hundred-year lifespan and one bizarre bonus: I could understand babies. Since I was stuck there anyway, I embraced the easy life, growing up alongside Victoria Sterling, the Sterlings' spoiled young heiress. Over the years, she became my devoted meal ticket, and I became an irreplaceable member of her family. On the day she gave birth, I lounged outside the delivery room, happily crunching on my imported freeze-dried treats. A panicked baby voice suddenly echoed in my head. [Waaah! I don't want them to take me away! My scumbag father is swapping me with his illegitimate daughter!] [I don't want to end up in an orphanage! I don't want to leave Mommy!] Before I could process that, another baby's voice rang out sinisterly. [Once I become the real heiress, the first thing I'll do is poison that woman and that fat cat.] I froze mid-bite. Every hair on my body stood on end. [Meow. You really picked the wrong cat to mess with.] [Anyone who dares lay a finger on the girl I raised is about to learn a very painful lesson.] With one powerful kick of my hind legs, I launched myself like a furry cannonball straight toward the delivery room.

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

On the day of our wedding, my fiance Thomas Warsh was killed in a car accident on the way there. His adopted sister rushed toward me, clutching his ashes, accusing me of being a jinx who brought him misfortune. I was drowning in grief when a line of floating comments suddenly appeared before my eyes. [You must remain a widow for three years for your deceased husband. After three years, he will be reincarnated and return to love you again!] [Don’t ever remarry. Otherwise, the male lead will never rest in peace, and you will suffer for the rest of your life!] That was when I learned that my fiancé and I were the hero and heroine of a novel. Only by following the spoilers in the comments and completing the storyline could I reunite with him. I did not remarry. Guided by the comments, I remained a widow for three years, and then another three. However, it was not until I suddenly died from a severe illness that I discovered the truth–the comments had all been written by Thomas. He had faked his death, changed his appearance, married his adopted sister, and fed me endless empty promises so I would continue to slave away for the Warsh family. When I opened my eyes again, I had returned to the day before the wedding.

ღ꧁ღ╭⊱ꕥ Maria Isabel Monedero fantasized about being like Shakespeare. She devoted her all life to writing romance tragedy stories. She joined many writing competitions but never won. She almost gives up her spirit, but her bubbly personality doesn’t. Until the day she graduated college. Then, Maria Isabel Monedero, known as Mimo as her pseudo name, joined Story & Life publishing incorporation to work as a creative novelist. She got admitted, and many editors demanded that she be in their lineup. Unfortunately, before she gets to designate a team, she must undergo provision training within six months. Then, finally, the publisher assigns her a personal editor named Jaime Tejedor, who claims to be a hopeless romantic. He dislikes tragedy romance stories, which is Mimo’s best field in writing. He rejected Mimo’s works twice, and she only has the last chance to stick around. If she ever gets rejected again, it’s the edge of her career. For her to evade that… She plots to seduce her editor to approve her work. Will she succeed? Or fall entirely to his charm? ꕥ⊱╮ღ꧂ღ