What Happens To Todo After Shibuya

If you're asking about the Jujutsu Kaisen manga, as of the latest chapters, Aoi Todo is alive! He's had some seriously epic battles and close calls, but he's a tough guy. However, you should definitely keep up with the manga because the storyline is very unpredictable. Happy reading!

There are a few deaths in the 'Shibuya Incident' that still make my chest tighten when I think about them. Reading through that stretch of 'Jujutsu Kaisen' on a rainy weekend, I kept having to put the book down and stare out the window—it felt like the series shifted gears and refused to look back. The two biggest, emotionally and narratively, are Kento Nanami and Nobara Kugisaki. Nanami’s death landed like a gut-punch because he’d been such a steady, grounded presence—his last scenes underline how weary but principled he was, and losing him felt like losing a moral compass for the younger sorcerers. Nobara’s loss hit differently: it’s about potential and voice. She was loud, fierce, and unapologetically herself, and watching what happens to her is one of those moments that changes the tone of the whole story. Beyond those two, the arc piles up so many smaller, yet devastating, losses—civilians trapped in the chaos, police caught in crossfire, and a handful of supporting sorcerers whose fates are either confirmed off-panel or left ambiguous. The scale matters: part of why Shibuya stings is not just who dies, but how many ordinary lives the battle swallows. Also worth noting is how the arc treats Satoru Gojo—not a death, but his sealing feels like an emotional death for the world of the series. It creates the same sort of dread and emptiness that a physical death would, and that’s why people often bundle it with the big tragic moments from Shibuya. Even now, when I reread those chapters, the mixture of grief and lingering questions keeps pulling me back.

There’s a massive chunk of the manga that’s commonly called the 'Shibuya Incident' arc — it runs from chapter 79 through chapter 136 (inclusive). I got sucked into this stretch like a late-night binge; it’s basically the most consequential sequence so far in 'Jujutsu Kaisen', with the citywide setup, huge reveals, and a lot of characters getting thrown into chaos at once. If you’re skimming, know that this arc contains the sealing of a major figure, terrifying battles on the streets of Shibuya, and a tonal shift that makes things much darker and more urgent. Reading it straight through felt like riding a rollercoaster that kept dropping and then pulling you through tight loops — the pacing alternates between long, atmospheric panels and frantic fight pages, so I often had to pause to breathe and let scenes sink in. Pro tip from my late-night reading sessions: read with a reading guide or chapter list handy so you can track which events correspond to which chapters. Some moments are spread over many chapters and reward slow rereads; other bits are small but pivotal and pop more on a second pass. If you want to know which exact chapter contains a particular fight or moment, tell me which scene and I’ll point you to the specific chapter.

The Shibuya Incident is the kind of narrative earthquake that reshapes everything afterward — in my view it literally cleaves the series into 'before' and 'after'. Before Shibuya the story still feels like an escalating conflict between ghoul investigators and ghoul groups, with personal stakes and a creeping sense of doom. After Shibuya the world itself has shifted: politically, socially, and emotionally. The CCG is battered and exposed; you start seeing power plays that were simmering in the background suddenly take center stage. Practically speaking, that arc triggers a timeskip and a tonal reset where the consequences of those days ripple outward — new leadership, new policies, and a more oppressive atmosphere toward ghouls. On a character level the timeline changes are huge. The incident scatters people, kills or maims many, and creates the conditions for Kaneki’s identity break and eventual rebirth as a different figure in the later chapters of 'Tokyo Ghoul'/'Tokyo Ghoul:re'. It’s also the moment where hidden manipulations (political puppeteering, V’s machinations, Furuta’s climbs) start to make sense in retrospect; events that seemed isolated before get tied back to Shibuya. Structurally the author uses non-linear flashes a lot after this point, so you get pieces of the past revealed later — but the anchor point remains that catastrophic week in Shibuya. For me it’s one of those rare arcs that legitimately reorders the series’ timeline and forces you to reassess character motivations and the stakes going forward.

I still get a knot in my stomach thinking about the chaos that followed the 'Shibuya Incident' ending in 'Tokyo Ghoul'. When the final beats hit, a lot of us felt this weird mix of grief and awe — like watching a gorgeous train wreck. My timeline filled with frantic caps, spoilers, and long, heartfelt posts. People were dissecting panels, comparing blood-splattered frames, and sharing artwork that turned the darkest moments into something almost reverent. I stayed up way later than I should have just scrolling through discussion threads, clutching a cold drink and feeling oddly proud of a story that could move so many people at once. But it wasn't just sadness. Fans also sparked intense debates: some praised the author’s daring choices and emotional payoff, others criticized pacing or felt certain character beats were rushed. There were creative outbursts too — AMVs, cosplay shoots of the most harrowing scenes, and theory posts predicting how the fallout would change the world of 'Tokyo Ghoul'. I also noticed a divide between manga purists and anime-only viewers; the adaptation’s handling left some confused or upset, which added fuel to spoiler arguments. Overall, the reaction felt alive and messy in the best way — a community processing trauma, beauty, and plot mechanics all at once — and it made me want to reread the arc with a notebook and a warm blanket.

I still get a little giddy thinking about the merch drop I grabbed after seeing the 'Shibuya Incident' arc unfold in 'Jujutsu Kaisen'. I stumbled on a huge poster of the Shibuya crossing scene at a con booth and it felt like owning a piece of that chaotic day — so many products use that visual as a backdrop. You’ll find posters, wall scrolls, and art prints that recreate the crowded streets, dramatic lighting, and key character moments from the arc. Aside from wall art, collectible options are everywhere: clear files and postcards that reproduce iconic panels, enamel pins and acrylic keychains showing battle snapshots, and T-shirts or hoodies with stylized Shibuya designs. Figures (from prize figures to scaled statues) often capture fight poses or battle damage from the arc, and some Nendoroid variants lean into the more dramatic expressions and accessories tied to those scenes. If you like physical books, the tankōbon volumes that contain the arc include colored spreads and cover art that are frequently reprinted as posters or included in special editions. I usually check official shops and convention exclusives first — those are the pieces that tend to capture the arc’s tone most faithfully — and then hunt for signed prints or limited runs online. It’s a little expensive sometimes, but having that Shibuya street print above my desk still makes me smile every time I walk in.

As someone who deeply appreciates literature, especially works that explore profound themes, I recently came across 'Todo Obra Para Bien' and was curious about its author. After some research, I discovered it was written by Carlos Cuauhtémoc Sánchez, a Mexican author known for his inspirational and motivational novels. His works often delve into themes of personal growth, faith, and overcoming adversity, making them resonate with a wide audience. 'Todo Obra Para Bien' is no exception, offering readers a compelling narrative that encourages reflection and resilience. Carlos Cuauhtémoc Sánchez has a unique ability to blend storytelling with life lessons, creating books that are both entertaining and thought-provoking. His other notable works include 'Un Grito Desesperado' and 'Juventud en Éxtasis,' which have also garnered significant acclaim. If you're looking for a book that combines emotional depth with a message of hope, 'Todo Obra Para Bien' is a fantastic choice. The author's style is accessible yet profound, making it a great read for anyone seeking inspiration.

Yes—you can definitely hook 'todo.txt' into IFTTT, but it usually needs a little glue. I’ve toyed with this for a while and found there are three practical approaches depending on how hands-on you want to be. The simplest no-code route is to keep your 'todo.txt' in a cloud folder that IFTTT can watch, like Dropbox or Google Drive. Create an applet that triggers on "New file in folder" or "File updated" and then pair that with whatever action you want (push notification, calendar event, smart light blink). The caveat is that IFTTT won’t parse your tasks for you — it just sees the file change. So if you need triggers based on things like a priority '(A)', a context '@home', or a 'due:' tag, you’ll need something to read and parse the file first. That’s where a tiny script or mobile automation comes in. I run a small Python watcher on my laptop that syncs with the Dropbox copy of my 'todo.txt', looks for new lines matching patterns I care about, and sends a POST to IFTTT Webhooks (https://maker.ifttt.com/trigger/{event}/with/key/{key}) with the task details. From there IFTTT can light up my Philips Hue, log to a spreadsheet, or send me a text. If you prefer no scripting, try combining IFTTT with Zapier or Make.com which can read files and do basic parsing — that’s a nice middle ground between full code and pure cloud triggers.