Can Hell Is Other People Sartre Apply To Modern Social Media?

2025-08-28 09:41:29 127

3 Answers

Franklin
Franklin
2025-08-31 22:50:47
Sometimes I sit with the philosophy and try to map it onto my daily scrolling. In 'Being and Nothingness' Sartre unpacks the look — how the other's view can objectify you — and social media turns that look into a constant, asynchronous presence. Comments, likes, and follower counts act as proxies for a gaze; they quantify how others perceive you and can push you into 'bad faith' where you perform a simplified self to appease that audience.

But the modern situation adds layers Sartre didn’t foresee. Algorithms curate audiences you never asked for, and performative outrage or 'cancel' mob dynamics can create instant, relentless judgment. On the flip side, social platforms also democratize visibility: marginalized voices use the same mechanisms to build solidarity and resist objectification. So while Sartre gives a sharp lens to diagnose the pain of being publicly seen, it’s not a totalizing diagnosis. We can design our feeds, practice more honest self-expression, and scaffold communities that resist turning people into mere mirrors of others' expectations.
Uriah
Uriah
2025-09-01 05:04:56
Scrolling through my feed after a long day feels a little like stepping into a crowded room where everyone's turning to look at me — and yes, that line from 'No Exit' keeps looping in my head. Sartre's 'hell is other people' wasn’t written for phones, but the idea of being defined and judged by others fits alarmingly well with modern social media. The existential sting there is the gaze: on a stage, our posts are fixed objects for others to consume, and that gaze can reduce us to a role or a rating. I’ll admit I’ve felt that squeeze — posting a selfie and waiting, like an idiot, for validation feels exactly like being trapped under an audience's verdict.

Still, I don't treat the phrase as a final judge. Social media amplifies certain human tendencies — comparison, performative behavior, cruelty — but it also lets weird, supportive niches form. I’ve found game-modding groups and anime meme threads that saved me on lonely evenings; those are hardly Sartrean tortures. Practically, I handle the 'hell' by curating: muting, unfollowing, and building small spaces where people know me as a person, not a persona. It’s messy, and sometimes the algorithms throw me back into the crowd, but creating boundaries and choosing which crowds matter has helped soothe that existential itch.
Gavin
Gavin
2025-09-02 04:24:57
I’ll keep this short and practical: yeah, Sartre’s line from 'No Exit' definitely lands on social media, but it’s not the whole story. The core idea — that being seen by others can become a form of confinement — maps perfectly onto feeds where everything is judged and archived.

From my POV as a long-time fan hopping between fandom servers, the remedy is small and concrete: curate your spaces, shrink the audience when you need safety, and lean into communities that reward nuance over clicks. Also, remember that silence (log-off) is a legit tool — sometimes the only way to escape the gaze is to step out of the room for a while, which, ironically, feels liberating.
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