How Does The Historical Context Enrich The Plot Of 'Les Misérables'?

Now everything is changing...with everyone of us sweeping under the carpet the scars of yesterday's sins. Those scars are what kept me alive until you are all born to hear the story. The world government was powerful and taking advantage of the human colonial minds, they buried our freedom and equity. But now that we the Elites whom they educated and rose to revolts against the fingers that had fed us... What do you call it? Oh! yes they had termed it Rebellion. They did call us rebels, for seeking a small ration part of the best that nature has given to mankind. Al-sural-tu-Nas. This for mankind, tell ye that the beast you trained in the dark had turned to an angel in the day. We are filled from the pot of lies now that our bellies cannot contain what they obtain, the promises that were compromised, treaties that were breached, least they covered the black mails and lies with a blanket of Diplomacy. But now is the snatch of the gallon beer from the drunkard because now there is what when diplomacy fails.....is war. "Now we are free." Later in the future a seed germinates bearing fruits of the YESTERDAYS as she possess the abilities to time travel and set broken pieces together but this has consequences in the future of mankind. Read along

The classic Cinderella story told with a wild twist; Ella's trusty rat friends unleash the plague in the castle and around the kingdom resulting in Ella and her stepsister along with some friends made along the way to find a cure for the illness.In 18th century Briarglen, the crown Prince is looking for his future wife and Queen. The King throws a grand ball inviting every maiden in the kingdom to attend. At the ball, Drizella meets a handsome palace guard whom she bonds with over the love of botany. Meanwhile indoors, her sister Anastasia is destroying their stepsisters' dress, leaving remnants behind in the castle halls. The King notices Anas behavior and banishes her from the castle.Driz and Ella receive bouquets from their suitors inviting them to the castle for dates. While in the castle, they witness the first victim of the plague fall ill and areforced to quarantine inside the castle with no connection to others.Meet Malcolm and Maddie, the head servant and maid of the castle whom the King has aspecial bond with. After they fall ill, the King becomes determined to find the one responsible and have their head.Learn what is happening in the Tremaine household while the girls are stuck in the castle and learn the truth about the evil stepmother and the reason for Ana's change in behavior.After the girls do not return home, Ana takes it upon herself to rush to the castle regardless of the repercussions to find out what is happening. While there, she helps to discover a cure to the plague and regains her acceptance to the castle.Discovering the true source of the outbreak, the culprit is revealed and served with the proper punishment.

For a Captain of the Royal house to have honour, he must saves the life of the only heir to the throne, else he will be dishonoured, and excuted; and for Captain Casablanca to become the king of the sea, he must kidnap the only hier, and vomit terror all around the Western sea.

His lap is my throne and my body is his salvation. Orphaned and enslaved, I was sold to Prince Erwin's palace to serve as his sex slave. They said the prince drinks blood daily and has a taste for killing people. That only blood, violence, and screams can arouse his sexual desire. His favourite colour was reddish blood, and my hair was red. Perhaps that's why he fell in love with me, made love with me almost every night, but sometimes his demonic side took over and he raped me me brutally. But deep in my heart, I know he loved me. He adorned me with the jewels, burned his own king-father alive, for me. He still chose me even though he was married to a beautiful noblewoman. And I loved him as well. He is the king of my body, my heart, and my soul. The prophecy says that I will die by his hand, and before that happens, I must free him from the curse he was born with. He is the beast, and I am the beauty. Can the beauty heal the beast? **** This story contains some adult concepts such as: - Slavery, Harem, and reverse harem (since the setting is in the 16th. I opposed slavery) - Graphic sexual and violent scenes (stay away if you are under 18) - Bloody vengeance (may be distressing to some readers. If you are easily triggered, it may be best to avoid this book) - Gods, Goddesses vs Demons (Based on Greek mythology, not suitable if you are too religious) This story is a work of fiction, intended to satisfy readers' wildest smut and romantic fantasies. Please do not read this book if you dislike the above topics. You have been warned.

Behind velvet curtains and gilded balconies, the opera is more than a performance. It's a hunting ground, a court of monsters disguised as patrons and benefactors. When a masked nobleman claims her talent as his own, Lyria is drawn into a world where music is power, restraint is survival, and desire is the most dangerous temptation of all. The longer Lyria remains under his protection, the more she awakens. Her body responds to hungers she does not yet understand and her are dreams invaded by a silver-eyed predator who promises freedom instead of restraint. As the opera's beauty curdles into something predatory, Lyria must decide what she is willing to become to survive it. The stage is watching. The city is listening. And once the blood sings, it cannot be silenced. TRIGGER/CONTENT WARNING: This story contains mature themes and content intended for adult audiences (18+) Reader discretion is advised. It includes moments of violence, sexual content and dark erotic elements, manipulation, obsession, and emotional power dynamics.

When the kingdom of Ormond is invaded, eighteen year old Princess Eithne is enslaved by the cynical conqueror, Xander of Frankia. Her innocent eyes are opened to a world of untold cruelty and depravity at the heart of which is her estranged mother, Clara Sylvain Lovell. Mourning the death of her beloved father, King Stephen, Eithne is worried about her older brother, Ephron, who has not been heard from for a while. Xander claims acquaintance with the disgraced royal heir and says he is currently in jail overseas. He swears he will try and secure his release in return for her favours. But is he to be trusted? Eithne sees another side of her sometimes brutal master when they learn that young girls are going missing all over the realm. Does this resonate with him on a far more personal level than he is letting on? And is Xander really the blackguard he seems, or will love tame the tamer?