Does 'I'M Glad My Mom Died' Have A Sequel?

I just finished 'I'm Glad My Mom Died' and checked everywhere for updates. Jennette McCurdy hasn't announced a sequel yet, which makes sense given how raw and complete her memoir feels. The book covers her childhood, her complex relationship with her mother, and her eventual breakthrough into independence. A sequel would need new material, and right now, she seems focused on other creative projects like her podcast and writing. If she ever decides to revisit her story, I'd be first in line to read it, but for now, this standalone memoir packs enough punch on its own. Fans craving more should check out her essays online or listen to her podcast for deeper insights into her current perspective.

As someone who read 'I'm Glad My Mom Died' twice, I can confirm there's no sequel—but the book doesn't need one. McCurdy's memoir is brutally honest, covering her abusive upbringing, her rise as a child actor, and her eventual emancipation from her mother's control. The story ends at a natural breaking point: her mother's death and Jennette's first steps toward healing.

That said, I'd love to see a follow-up exploring how she rebuilt her life afterward. Her recent work in writing and directing suggests she's thriving creatively, but she hasn't shared those details in book form yet. Until then, readers craving similar vibes should try Tara Westover's 'Educated' or Nicole Chung's 'All You Can Ever Know.' Both dive into family trauma and self-discovery with the same unflinching clarity.

McCurdy’s storytelling is so vivid that a sequel could easily delve into her post-Nickelodeon career or her views on fame now. But for now, the memoir stands perfectly as is—a definitive statement rather than part of a series.

No sequel exists for 'I'm Glad My Mom Died,' and honestly, it’s better that way. McCurdy’s memoir is a grenade of truth—short, devastating, and designed to leave you reeling. A sequel might dilute its impact. She says what she needs to say about her mother, her acting career, and her eating disorders in one focused arc.

What’s fascinating is how the book’s ending mirrors her real-life pivot away from acting. She’s now a writer-director, and her new creative work feels like an organic extension of the memoir’s themes. If you want more of her voice, her Twitter threads and interviews offer glimpses into her current mindset.

For those hungry for similar memoirs, 'The Glass Castle' by Jeannette Walls or 'Crying in H Mart' by Michelle Zauner hit comparable emotional notes. McCurdy’s book is a complete package, though—no loose ends begging for a continuation.