Are There Any Interviews With Doc Shirley'S Family?

I've been translating manga as a hobby for years, and finding a free PDF editor that handles Japanese text well is tricky. I use 'PDF-XChange Editor' because it allows text editing directly on the PDF while preserving the original formatting. It's not perfect for complex manga layouts, but it works for simple bubble translations. For free alternatives, 'LibreOffice Draw' can sometimes manage basic edits, though it struggles with vertical text. If you're dealing with scanlations, 'GIMP' is a free image editor that lets you overlay translated text manually, but it's time-consuming. The key is balancing functionality with the quirks of manga formatting.

As a music enthusiast who grew up listening to jazz and big band classics, I’ve always admired Doc Severinsen’s incredible talent and energy. Born on July 7, 1927, he would be 97 years old as of 2024. It’s astounding how he’s still remembered for his vibrant performances, especially as the bandleader on 'The Tonight Show Starring Johnny Carson.' His career spanned decades, and even in his later years, he continued to perform, proving age is just a number when it comes to passion. What’s even more inspiring is how he’s stayed relevant in the music scene. Whether it’s his collaborations with modern artists or his occasional appearances at jazz festivals, Doc Severinsen has left an indelible mark. His longevity is a testament to his dedication to music and his ability to adapt while staying true to his roots. For anyone who appreciates jazz or trumpet playing, his legacy is a treasure trove of inspiration.

As a longtime fan of jazz and big band music, I've always admired Doc Severinsen's incredible talent and energy. From what I've gathered, he's still alive and kicking at 96 years old! After his iconic years as the bandleader on 'The Tonight Show Starring Johnny Carson,' he continued performing well into his later years. Last I heard, he was living in Mexico, enjoying a quieter life but still occasionally playing his trumpet. He even made a guest appearance with the Phoenix Symphony a few years back, proving he’s still got that legendary spark. His contributions to music are timeless, and it’s heartwarming to know he’s still around, even if he’s stepped back from the spotlight.

From what I've gathered through interviews and fan communities, Doc seems to be in remarkably good shape for his age. At 96, he’s still occasionally performing, which speaks volumes about his vitality. Back in 2020, there were rumors about minor health concerns, but recent appearances show him as lively as ever. He’s even joked about outliving some of his younger peers. His trumpet skills might not be what they were in 'The Tonight Show' days, but his energy and humor remain intact. Fans on forums like Reddit often share clips of his recent gigs, where he’s still cracking jokes and hitting high notes. It’s inspiring to see a legend like him staying active and engaged with music.

Oh, this is one of those little tech puzzles I get oddly excited about—Google Docs can speak text, but whether it highlights while speaking depends on how you do it. If you just use Google Docs’ built-in accessibility setting (Tools → Accessibility settings → Turn on screen reader support), that lets screen readers interact with the document, but Docs itself doesn’t provide a native word-by-word visual highlight as it reads. What actually highlights is the screen reader or tool you pair with Docs. For example, on Chrome OS you can enable 'Select-to-Speak' or use ChromeVox; on macOS, VoiceOver can show a focus ring or move the VoiceOver cursor as it reads; on Windows, Narrator may offer a highlighting option. So the flow is: enable screen reader support in Docs, then use your OS or a browser extension to read and optionally highlight. If you want a simpler route that definitely shows synced highlighting, I usually grab a Chrome extension like Read Aloud, NaturalReader, or Speechify, or a dedicated tool like 'Read&Write'—those will read the document text and show a highlighted word or phrase as they go. Another trick I use when I want polished highlighting is paste the text into Microsoft Word online and use Immersive Reader, which highlights and moves along robustly. Try a couple of extensions and see which voice and highlight style feels best to you—I have favorites depending on whether I’m proofreading or just zoning out to listen.

When I dive into documentaries I head straight for the places that play by the rules and still feel like treasure hunts. Public library services like Kanopy and Hoopla are my go-to if I have a library card — they unlock a surprisingly deep catalog of independent and feature-length films for free, legally. Universities and film institutions often post full docs too: the National Film Board of Canada (NFB) streams a huge range of Canadian work on NFB.ca, and PBS hosts tons of educational programs and shorts on its site and YouTube channel. If I want older or rarer material, the Internet Archive and the Library of Congress are goldmines of public-domain or properly archived films. For more mainstream, ad-supported viewing I check Tubi, Pluto TV, and Plex; they rotate documentaries frequently and label content clearly. Always look for official channels (logo, verified account, clear licensing info) or sites with .gov/.edu/.org domains to stay on the legal side. I like to save a watchlist from different services and swap between them — it keeps me legal, entertained, and guilt-free about binging a whole director’s back catalog.

If you want a result that actually looks like the original document, the trick starts well before conversion: use consistent styles and a clean .docx. I always strip out manual formatting—no weird fonts, no direct color tweaks, and absolutely accept tracked changes or comments before exporting. Put headings in Heading 1/2/3 styles, use standard paragraph styles for body text, and replace complex Word-only elements (SmartArt, text boxes, equations) with images or simplified versions. Save as .docx (not .doc) because modern tools read .docx far better. From there, pick your tool depending on how faithful you need the layout. For most books I use a two-step approach: export to clean HTML (Word allows 'Save as Web Page, Filtered'), then open that HTML in an EPUB editor like Sigil or feed the .docx to Calibre/Pandoc. In the editor I tidy up the CSS, embed a cover and fonts if licensing allows, and build a proper navigation (NCX/TOC). If your document has complex page layouts (magazines, comics), consider fixed-layout EPUB or export to PDF instead. Always validate with epubcheck and test on a few readers (Calibre's viewer, Apple Books, a Kindle via conversion) — you’ll catch orphaned images, wrong line spacing, or broken TOC links that way. Little things like relative image paths, UTF-8 encoding, and clean metadata go a long way toward preserving formatting, and a quick pass editing the XHTML/CSS inside an EPUB editor often fixes what automatic converters miss.

If you want a reliable, repeatable workflow I lean on a combination of Pandoc and a little manual cleanup — it’s saved me from font headaches more than once. First, save your .doc (or .docx) cleanly from Word: strip weird tracked changes, use simple styles for headings and body text, and bundle the fonts you want to embed into a folder. Then run Pandoc from the command line like this: pandoc mydoc.docx -o book.epub --epub-embed-font=/path/to/MyFont-Regular.ttf --epub-embed-font=/path/to/MyFont-Italic.ttf. Pandoc will generate an EPUB with the font files packaged and a CSS that references them. After that I always open the EPUB in Sigil (or Calibre’s editor) to check two things: that the fonts landed in the /fonts folder and that the stylesheet has @font-face rules pointing to those files. If needed I tweak the CSS to force font-family for headings/body. A couple of practical notes: embed only fonts you’re licensed to distribute, test on real devices (iBooks, Kobo, phone reader), and if you target Kindle you’ll need to convert to AZW3 with Calibre and verify fonts survive the conversion. This workflow gives me predictable results and lets me fine-tune typography without hunting through dozens of GUIs.