Why Is 'Jonathan Strange & Mr Norrell' Considered A Classic?

2025-06-24 07:04:17 194

2 답변

Ella
Ella
2025-06-26 10:45:17
I’ve lost count of how many times I’ve reread 'Jonathan Strange & Mr Norrell', and every time, it feels like uncovering a new layer of magic—both literally and figuratively. What makes it a classic isn’t just the meticulous historical setting or the dry wit; it’s how Susanna Clarke reinvented fantasy by grounding it in the mundane. Most fantasy novels throw you headfirst into dragons and prophecies, but this one starts with a bunch of dusty scholars arguing about whether magic even exists. The slow burn is deliberate, almost like Clarke is teaching you patience before rewarding you with scenes like the resurrection of a fairy-cursed woman or a ship made of rain. The prose mimics 19th-century literature so flawlessly that you’d swear it was penned by Jane Austen if Austen had a thing for sinister faerie kings.

The characters are another masterpiece. Norrell is this hilariously petty, insecure man who hoards magic like a miser, while Strange is his polar opposite—brilliant but reckless, with a charm that makes you forgive his arrogance. Their rivalry isn’t just about power; it’s a clash of ideologies, and the way their friendship fractures feels painfully human. Then there’s the Gentleman with the Thistle-Down Hair, who might be the most terrifying depiction of fae ever written. He’s not evil; he’s worse—capricious, utterly alien, and obsessed with his own amusement. The footnotes alone deserve awards, weaving this rich tapestry of alternate history where magic shapes wars and politics. It’s a book that demands your attention, but the payoff is a world so vivid you’ll dream about it.
Stella
Stella
2025-06-28 20:20:08
Let’s talk about the elephant in the room: 'Jonathan Strange & Mr Norrell' is thick, dense, and unapologetically slow-paced. But that’s exactly why it’s a classic. It doesn’t cater to short attention spans; it invites you to sink into its world like a warm bath. The magic system isn’t explained with flashy spells or rulebooks—it’s elusive, almost mundane in its execution, which makes the moments of true wonder hit harder. Remember the scene where Strange pulls a fleet of ships across the English Channel using mirrors? Or when Norrell animates statues to argue with him? These aren’t just plot devices; they’re reflections of the characters’ personalities. Norrell’s magic is cautious and precise, while Strange’s is flamboyant and experimental.

What seals its status as a classic is how it subverts expectations. The Napoleonic Wars backdrop isn’t just set dressing; magic influences battles in ways that feel both grandiose and eerily plausible. The Raven King’s mythology isn’t spoon-fed; it’s scattered through footnotes and half-remembered tales, making the world feel lived-in. And the ending—no spoilers—but it’s the kind of bittersweet, ambiguous finale that lingers for years. Most fantasy ties everything up neatly, but Clarke leaves threads dangling, like a spell half-cast. It’s a book that respects your intelligence, and that’s rare.
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