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One impulsive kiss to hide from an ex. One desperate contract to save a child. After a double betrayal by her boyfriend and best friend, Lyra impulsively kisses a handsome stranger in a grocery store to avoid being seen weak.That stranger turns out to be Lucas Thorne, a cold tech billionaire whose traumatized nephew Leo, has been silent since an accident. When Lyra is hired as Leo's specialist, the boy forms an unbreakable bond with her the only person who can bring back his voice. To ensure his son's recovery, Lucas proposes a one year marriage contract. But as Leo begins to speak and the fake family starts feeling real, Lyra and Lucas must decide if their marriage ends when the contract does, or if they're ready to admit that the healing wasn't just for the child it was for them too.

His smoldering golden gaze struck sparks from hers. “I wanted you the first time I saw you nearly three years ago. Now I want you even more.” “Me too... I've been waiting for this for so long… Three years might seem an eternity sometimes. Touch me, Diego. Please,” she mumbled shakily. “I will, 'cariño'… And I won’t stop. Not until you beg me to.” "Then... Don’t you ever stop…” she whispered urgently, shifting her hips in a restive movement against the sheet, wildly, wickedly conscious of the growing ache at the very heart of her. “Never…” "Is this a promise?" "A certainty." For sexy, mysterious Mexican aristocrat Diego Francisco Martinez del Río, Duque de Altamira, Jacqueline Maxwell was a gypsy, a weirdo living in awful conditions. And she was raising his orphaned baby niece in… a trailer! So unacceptable! Since she wasn’t giving up on little Azura, and his niece was very fond of her aunt, Diego offered to marry Jacqueline and raise the little girl together. Yes, she was poor but she was a real beauty, and with a little help, Jacqueline might become a perfect wife for a Duque. Graceful, beautiful... delightful, even. Jacqueline Maxwell knew Diego and his kind all too well. He was as stunning and charming as the devil himself, but twice as ruthless and heartless. He was just a playboy interested in one thing and one thing only. And it had nothing to do with little Azura. Still, accepting his proposal of a marriage of convenience might be the end to all her worries regarding the little girl left in her care by Alyssa, her sister...

"There's something so fascinating about your innocence," he breathes, so close I can feel the warmth of his breath against my lips. "It's a shame my own darkness is going to destroy it. However, I think I might enjoy the act of doing so." Being reborn as an immortal isn't particularly easy. For Rosie, it's made harder as she is sentenced to live her life within Time's territory, a powerful Immortal known for his callous behaviour and unlawful followers. However, the way he appears to her is not all there is to him. In fear of a powerful danger, Time whisks her away throughout his own personal history. But going back in time has it's consequences; mainly which, involve all the dark secrets he's held within eternity. But Rosie won't lie. The way she feels toward him isn't just their mate bond. It's a dark, dangerous attraction that bypasses how she has felt for past relationships. This is raw, passionate and sexy. And she can't escape it.

Three years ago, I escaped the empire that raised me. I left behind my father’s world of blood, violence, and impossible choices, determined to become someone else. Someone ordinary. For three years, I believed I had succeeded. Then my father was murdered. One phone call drags me back to the compound I swore I’d never return to, where grief quickly gives way to betrayal. The man I planned to marry isn’t who he claimed to be, old enemies are hiding in plain sight, and everyone seems to want something my father left behind. Everyone has lied to me. Everyone… except Raze. He was my first sin. My greatest weakness. The only man I’ve never been able to forget. I walked away from him three years ago. He waited 1,095 days. Now he’s done waiting. The woman I buried has only one choice left. Become the weapon I was raised to be… or die pretending I was ever meant for a peaceful life.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Sometimes, you can have the right love at the wrong time. For Dash, love can wait but for Cassy it should be something that they should be fighting for. Two young souls crossed path but fated played at them. What could happen to their shattered hearts? Would they still believe in love when it gone all wrong?