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Ten years. Ten years I gave Viktor Volkov everything; my hands, my loyalty, my designs, my silence. When his father stepped in front of a moving truck to save my life and died on that pavement, I became his son's by debt. By duty. And somewhere along the way, by something far more dangerous than either. Love. Foolish, one-sided, ruinous love. Now the doors of the Volkov estate are closing behind me with the quiet finality of a verdict. No argument. No goodbye worth remembering. Just the click of a latch and the ghost of a matching tattoo Viktor had lasered off his wrist before she arrived Elara Conti, all silk and Italian marble, the woman he chose in the time it took me to stop pretending he ever saw me. He gutted my studio. Erased my name from every wall. Turned ten years into a footnote. What Viktor doesn't know is that I'm walking out of those gates carrying the one thing he can never erase. His. And I will burn this entire life to the ground before I let him find out.

We were once best friends, a CEO, and his secretary. Then, one night changed everything. Dominic was drunk and grieving after he lost his father, and I happened to be available when he needed an outlet. He pinned me against the wall and ravaged me. That night, I lost a friend and my first. The next morning, he accused me of taking advantage of him while he was drunk, and somehow, I couldn't defend myself. The board forced him to marry me, and that intensified his hatred for me. " This is another one of your schemes, right?" he had asked, hands trembling as he signed the marriage certificate. A few weeks into the marriage, and he started sending divorce, one after another. But I kept on tearing them, because I wanted a complete family for our daughter.. But she is now diagnosed with a terminal illness.. With nothing left, I make one final request: Thirty days… before the divorce. Thirty days for my daughter to have a father. Thirty days before we disappear from his life... But the truth shatters everything. I was innocent, he finds out. And the woman he broke? Not just an orphan… I am a lost heiress. Now he wants me back. But this time, I am the one walking away. He has to earn it... or I might as well accept the man my newfound brothers chose for me.

Emma and Daniel, childhood sweethearts from an elite circle, reconnect after years apart. Emma returns home from abroad, carrying the scars of trauma and PTSD from sexual abuse. Daniel is her rock, and their bond reignites into a passionate, all-consuming love. Fast forward to a seemingly perfect life: a beautiful marriage, successful careers, and a precious daughter. But Emma's world is shattered when she discovers flirty messages on Daniel's phone. As she digs deeper, she uncovers Daniel’s betrayal: using her name in shady deals that put her career at risk. Heartbroken and furious, Emma decides to reclaim her life. She embraces her independence, finds her inner strength, and thrives as a single mom. Meanwhile, Daniel is consumed with regret, realizing he took their love for granted and desperate to win her back. "His Unfinished Love Story" is a thrilling rollercoaster of love, betrayal, and redemption. Follow Emma as she battles PTSD, uncovers Daniel's deceit, and transforms into a fierce, unstoppable force. Can Daniel's efforts to make amends reignite their lost love, or will Emma's newfound strength lead her to a brighter future? Perfect for fans of drama, romance, and empowering journeys, this story will captivate you from start to finish.

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Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.