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His smoldering golden gaze struck sparks from hers. “I wanted you the first time I saw you nearly three years ago. Now I want you even more.” “Me too... I've been waiting for this for so long… Three years might seem an eternity sometimes. Touch me, Diego. Please,” she mumbled shakily. “I will, 'cariño'… And I won’t stop. Not until you beg me to.” "Then... Don’t you ever stop…” she whispered urgently, shifting her hips in a restive movement against the sheet, wildly, wickedly conscious of the growing ache at the very heart of her. “Never…” "Is this a promise?" "A certainty." For sexy, mysterious Mexican aristocrat Diego Francisco Martinez del Río, Duque de Altamira, Jacqueline Maxwell was a gypsy, a weirdo living in awful conditions. And she was raising his orphaned baby niece in… a trailer! So unacceptable! Since she wasn’t giving up on little Azura, and his niece was very fond of her aunt, Diego offered to marry Jacqueline and raise the little girl together. Yes, she was poor but she was a real beauty, and with a little help, Jacqueline might become a perfect wife for a Duque. Graceful, beautiful... delightful, even. Jacqueline Maxwell knew Diego and his kind all too well. He was as stunning and charming as the devil himself, but twice as ruthless and heartless. He was just a playboy interested in one thing and one thing only. And it had nothing to do with little Azura. Still, accepting his proposal of a marriage of convenience might be the end to all her worries regarding the little girl left in her care by Alyssa, her sister...

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"Custom demanded that Prince Urban get a love mark tattooed to the side of his left eye as an infant, just like the rest of his people, but to him, the stupid things have only brought on the scorn of his father, the misery of his siblings, and caused his entire kingdom to go broke from fighting so many wars over the irritating ink stains. When Urban’s sister must travel to Donnelly, the kingdom within the sand, for her arranged marriage to align two realms, he goes with her. But he no sooner steps foot inside their castle than his mark starts itching like a son of a bitch, telling him his one true love is near. It just figures, though, that the woman meant for him is completely forbidden. Now he must decide if he should ignore the persistent mark, telling him she's the one, in order to avoid a possible war between kingdoms, or if he should discover whether she's worth risking everything for so they can be together. Either way, his life gets sucked into chaos with threats of beheadings, dark magic lurking, castle traitors scheming, and sword fights eminent. Who knew one little tattoo could cause so much trouble? (ONE TRUE LOVE is the author’s first attempt at a fantasy romance. Please forgive her; she might’ve read an overabundance of Cassandra Gannon, Sarah J. Maas, and Eve Langlais books, then gone off to watch too many episodes of Supernatural, Game of Thrones, and Outlander, because this was the outcome.)"

Three months long is a book centred on love, romance and betrayal. It talks about what some people consider important in a relationship, and how certain decisions affect people. Olivia, the main character is at the center of a love triangle but still convinced herself to push forward against all odds.

Six years. No love. No children. No complications. That was the deal Orlena Stewart signed with billionaire Brent Caldwell — a contract marriage to save her dying father, raise his adopted nephew Eli, and disappear quietly when her time was up. She kept every rule. Except one. With only six months left, Orlena discovers she's carrying the child that was never supposed to exist, conceived with a man who is terrified of pregnancy, who never loved her, and who just welcomed his first love back home. She can't tell him. She can't stay. So she vanishes. But Brent Caldwell doesn't let things go, especially things that turn out to matter more than he ever admitted. And when their secret finds its way back to him, every wall he built comes crashing down. Start reading, you won't put it down.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.