Is Loveless The Movie Based On A Manga Or Original Story?

2025-11-25 13:05:29 195

4 Answers

Felix
Felix
2025-11-28 20:45:47
I’m pretty into both movies and manga, so I’ll slice this simply: if someone says the movie 'Loveless' they’re often referring to the 2017 Russian film and that’s an original story, not a manga adaptation. It was written for the screen and directed by Andrey Zvyagintsev, and it explores themes of parental neglect, bureaucracy, and urban malaise in a very cinematic, realistic style.

On the other hand, there’s the manga 'Loveless' by Yun Kouga which has its own adaptation history — primarily a 2005 anime series rather than a theatrical movie. That manga’s world is fantasy-tinged and emotionally intense in a completely different register. So depending on which title someone means, the origins are different: the cinematic 'Loveless' is original, while the manga 'Loveless' gave rise to anime and related media. I tend to recommend the manga/anime to people who like stylized relationships and mystery, and the Russian film to viewers craving sharp social drama.
Brielle
Brielle
2025-11-29 21:19:16
When the question pops up in threads I hang out in, I like to clarify by describing both works and their origins. The Russian film 'Loveless' (2017) — sometimes brought up in cinephile circles — was crafted as an original screenplay. It’s tightly plotted around a missing-child case and the emotional vacuum between two adults; the story, characters, and dialogue were created for that movie, not lifted from manga pages.

Meanwhile, 'Loveless' the manga by Yun Kouga is a very different beast: born in the late ’90s, serialized as a manga, and eventually adapted into a short anime series in 2005. That property has a devoted fanbase for its lyrical art and queer-leaning romantic mystery. There hasn’t been a mainstream, well-known live-action feature film adaptation of Yun Kouga’s manga — most of its adaptations are animated or audio-based. If you prefer bleak realist cinema, the original Russian movie is your pick; if you want ethereal fantasy romance, follow the manga and its anime. I always end up recommending both at different times, depending on mood.
Talia
Talia
2025-12-01 04:59:21
I get asked this a lot, and the short breakdown I usually give is this: there are at least two well-known things called 'Loveless', and they’re entirely unrelated. One is a Russian film from 2017 directed by Andrey Zvyagintsev — that one is an original screenplay (written by Zvyagintsev and Oleg Negin) and not adapted from any manga or comic. It’s a bleak, emotionally heavy social drama about a fractured family and a missing child, so if you’re thinking of that tone, you’re thinking of an original movie.

The other 'Loveless' people often mean is the long-running manga by Yun Kouga, which began in the late 1990s and spawned a 2005 anime series. That manga is a fantasy/romance with BL elements and a very different audience and vibe. It wasn’t adapted into the Russian movie — instead you’ll find the manga adapted into anime episodes, drama CDs, and lots of fan discussion, but not a famous live-action film adaptation. I usually ask which one the person means, but between the two, the movie titled 'Loveless' is the original film by Zvyagintsev; the manga 'Loveless' is its own separate thing. Personally, I find both fascinating in very different ways — one for its cold social critique, the other for its strange, melancholic romance.
Cole
Cole
2025-12-01 21:14:33
I’ll keep this quick: the well-known movie titled 'Loveless' from 2017 is an original film, not adapted from a manga. It was written for the screen and directed by Andrey Zvyagintsev, and it stands apart from Yun Kouga’s manga 'Loveless', which inspired a 2005 anime series rather than a major live-action movie. People sometimes conflate the two because of the shared title, but they’re totally different stories and tones.

So if someone asks whether the movie is based on a manga, the common cinematic 'Loveless' is original. Personally, I love pointing people toward both depending on whether they want grim social realism or wistful romantic fantasy.
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