Who Are The Main Characters In Dead White Writer On The Floor?

After I was reborn, I was the one who changed the name on my blood bond with Prince Mortlock. I wrote in “Isabella”—the other vampire he’d always cherished, always protected. When Isabella wanted the ruby necklace, the one that marked the Prince's Mate, I let her have it. The wedding dress Mortlock had prepared for me? I gave that to Isabella, too. I did it all because in my past life, I got my wish. I became Mortlock’s mate, but I lived every moment in Isabella’s shadow. In the end, during a battle with vampire hunters, Mortlock ran to a wounded Isabella first. I was the one left to take a silver stake through the heart. So this time, I decided to let them be. To stay far away from Mortlock. But this time, the cold, distant Prince wept and begged me to be his mate again.

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

On the day I receive my Distinguished Service Medal, I also receive word that my grandma has passed away. My superior grants me special leave to return to my hometown to mourn her death, so I rush to my ancestral home at once. But when I reach the ancestral graveyard behind the hill, I witness something that makes my blood boil. The graves of my deceased family members have been razed to the ground. Even my parents' graves have been brutally dug up. Their urns are now placed under flower pots filled with blooming red roses. Grandma's coffin has been pried open as well.Her body now lies strewn on the ground and has started to rot. I also see Lucy Stewart, my autistic younger sister. Melissa Abbott, my wife's assistant, orders Lucy around like a maid, forcing her to move heavy construction materials around. Enraged, I grab Melissa by the throat and throw her to the ground. "How dare you destroy my family's ancestral cemetery and make my sister do hard labor! Do you want to end up buried here too?" Melissa coughs up blood before crawling back onto her feet, her expression vicious and scornful. "I'm simply carrying out Ms. Fuller's instructions. She says that your ancestral cemetery is located in a good spot. It's also the perfect size to be turned into a private horse ranch and a garden for her future husband. "Ms. Fuller calls the shots here in Joverton City. Who the hell do you think you are, huh?" Resisting the urge to put an end to her life, I call up Eva Fuller, my wife. "I heard you call the shots here in Joverton City. Well, I shall put that to the test today!"

After I transmigrate into a Gary Stu novel as the evil male supporting lead, a system appears in my mind. It tells me that as long as I can conquer one of the female leads, I will be able to return to my original world with a healthy body. But I've failed in my conquest. There are a few female leads in this novel. There's the fake heiress, Leslie Jackman, who I have grown up with and have viewed as my older sister. The true heiress, Miranda Suller, is a boxer who happens to be seatmates with me during our high school times. My childhood sweetheart, Catherine Langdon, who's also a genius surgeon, happens to be one of the female leads too. Heck, even my own daughter, Natalie Jackman… my own flesh and blood… All of them are quick to fall for Gabriel Linner, the poor yet strong-willed young man who's also known as the Gary Stu of this novel. Because of that, they hate me deeply. The system sighs before telling me that as long as I can die in the hands of any of the female leads, it will let me return to my original world. Later on, I use all of the tricks up my sleeve and succeed in getting killed by the female leads. But why is it that they've lost their minds after I die?

My wife's first love crashes his car into me at 75 miles per hour, throwing my body over 65 feet across the road. As I am moments away from drawing my last breath, I use the remainder of my energy to call my wife. Focused on helping him cover up his crimes, she brushes me off before hanging up. "I'm busy—stop bothering me," she spits. Little does she know, the man who was just killed… is me.

After my younger brother died, my parents and grandfather all killed themselves. Each of them died in a different way, but they shared one thing in common: Before their deaths, every one of them had read my brother's suicide note. And in that note, there was only a single sentence. Reporters fought for a chance to interview me. The police interrogated me overnight. Countless people wanted to know what that sentence said. But I never told anyone. Until the tenth anniversary of my brother's death, when I saw a figure standing in front of his grave. At that moment, I felt an overwhelming sense of excitement. Because I knew my turn had finally come.