Who Are The Main Characters In MAD'S Greatest Artists: The Completely MAD Don Martin?

2026-01-09 01:05:27 236

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Uriah
Uriah
2026-01-12 23:49:16
Don Martin's work in 'MAD' magazine is legendary, and 'The Completely MAD Don Martin' is a treasure trove of his genius. The 'main characters' here aren’t traditional protagonists but rather his iconic recurring gags and visual trademarks. You’ve got the 'Fonebone' family—those lanky, rubber-limbed figures who stumble through absurd scenarios, like getting flattened by anvils or stretched into impossible shapes. Then there’s Captain Klutz, this bumbling superhero parody who’s more likely to trip over his cape than save the day. Martin’s humor relied less on plot and more on surreal physical comedy, so the 'stars' are really his signature sound effects ('SPLAT,' 'KLONK') and the way he distorted reality with every panel.

What’s wild is how these 'characters' feel alive despite having zero dialogue. Martin’s art was so expressive that a single eyebrow twitch or a shoe flying off could tell a whole story. I’ve spent hours flipping through his collections, and it’s like watching silent film slapstick but with way more exploding cigars. If you’ve never seen his stuff, the sheer creativity in how he turns everyday mishaps into cosmic disasters is mind-blowing. It’s less about who’s in it and more about how they’re drawn—literally!
Keira
Keira
2026-01-13 01:56:00
If you’re asking about 'The Completely MAD Don Martin,' you’re diving into a world where the 'characters' are more like forces of nature. Martin’s style was so distinct that even his one-off gags feel like old friends. Take his recurring 'victims'—those hapless schmoes who’d step on rakes or get crushed by falling pianos. They’re not named, but they’re unforgettable. Then there’s the 'MAD politician,' a bloated windbag whose speeches end with the building collapsing. Martin’s genius was in making generic figures feel iconic through sheer absurdity.

I’ve got a soft spot for his 'doctor' sketches, where patients inevitably leave with bandages wrapped around their entire heads or limbs in impossible casts. It’s not about deep lore; it’s about the rhythm of the joke. Even his sound effects are 'characters'—like 'FOOM' for a cannon blast or 'SCRITCH' for a record needle scratching. His work’s like a cartoon orchestra where everything’s in perfect chaotic harmony. The book’s a masterclass in visual humor, and 'main characters' just means 'whatever’s getting destroyed this page.'
Joanna
Joanna
2026-01-14 17:10:13
Don Martin’s stuff in 'The Completely MAD Don Martin' is less about traditional storytelling and more about celebrating his weird, wonderful universe. The 'main characters' are his trademarks: the guy with the giant nose, the woman with the hair curlers screaming 'MORTIMER!', the cops who arrest people for existing near banana peels. His humor was so physical that even a brick wall could feel like a protagonist if it fell on someone’s head.

What’s cool is how his style influenced later cartoonists—you can see his DNA in everything from 'Ren & Stimpy' to 'SpongeBob.' His characters aren’t deep, but they’re instantly recognizable. Like the 'nervous guy' sweating buckets before a date, or the 'mad scientist' whose inventions always backfire spectacularly. The book’s a time capsule of his best work, where the 'plot' is just an excuse for glorious, ridiculous chaos. If you love comedy that doesn’t overthink it, this is pure gold.
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