Who Are The Main Characters In 'The First Bad Man' Synopsis?

2026-04-18 18:37:00 91
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4 Answers

Kimberly
Kimberly
2026-04-21 10:11:16
Miranda July's 'The First Bad Man' centers around Cheryl Glickman, a quirky, middle-aged woman who's deeply entrenched in her own idiosyncratic routines. She works at a self-defense nonprofit and harbors an obsessive crush on her older board member, Phillip. Cheryl's world gets turned upside down when her bosses' chaotic daughter, Clee, moves in with her. Clee is this brash, physically imposing young woman who couldn't be more different from Cheryl—their dynamic is this bizarre push-and-pull of tension and unexpected intimacy.

What makes the book so fascinating is how Cheryl's internal monologue contrasts with her outwardly subdued life. She's constantly imagining these elaborate scenarios, especially about Phillip, while Clee bulldozes through her boundaries. There's also this surreal subplot involving a baby that blurs reality and fantasy. The way July writes Cheryl makes her simultaneously pitiable, hilarious, and deeply relatable—like watching a train wreck you can't look away from.
Talia
Talia
2026-04-21 18:24:12
Cheryl's the heart of the story—imagine someone so tightly wound that even her fantasies feel meticulously organized. She’s got this unrequited thing for Phillip, who barely notices her, and then Clee crashes into her life like a hurricane. Clee’s all raw energy, sleeping on Cheryl’s couch and leaving messes everywhere, but there’s this weird symbiotic relationship that develops. Phillip’s more of a background figure, almost a caricature of male obliviousness. The baby subplot? Totally bonkers in the best way—it ties into Cheryl’s longing for connection. July’s genius is making these characters feel both absurd and painfully real.
Finn
Finn
2026-04-22 21:26:30
Cheryl’s this neurotic, daydream-prone protagonist who’s hilariously out of touch—until Clee barges in. Clee’s all rough edges, a total contrast to Cheryl’s uptight vibe. Phillip’s more of a fantasy than a real character, which kinda underscores Cheryl’s loneliness. The baby plot twist is where things get surreal, but it oddly works. July’s characters are messy, flawed, and unforgettable.
Willa
Willa
2026-04-22 22:29:46
If you peeled back the layers of 'The First Bad Man,' you’d find Cheryl at the core—a woman so trapped in her own head that her reality bends. Her fixation on Phillip is almost pathetic, but July frames it with such empathy. Then there’s Clee, this force of nature who disrupts Cheryl’s sterile existence. Their relationship starts as a nightmare (Clee’s literally kicking Cheryl during sleep) but morphs into something tender and strange. Phillip’s barely a presence, yet he looms large in Cheryl’s mind. And that baby storyline? It’s like Cheryl’s repressed desires manifesting in the wildest possible way. The book’s brilliance is in how it balances cringe comedy with raw vulnerability.
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