Who Are The Main Characters In 'The Walled Garden'?

Princess Chloe's son, Elliot, finds that his mate is a childhood friend that he has loved since childhood. Elisabeth was abandoned and left for dead by her biological mother as soon as she was born. Queen Winnie raised her to be a white witch, knowing her biological mother is Dahlia, Queen of the dark witch coven. Elisabeth and Elliot are going to have to work together, with the help of The Alliance, to kill Dahlia before she drains Elisabeth's and her siblings' magic to use for her own evil purposes.

What is scarier than someone living in your walls? How about finding out the boy in the walls has seen a monster in there? What will the Count's daughter and her two unusual friends do to protect her home? Rated 12+ for light violence, kissing, sexual reference

The Heart Beneath the Thorn — A Modern Beauty and the Beast Retelling 💔 In a glittering city of fortunes and façades, The Heart Beneath the Thorn reimagines Beauty and the Beast through the broken glass of betrayal, redemption, and forbidden love. Emilia Grace, a fierce yet quietly bruised soul, is just trying to survive. Between juggling hospital shifts, family debts, and the ghosts of her past, she’s never had the luxury of dreaming. But fate has a cruel sense of humor when she’s assigned to care for Max Carter—the cold-hearted billionaire who once made her school years a waking nightmare. Max was the golden boy with the cruel smirk—the privileged heir with everything, except peace. Years later, a tragic accident leaves him scarred, not just physically but emotionally. Isolated and emotionally exiled, Max is now a man haunted by his past choices and a legacy wrapped in barbed wire. When Emilia walks back into his life, she's no longer the girl he mocked—she's the woman who might just be his undoing. Forced into each other’s orbit, what begins as a war of words slowly melts into lingering stares, late-night confessions, and an unraveling of everything they thought they knew. Max, the beast of her memories, begins to reveal the tender man beneath the mask—a man who collects poetry he never shares, who builds gardens no one sees, and who might have always loved the girl he couldn’t protect. But trust doesn’t bloom easily in thorn-covered soil. And when old enemies, buried secrets, and a scandalous inheritance come to light, Emilia must decide: can she love the man who once broke her, now that he’s the only one trying to piece her back together? A tale of enemies-to-lovers, second chances.

When Covid hits, the Thomas Family decided to pack up their lives in the city and move to Buttershire, to the family mansion on the hill. But there is a secret to the mansion, that no one told the family when they got the keys. Whilst the adults seem oblivious to what is happening around them, the teenage knows that the clock is ticking. What they discover is truly not for the faint of heart.

Once childhood friends, now reluctant strangers—Lady Clara Valdemont and General Darrell Storm are bound by an arranged marriage meant to unite two feuding houses. Once allies, the Storms and Valdemonts were torn apart by betrayal and bloodshed. Now, the kingdom’s fragile peace rests on the shoulders of a bride and groom who barely speak. As Clara walks down the aisle, memories of the boy who used to tease her and teach her how to fish clash with the man waiting at the altar—stoic, cold, and unreadable. Darrell has not forgotten the past, nor has he forgiven it. Their vows are spoken through clenched teeth, their first kiss a mere brush on the cheek. This is not a love story born of fate—it is one that must fight to be written. In a kingdom of politics, pride, and pain, can two broken hearts learn to beat as one again?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.